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Theme of racism in Othello
Theme of racism in Othello
Othello characters analysis
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Considering the setting, the conflict, and the ways Brabantio was informed of Desdemona’s disappearance makes him an overprotective, prejudiced father.
In the middle of the night, Iago and Roderigo stand outside of Desdemona’s father’s house and wake him up with their shouts. They then mention about Desdemona and Othello’s marriage using lewd expressions. Brabantio at first is not able to believe that his daughter married without letting him know, but later when he figures that out he gets even angrier that his daughter married to Othello (African black skinned person) rather than a white guy. At that point, he pulls out his weapons and goes towards Othello accusing him of kidnapping his daughter through magic. Later Brabantio goes before the Duke and discusses this matter in front of him.
According to how Brabantio was being informed in the middle of the night, Brabantio’s reactions are far more intense than they should be. Even though Iago and Roderigo used animal as symbols in their speeches to refer Othello, Brabantio should not use them as soon as he acknowledges that his daughter is married to Othello happily with the permission of her will. It is true that he is worried about his daughter’s safety like a responsible father should, but there are certain other thoughts and acts delivered through his words which proves that this was not the only reason of his over-reaction.
One of these thoughts and acts of Brabantio is perceived when he says, "O heaven! How got she out? O treason of the blood!" when he hears about Desdemona’s disappearance. He doesn’t believe how Desdemona was able to get out of the house. This line foreshadows that Brabantio was an over-protective father who didn’t allow his daughter to get out of the hou...
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...l relations) are more important for him than the relationship with his daughter. Instead of disowning his own daughter and refusing to let her stay in his house for a few days, a good father should be delighted to see his daughter married to the man of her dream and should feel blessed as his daughter knows her duties. A most divine and forgiving father would have overlooked the act of treason and accepted his daughter's choice. If Brabantio was and always had been a proper father, Desdemona would have never gone to Othello so willingly without letting him know.
In the end, Duke mentions to Brabantio “If virtue no delighted beauty lack, your son-in-law is far more fair than black.” These lines of Duke highlighted to Brabantio that his reaction over his daughter’s marriage with Othello is incorrect as his son-in-law is fair (good) not black (evil) as thought by him.
After Brabantio and Othello arrive in front of the duke, Brabantio derisively refers to Othello as a Moor, saying “Humbly I thank your Grace. Here is the man – this Moor, whom now, it seems, Your special mandate for the state affairs Hath hither brought”...
	Iago uses a different tactic to manipulate Brabantio. He changes Brabantio's way of looking at the marriage of his daughter Desdemona to Othello. He awakes Brabantio by saying "Awake! What, ho, Brabantio! Thieves! Thieves! Look to your house, your daughter, and your bags! Thieves! Thieves!" (I.i.76-78) By saying this, Iago shows a new perspective to Brabantio by insinuating that Othello has stolen his daughter. Iago reinforces this when he say's,
Brabantio then puts forward his deep concern over Othello marrying his daughter, he suggests spells and medicines have corrupted her. thoughts. I will be able to do so. This is the first time that their love for one another is suggested as wrong. When the duke is told what the problem is he is outraged and is already thinking of the punishment for the offender.
Consequently, Brabantio is extremely upset when he learns that they have eloped. Brabantio's anger at Othello's "thievery" leads him to entreat the Duke and Senate to annul the marriage. It is also true that the scene involving Iago and Roderigo telling Brabantio of his daughter's eloping does much to develop the character of Iago as a meddling weasel early in the book. The scene in which Othello and Brabantio argue their cases before the Duke is the culmination of the underlying conflict between Desdemona and Brabantio. Desdemona's direct part in the saga is less important than the effects of this conflict on Othello, who emerges an honorable and lawfully wedded man after his appearance before the Senate.
This was an act of selfishness on Iago's side. Iago's main reason for doing all this, was not to inform Barbantio, but to make everyone dislike Othello so that he could become general. Roderigo also helped out with telling Barbantio about Othello and Desdamona's eloping. The reason Roderigo did this, was not to let Barbantio know for his purposes, but merely for his own selfish reasons. Just as Iago did. Roderigo was in love with Desdemona and wanted to marry her. When he found out that Othello had already married her, he wanted to get rid of him so that he would still have a chance with her. I think that Roderigo may have known that he did not have a chance with Desdemona and that she really did love Othello, and that made him very jealous. He did not like Othello because of this, and that's why he wanted to destroy his reputation.
Brabantio also endeavours into placing a seed of doubt in Othello’s mind as a result of his jealousy. Consequentially Brabantio objectifies Desdemona when he states, “Where has thou stow’d my daughter?” exemplifying how he deems her as a possession, which can be stolen like any other. Othello prolongs this objectification through asserting that he “won his daughter” portraying Desdemona as a prize to be won, and a possession to be owned and argued over by husband and father. Desdemona is depicted early on in the play as the “angel” wi... ...
