The late nineteenth century Irish novelist, Bram Stoker is most famous for creating Dracula, one of the most popular and well-known vampire stories ever written. Dracula is a gothic, “horror novel about a vampire named Count Dracula who is looking to move from his native country of Transylvania to England” (Shmoop Editorial Team). Unbeknownst of Dracula’s plans, Jonathan Harker, a young English lawyer, traveled to Castle Dracula to help the count with his plans and talk to him about all his options. At first Jonathan was surprised by the Count’s knowledge, politeness, and overall hospitality. However, the longer Jonathan remained in the castle the more uneasy and suspicious he became as he began to realize just how strange and different Dracula was. As the story unfolded, Jonathan realized he is not just a guest, but a prisoner as well. The horror in the novel not only focuses on the “vampiric nature” (Soyokaze), but also on the fear and threat of female sexual expression and aggression in such a conservative Victorian society.
Vampires have long been an icon that challenges the idea of ‘myth’ while also being a perfect example of the term itself. Long before Bram Stokers Dracula, there was Carmella, the lesbian vampire. Before this there were the ancient Greek tales of the Lamia, who are best described by Lawson "....the chief characteristics of the Lamiae, apart from their thirst for blood, are their uncleanliness, their gluttony, and their stupidity" (LAWSON) that would suck the life essence of children. The difference with the vampire, however, is that while other monstrosities of literature and entertainment are considered mostly a natural evil, that is, in and of themselves capable of harm to general human interest, vampires are a commentary of relationships through a sort of
Dracula is a mythical creature designed to wreak havoc on the lives of mortals through the terror and intimidation of death by bite. Vampires are undead beings that kill humans for their blood to survive. Human blood is the vampire’s sustenance, and only way of staying alive. Throughout time, humans have come up with ways to repel vampires, such as lighting jack-o-lanterns on All Hallows Eve, placing garlic around the neck, a stake through the heart, sunlight, etc. Both beings have a survival instinct, whether it be hunger or safety, both are strong emotions. In the novel Dracula by Bram Stoker, the characters Lucy, John, and Van Helsing strive for survival, therefore killing Dracula.
In novels it is not uncommon for characters to be identified as morally ambiguous. It can be extremely difficult to identify a character as purely evil or purely good. In the novel Dracula, Bram Stoker presents a morally ambiguous title character, Dracula. Dracula can be seen as evil by the obvious: he is a vampire that bites people to get their blood. But on the other hand, Dracula can also be seen as good. Dracula is not purposely trying to kill people, he is just trying to protect himself. Lots of people believe that they can understand and analyse other people and try to come up with conclusions on how that person is but Stoker shows how in some cases, analyzing a person cannot easily be done. Most people are not black and white. Their
Over the centuries vampires have been creatures of mystique and intrigue to our society. They represent danger, death, lust, and allure. They are immortal, and often sexualized beyond the bounds of the puritanical values that still guard modern society. Due to these traits they are practically irresistible to the reader and have fascinated society for centuries. While vampirism can take on multiple forms, with each form possessing its own specific set of traits that allow it to successfully prey on the living, the official definition for a vampire in literature is: “The vampire as ghost or revenant; as monster or deformity; and as reanimated corpse, revenge-seeking emanation of the dead. (Huggan, 192) Early mythological vampires date back centuries
Firstly I will look at sexuality and sexual deviancy in vampire literature; vampires are often representative of the manifestation of ‘evil’ in society, they are ‘the other’ and are used to portray undesirable moral characteristics. It is not a surprise, then, that vampires are often written as being sexually deviant- especially female vampires. Women living in Britain in the Victorian era were forced to comply with the ideals of society at the time for their gender, they were supposed to be submissive to their husbands, meek and domesticated, this was known as ‘the angel in the house’, a popular term coined to describe the ‘ideal’ Victorian woman. In gothic literature, women are usually portrayed in one of two ways, as ‘the angel in the house’ or a ‘femme fatale’. Female sexuality was seen as being very deviant and scandalous at the time, women were supposed to be virtuous and virginal, it is obvious, then, that female vampires should be sexual. Bram Stoker’s Dracula (1897) was written at a very important time, both in the midst of the Victorian era and also at a time of an emergence of a new role for women, the ‘new woman’. The ‘new woman’ was educated, more openly sexual, and sought autonomy from her male counterparts
In the year 1897, Bram Stoker releases the crown jewel of the 20th century: his vampire epic Dracula. Ever since Dracula, Transylvania, and castles have been associative of vampirism, the world has become “bloody”. There are slight deviations to the novel, but the majority of them are fairly partial to the novel. Worldly views show Dracula as an old man with a new face. The inception of Bram Stoker’s Dracula has been the melting pot of the recreations and incarnations of the world’s deadliest, bloodsucking vampire, Count Dracula.
Even at the ending, there still is suspense after Dracula is killed because it was anticlimactic. My only question, is “Who is this ‘we’ mentioned when Dracula is talking about Transylvania’s past and the battles?” That one unanswered question leaves suspense because it makes it seem like there are more vampires not really mentioned in the book. I believe that Stoker purposely used his word choice to show good and evil because he used the word “voluptuous” to describe the three evil women and also described Lucy when she turned/passed away. I believe that Stoker uses British womanhood to show weakness since Lucy was the first one bit and that if she did not get help then she would have passed away faster and would have transformed into a vampire and would continue terrorizing little kids. However, I believe that through Mina, Stoker uses a new form of British womanhood to show a strong woman that after overcoming an obstacle can rise above it and work with the men to defeat evil. I think Mina is my favorite character in Dracula because she does just that. She did not just get saved and not do anything, she got saved and then used her visions to help the men find Dracula. That is what I admire about her. She is a strong woman. I like the suspense in the end of the book with how Dracula just dies and then everyone seems to live a happy life, however, I would have ended the book with a better “fight scene” that would have proved that Dracula was either the only vampire or that there were more. I think Stoker uses word choice to denote good and evil in Dracula and does an excellent job in doing so by describing the three women and then adding on to Lucy when she
...ughout the book, the reader can see a story of a new type of woman emerging in the 19th century. At the end of the story Van Helsing speaks of Mina and Jonathan’s newborn son and how he is going to be the new age man that will accept the new age woman and understand a woman who not only is motherly and loving, but also proud, strong, and independent. Mina now represents the new age woman just as much as she did the traditional woman in the beginning, and in the end the men fought to save her life. Stoker wrote Dracula to prove a point that the new age woman will eventually emerge as the leading type of woman and the traditional woman will be no more. Although Mina isn’t the drastic new woman that Lucy was, she shares many similar characteristics and is as strong and powerful as the new age woman, with the intelligence and motherly love that the traditional woman had.
What if in between good and evil did not exist? Where would you stand? Today, it is believed that everyone was born with the slightest bit of evil in them. In the Victorian Era, this theory would be considered very wrong, because one would either be all good, or all evil. In Dracula, by Bram Stoker, good versus evil was symbolised throughout the book as two antithetical forces without an in between. By clearly demonstrating the relationship between the dualistic ideas of intuition versus logic, good characters facing figures comparable to the devil, and symbolism within the natural world, Bram Stoker effectively recounts a “holy war” between the antagonistic forces of good and evil.