Marriage as Portrayed in The Merchants Prologue and Tale
The story of Januarie's marriage to May and her subsequent infidelity with Damyan allows for not only Chaucer's view of marriage to come through, but also includes the opinions of contemporary writers. Chaucer allows his views to be made known as the narrator and his views could also be said to infiltrate the speeches of the Merchant. Justinus and Placebo's views are also accounted for as the fictional characters also air their opinions on the institution of marriage. In this way, Chaucer has allowed for a fair deal of discussion of marriage.
Chaucer places the character of Januarie in Pavia, which has a reputation for brothels. In this somewhat uncouth place, Januarie is in a self-imposed race against time to find a wife. At 60 years old, Januarie is getting married simply because he feels that he should before he dies and believes that, like St Paul says, to get married purely in order to avoid sin, is perfectly reasonable. Januarie wants a wife of "warm wex" in order to be able to ply her to his own demands and needs. His friends would have liked to have advised Januarie further on his choice of wife, however there was no time. Januarie sees the marriage very much as a business transaction and he uses his friends to scour the land for suitable women as it is a quicker way of finding the best deal.
Like Januarie, Justinus is concerned with the economic ideals of the union. However he does have further concerns as to the age difference that will occur. He soon sees the possibility of infidelity on the wife's part. Unlike Januarie who quite simply requires a pretty face and a weak character, Justinus advises that the woman should have "Mo goode thewes than ...
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...nfidelity is wrong. The Merchant says little about the business like manner in which the marriage took place, but has more to say about the untrustworthy nature of women, his cynicism from his own relationships showing through his occasional selections of Biblical references to deceitful women such as Rebecca and Judith. The Tale's own deceitful woman, May, yearns for a more emotional relationship and believes that she finds this with Damyan. However, he holds what appears to be a more typical male view of marriage. It is much more enjoyable to be a bachelor and to have no ties. May's only emotional links with him, such as the letters they exchange, have to be disposed of in the privy. The mercantile, unromantic nature of marriage seems to be prevalent in most men's minds as women cannot be trusted unless perhaps under some kind of bond other than purely spiritual.
Bill Cosby once said that, “For two people in a marriage to live together day after day is unquestionably the one miracle the Vatican has overlooked.” J.J. Lewis (1995-2009) This famous comedian could not have been more correct when recognizing that every marriage will face a multiple number of challenges and is often difficult. Couples, once married, must find a way to end any struggles in order for the marriage to be successful. Marital traditions have changed greatly over the centuries and due to this, the opinion of what an ‘ideal marriage” consists of has changed as well. When reviewing the document “On Love and Marriage” the author (a Merchant of Paris) believes that marriage should not be an equal partnership, but one that pleases the husband to avoid conflict. This can be clearly seen through an examination of: the social, and political environment of the late fourteenth century, and the merchant’s opinions on the area of obedience to a husband, and how to avoid infidelity.
The Merchant's Prologue and Tale presents the darkest side of Chaucer's discussion on marriage. Playing off both the satire of the moral philosopher, the Clerk, and the marital stage set by the Wyf of Bathe, the Merchant comes forth with his angry disgust about his own marital fate. Disillusioned and depraved, the Merchant crafts a tale with a main character who parallels his own prevarication and blind reductionism while he simultaneously tries to validate his own wanton life by selling his belief to the other pilgrims. As both pervert reality through pecuniary evaluations on different levels, however, both are exposed to be blind fools, subject to the very forces that they exert on others. As this reversal happens and the Merchant satirizes Januarie blindness, Chaucer reveals the Merchant's blindness, giving him the very significance that he had spent his whole tale trying to deny.
The way in which Januarie bases his search for a wife on concern for his own salvation and economic interests is menacing as it is a foreboding image for the rest of the marriage. His main interest lies in what he should do to ensure he experiences Paradise both alive and dead and thus highlighting his selfish nature. The economic concerns he shows for the match not only highlight this, but also his threatening lack of emotion that he is prepared to commit to the marriage. Rather than a child, he hopes for an heir, seeing only economic opportunity in any offspring. His fiancée can hope for little love for herself or any children.
Women are prizes to be won over in this tale. Competition for women is portrayed throughout the entire story. This competition leads to lies and deceit which overall creates an unstable conflict. But, because of the way of life, the people who don’t lie and deceit still lose out in the end. Therefore, Chaucer teaches us that life isn’t fair and that people don’t always get what they deserve.
In his prologue, the Merchant recounts how he despises being married. He has only been married for two months and he regrets the decision he made because his wife is the worst of all. He takes these negative views of marriage into his tale.
In 1861, Harriet Jacobs published her book “Incidents in the Life of a Slave Girl.” The story is based in Southern United States of America during the time before Jacob escaped from slavery in 1835 (Reilly 649). Jacobs uses the name Linda Brent as a pseudonym (Reilly 649) and describes her experience as a female slave through a first person narration. The purpose of the selections featured in Kevin Reilly's, “Worlds of History,” is to show the victimization and emotional suffering female slaves feel against their white masters vs. the physical pain a male slave endures.
Medieval and Renaissance literature develops the concepts of love and marriage and records the evolution of the relation between them. In Chaucer's Canterbury Tales, Christian love clashes with courtly love, as men and women grapple with such issues as which partner should rule in marriage, the proper, acceptable role of sex in marriage, and the importance of love as a basis for a successful marriage. Works by earlier writers portray the medieval literary notion of courtly love, the sexual attraction between a chivalric knight and his lady, often the knight's lord's wife. The woman, who generally held mastery in these relationships based on physical desire and consummation, dictated the terms of the knight's duties and obligations, much like a feudal lord over a vassal. This microcosm of romance between man and woman was anchored by the macrocosm of the bonds among men and their fealty to their lord. The dominance of women and fealty to the leader in courtly love contrasts with the dominance ...
The structure Geoffrey Chaucer chose for his masterpiece, The Canterbury Tales, of utilizing a melange of narrative voices to tell separate tales allows him to explore and comment on subjects in a multitude of ways. Because of this structure of separate tales, the reader must regard as extremely significant when tales structurally overlap, for while the reader may find it difficult to render an accurate interpretation through one tale, comparing tales enables him to lessen the ambiguity of Chaucer’s meaning. The Clerk’s Tale and The Merchant’s Tale both take on the institution of marriage, but comment on it in entirely different manner, but both contain an indictment of patriarchal narcissism and conceit.
Using the rich monk to her advantage, she spent all the money that he gave her, soon realizing the money he gave her was money that he borrowed from her husband. With no remorse of spending the money that would free her husband of his debt, she said “He gave me a sum of money… I spent it in a way of pretty clothes; it didn't go to waste… don't be angry” (Chaucer 168). Leading him to think his debt disappeared/ was gone forever, he soon found out she spent his entire savings on things she claimed he never gave her. This shows how materialistic she is to pick pretty clothes and expensive gifts for herself over the fact of having a happy relationship, without having the decency to tell him, but forcing him to find out on his own. The Merchant's wife is not the only women that corrupted her relationship. In the Death of King Arthur, the king finds out the Queen has been having an affair with their noblest knight, Lancelot, making him rethink his whole marriage. The king thought “ My lady, she wanted to be my wife or my lover. How could I allow her to be either? Love must spring from a loving heart. It cannot come
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