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psychoanalytic literary critique
psychoanalytic literary critique
what is the importance of character development in literature
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Recommended: psychoanalytic literary critique
Literary Review
Theoretical framework
This chapter briefly explain some theories as the basic theories to analyze the data according to the topic is Personality traits in the little marmaid short story. There are; The Definition of Novel, Character in Literary work, Theory of psychoanalitical, and The Trait Concept & Theory of Personality.
The Definition of Novel
Talking about novel is never end since some century before till nowadays. Ian watt is one of the experts who states “The novel is the form of literature which most fully reflects this individualist and innovating reorientation”. Other words, Eagleton has proposed “novel can investigate a single human consciousness for eight hundred pages. Or it can recount the adventures of an onion,
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In other words, the plot and resolution of conflict revolves around these characters. (2) Minor characters serve to complement the major characters and help move the plot events forward. (3) Dynamic - A dynamic character is a person who changes over time, usually as a result of resolving a central conflict or facing a major crisis. Most dynamic characters tend to be central rather than peripheral characters, because resolving the conflict is the major role of central characters. (4) Static - A static character is someone who does not change over time; his or her personality does not transform or evolve. (5) Round - A rounded character is anyone who has a complex personality; he or she is often portrayed as a conflicted and contradictory person. (6) Flat - A flat character is the opposite of a round character. This literary personality is notable for one kind of personality trait or …show more content…
Stock characters are instantly recognizable to readers or audience members (e.g. the femme fatale, the cynical but moral private eye, the mad scientist, the geeky boy with glasses, and the faithful sidekick). Stock characters are normally one-dimensional flat characters, but sometimes stock personalities are deeply conflicted, rounded characters (e.g. the "Hamlet" type). (8) Protagonist - The protagonist is the central person in a story, and is often referred to as the story's main character. He or she (or they) is faced with a conflict that must be resolved. The protagonist may not always be admirable (e.g. an anti-hero); nevertheless s/he must command involvement on the part of the reader, or better yet, empathy. (9) Antagonist - The antagonist is the character(s) (or situation) that represents the opposition against which the protagonist must contend. In other words, the antagonist is an obstacle that the protagonist must
Everyone can relate to an archetype character in a movie, book, or television show. An archetype in literature is a typical character with an action or a situation that seems to represent such universal patterns of human nature. Common archetypes of characters are: a hero, caregiver, rebel, damsel in distressed, lover, villain, or tragic hero. In the play, The Crucible, there are several kinds of characters with archetypes. Tragic hero normally are in tragic plays which also can be called tragedy. “Tragedy is a drama in which a character that is usually a good and noble person of high rank which is brought to a disastrous end in his or her confrontation with a superior force but also comes to understand the meaning of his or her deeds and to
are characters that can be defined by their traits as certain archetypes. All novels and films contain archetypes that allow their audience to understand and relate more to
The word protagonist comes from the Greek word protagistes, meaning “One who plays the lead role.” The protagonist is forced to adapt to various conditions, and overcome many obstacles. A separate character or an omniscient narrator usually tells the protagonist’s story, but the protagonist himself can also tell it. While there is normally only one protagonist, there can more than one antagonist. The antagonist is the character that opposes the protagonist, and is usually responsible for the obstacles in his way. One common literary technique that is often used to rapidly change an audience’s viewpoint on a story is the use of a false protagonist. A false protagonist appears to the reader as the main character (the protagonist), but is suddenly removed from the picture completely. This removal is often accomplished by killing the false protagonist.
A novel utilizes the elements of narration, specifically including description and plot. Novels also incorporate a climax to the story along with denouement. Plot is unfolded by the actions, speech and thoughts of a character. It is these actions that lead to the climax and the resolution of the story.
A dynamic character is defined as a character who undergoes an important change in their personality or attitude. The great protagonists in literature often go through an intense internal conflict, resulting in the character being perplexed as to which path is the right one to follow. Fahrenheit 451 by Ray Bradbury follows a protagonist, Guy Montag, as he struggles with the choice between carrying on living in a brainwashed society or developing his own perspective on life, thus contributing to the theme of knowledge overpowering ignorance.