In the opening scenes, Shakespeare portrays Othello as a noble character. When Brabantio seeks vengeance for "stealing" his daughter, Othello expresses his actions with, "tongue out his [Brabantio's] complaints" (1.2.21). Throughout this scene, Othello remains calm
Iago proceeds to tell the news of Desdemona and Othello's marriage to a shocked Brabantio. He uses offensive imagery, showing the extent to which he will go to win Brabantio's support against Othello. While not in the company of either Othello or Brabantio, Iago debases the marria...
He claims that Othello "hast enchanted her! / she had/ run from her guardage, to the sooty bosom of such a thing as thou/(1.3.64-73). This shows that Brabrantio thought his daughter to be unacceptable of choosing a husband ... ... middle of paper ... ... n the play are tragically the ones who suffer the most.
the father of Desdemona, to tell him that Othello has. taken his daughter Desdemona, and as they speak. making love to her,. Iago was attempting to instigate a fight between Othello and Brabantio, using Desdemona as the bait. Iago stated, “Your heart is bursting. You have lost half of your soul.
Othello is a man who is respected as a General in the Army. Brabanzio even considered him a friend. Thanks to Iago planting a seed in Brabanzio ear about his daughter, Desdemona, Brabanzio accused Othello of taking his daughter away from him by means of drugs or poision. Othello has fought on the battle-field and now finds himself on a very different kind of battle-field. He finds himself in a position of being forced to defend his honor, friendship and his love. There has been accusations made against Othello, so in a room filled with signors, masters, the Duke, and Brabanzio, Othello has a strategy of battlement in his own way. He tells the Duke to send for Desdemona, “Send for the lady to the Sagittary, And let her speak of me before her father” (1.3-115-116).
Brabantio is a very protective father. He makes sure that his daughter Desdemona lives a sheltered life under his care. She is his only child so he treats her like a prized possession. He also made certain to keep her under a tight leash, especially with male callers. When Roderigo tries to court her, he disapproves, "The worser welcome!/ I have charged thee not to haunt my doors./ In honest plainness thou hast heard me say/ My daughter is not for thee" (1.1.93-95). Brabantio is in disbelief when Roderigo instead tells him of Desdemona's elopement with Othello and says:
The audience at this point know nothing of Othello that is gained by their own opinion, instead we are lead to believe from Iago’s race related description that Othello is a threatening and evil moor, whose beastial sexual appetite, conveyed by Iago’s cries to Brabantio, telling him that ‘an old black ram is tupping’ his ‘white ewe’ (1.1.89), is something of a rapist. Iago’s coarse animal related language conveys Iago’s feelings against Othello’s marriage in a much more pronounced way. The image of an ‘old black ram’ gives the audience nothing but negative images of Othello, especially when this ‘old black ram’ is being associated with the innocence of a ‘white ewe’. Iago then associates Othello with the image of ‘the devil’ (1.1.92) because of Othello’s colour, Iago warns Brabantio that he has ‘lost half [his] soul’ now that Desdemona is married to Othello. Iago here emphasises the biracial nature of the marriage, already showing his ability to manipulate people, in this case he is manipulating Brabantio, to believe in Iago’s own opinions and in theory to eliminate all thoughts that Brabantio might of had of his own about the marriage.
In fact, Desdemona holds herself in such high regard that she almost seems incapable of believing that anyone else may not. Luckily for her, Othello similarly holds her in high regard, at least until Iago begins to manipulate him. Even before Othello, Desdemona’s own father, Brabantio, thought highly of her. When she elopes with Othello, he never believes that she ran away from home willingly. He believes that Othello had enchanted her until she herself says otherwise. Upon this realization, Brabantio, warns Othello against Desdemona, telling him:
As Othello is known in the play as the Moor, he often faces discrimination that his peers did not face. When Brabantio finds out that Othello married his daughter, he claims that Othello must have “enchanted her” (1.2.64) and that his daughter “…t’incur[ed] a general mock,” (1.2.70) by “run[ning] from her guardage to the sooty bosom.” (1.2.71) In other words, Brabantio is saying that he is in disbelief as to why Desdemona would marry a Moor when her socioeconomic status was so much higher. As a result of being treated as an inferior due to skin colour, Othello puts more weight on honour and reputation. Since his high ranking position in the army set him apart from other Moors, he uses it as compensation towards many aspects of his life such as marriage. For example, Othello associates the “…services which [he] has done the seignniory” (1.2.17) to Brabantio’s criticisms about him. Othello knows that his position holds power, and he is able to confidently articulate why he is suitable candidate to marry Desdemona. Unfortunately, Othello’s confidence does not last later in the play when his honour is suddenly threatened by presumptions that Desdemona is engaged in unfaithful acts. Soon thereafter, he loses his