Characterization of Antigone in Sophocles' Antigone

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Sophocles’ tragic drama, Antigone, presents to the reader a full range of characters: static and dynamic, flat and round; they are portrayed mostly through the showing technique. In “Sophocles’ Praise of Man and the Conflicts of the Antigone,” Charles Paul Segal takes the stand that there are two protagonists in the drama (which conflicts with this reader’s interpretation): This is not to say that there are not conceptual issues involved in the characters of Creon and Antigone. But the issues are too complex to be satisfactorily reduced to a single antithetical formulation. We must avoid seeing the protagonists as one-dimensional representatives of simple oppositions: right and wrong, reason and emotion, state and individual, or the like (62). Werner Jaeger in “Sophocles’ Mastery of Character Development” pays the dramatist the very highest compliment with regard to character development: The ineffaceable impression which Sophocles makes on us today and his imperishable position in the literature of the world are both due to his character-drawing. If we ask which of the men and women of Greek tragedy have an independent life in the imagination apart from the stage and from the actual plot in which they appear, we must answer, ‘those created by Sophocles, above all others’ (36). The dialogue, action and motivation revolve about the characters in the story (Abrams 32-33). Surely it can be said of Sophocles’ main characters that they grow beyond the two dimensional aspect into really rounded physical presences. This is done through mostly the showing technique, though the chorus at times is involved in the telling technique, telling the audience various pieces of information. The drama begins with Antigon... ... middle of paper ... ...ment of his edict; he changes after Teiresias’ visit and warning. Ismene and Haemon become dynamic later in the tragedy. Rarely does the dramatist use the chorus to convey information; most of this comes from exchanges of dialogue, which would be the showing technique. WORKS CITED Abrams, M. H. A Glossary of Literary Terms, 7th ed. New York: Harcourt Brace College Publishers, 1999. Antigone by Sophocles. Translated by R. C. Jebb. no pag. http://classics.mit.edu/Sophocles/antigone.html Heidegger, Martin. “The Ode on Man in Sophocles’ Antigone.” In Sophocles: A Collection of Critical Essays, edited by Thomas Woodard. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966. Jaeger, Werner. “Sophocles’ Mastery of Character Development.” In Readings on Sophocles, edited by Don Nardo. San Diego, CA: Greenhaven Press, 1997.

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