Character Analysis of The Handmaid's Tale Moira = == == We first meet Moira "breezing into" (P65) Offred's room at college.
Authors develop characters’ personalities in order to add depth to their story and allow readers to feel more connected to the characters. Beyond this, characterization also allows authors to develop the themes of their stories in a more clear manner. A prime example of this would be in the poem Judith, where the author contrasts Judith and Holofernes’ personalities in order to develop the major themes of heroism and having faith in God.
A character is a person in a story that plays a particular role. Stories require characters so that it forms conflicts, tensions and resolutions. Characters also carry certain traits to make the story interesting and unique. Each character might have different attributes. Others could have similar and different qualities. Those who read many novels might notice that characters from various books are similar to each other to an extent, but are not completely the same. The old English poem, Beowulf, and Shakespeare's Macbeth contain characters with similar characteristics. Beowulf and Macbeth share similar traits, but do not have the same objective. Comparing and contrasting determine the similarities and differences of things. Comparing and contrasting is an excellent tool to determine what is right and wrong. When choosing the best car to drive, comparing and contrasting helps in the choice of the best vehicle. Macbeth and Beowulf demonstrate that a warrior's motivations matter for both soldiers and the people.
Authors present their characters either directly or indirectly. In all good fiction all characters are dramatized. There are flat characters, they can be summarized pretty quickly. There are special types of flat characters one of which is called a stock character; characters we recognize right away (a sheriff or detective) On the other hand are round characters, which have qualities of real people and are many-sided. The static character is the same person from beginning to end, and finally there is the developing character which undergoes some kind of change, this character usually undergoes an epiphany. “Ultimately it is the quality of the characterization by which a literary story stands or falls”. [page 173]
novel has a very distinctive way of speaking and how they share their ideas. Especially in the
...pt by Steinbeck to prepare the reader for yet another conflict in the next section. A novel is the most diverse piece of literature that one can compose. It can go on for as long as one wants, as long as it has a definite format about it.
One particular criterion character effectively supports the central idea in “Rip Van Winkle” by Washington Irving. The character's type develops with the personality development throughout the story. Three types of characters: round, flat, and stock, appear in most stories. The round character displays a fully developed personality and full emotions. Flat characters, also known as supporting characters, do not develop fully or express complex emotions. A stock character, also known as a stereotype, fits an established characterization from real life or literature. With these three types of characters leading the reader through the story, the reader learns the events taking place as well as the changes in the character’s lives. The author keeps the reader informed of the changes affecting the characters throughout the narrative through style. When a character undergoes a fundamental change in nature or personality during the story, the character has dynamic style. However, a character without change defines a static character. Although all characters have a style and type sometimes understanding the differences appears complicated. A chart often helps establish a better understanding of character type and style.
For a time, the main characters in a story, poem, or narrative were easily classified as either being a hero or a villain. A hero would be easy to identify by the traits he'd possess, such as bravery, honesty, selflessness, trustworthiness, courage, leadership, and more. The villain would be easy to identify as well, possessing traits such as maliciousness, deceitfulness, immorality, dark, wishing harm upon others, and more. But what if the character lacked the natural heroic qualities but wasn't a villain either? What if the person displayed personality flaws that would traditionally be associated with a villain, but has heroic intentions? These questions were finally answered with the emergence of the anti-hero in literature.
There are certain components that a novel should contain. George Phelps has come up with a six-part basis for identifying novels: the writing must be fictitious, or in other words "not pretend to tell the truth," have a certain length, attain a unity of "plot, theme, tone, atmosphere, or vision," create an illusion of reality, be concerned with character, and be prose (Phelps 7-8). Kettle, in his An Introduction to the English Novel, argues a novel must have two elements -- a quality of life and a significant pattern (13).