Machiavelli, Macbeth, & The Decision
“The challenge of leadership is to be strong, but not rude; be kind; but not weak; be bold, but not a bully; be thoughtful, but not lazy; be humble, but not timid; be proud, but not arrogant; have humor, but without folly.” When it comes to leadership, Jim Rohn had the same views as Machiavelli. Machiavelli thought a good leader was one who was generous, one rapacious; one cruel, one compassionate; one faithless, another faithful; one effeminate and cowardly, another bold and cruel; and so on (Machiavelli. XV). He believed that to be a good leader, one had to have an equal balance between good and evil; Macbeth did not have that equal balance, which is why I do not believe Machiavelli would view Macbeth as a good leader. Macbeth was a man to take what was not his, he did not have fortune and faith, and instead of taking advantage of his enemies, he took advantage of his own people; all traits that Machiavelli would look at with disdain.
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“All hail, Macbeth, that shalt be king hereafter,” “thou shalt get kings, though thou be here” (1.3.50 & 67). The witches told Macbeth that he would be king, they did not tell him how or when it would happen. After the witches had told him he would be king, he wanted to take action and make it happen right away, he had no faith that it would happen on its own. “Prince of Cumberland! That is a step on which I must fall down, or else o’erleap” (1.5.48-50), because there was a king, Macbeth knew he would have to do something about it and he had no reservations about doing it. His thoughts and actions are not was Machiavelli would foresee a good leader to act like; Macbeth took control and decided that if he was to be king he would have to kill
In the play, Macbeth by William Shakespeare has a strong theme of power. Macbeth is a king who is given three predictions from three witches, one of which is that he will become king. The one problem is he doesn’t know what he has to do in order to become king. His wife then decides that in order for him to become king, he must kill the current king. This one murder then leads to others in order to cover the original murder up. Once Macbeth becomes king, he doesn’t want anything to change, he wants to stay king until he dies. He then begins to kill again, but instead of killing to cover something, he is killing anyone who stands in his way of staying king. Macbeth’s fate is affected by the personality trait of bravery, his ability to be manipulated, and his determination.
Throughout Macbeth, Shakespeare illustrates Macbeth’s journey to becoming a ruthless and tyrannical man who will do anything and everything to gain more power. Macbeth’s actions of killing prove Machiavelli’s theory that men are cowardly and dishonest, which leads those similar to Macbeth, to believe being feared is safer than being loved. Macbeth has demonstrated Machiavelli’s theory by his actions of murder and betrayal towards individuals, such as Banquo, under his ruling. Macbeth believes that being feared is safer than loved by his people, which causes citizens under his ruling to think he is a bad king. Since individuals believe Macbeth is a negligent king due to his cowardly and dishonest actions, individuals won’t put their trust or
This essay earned a 89/100. it was a lot of work considering the lines from macbeth for textual support.
Macbeth rejects conformation to traditional gender roles in its portrayal of Lady Macbeth’s relationship with her husband, her morals and their effect on her actions, and her hunger for power. Her regard for Macbeth is one of low respect and beratement, an uncommon and most likely socially unacceptable attitude for a wife to have towards her spouse at the time. She often ignores morality and acts for the benefit of her husband, and subsequently herself. She is also very power-hungry and lets nothing stand in the way of her success. Lady Macbeth was a character which challenged expectations of women and feminism when it was written in the seventeenth century.
The definition of a tragic hero, as stated on dictionary.com, is a literary character that makes an error in judgment that, combined with fate and external forces, brings on a tragedy. It has been argued for years whether Macbeth from Shakespeare’s, The Tragedy of Macbeth, can truly be considered a tragic hero or whether he is solely a villainous tyrant. Although there are some valid arguments for the Macbeth is pure evil viewpoint, by looking at Macbeth in a holistic way you can see the tragic, the heroic, and the tragic hero within him. Macbeth is a tragic hero in every sense of the definition.
In the early 1600’s, William Shakespeare penned an Aristotelian tragedy ‘Macbeth’ which provides his audiences both then and now with many valuable insights and perceptions into human nature. Shakespeare achieves this by cleverly employing many dramatic devices and themes within the character of ‘Macbeth’. Macbeth is depicted as an anti-hero; a noble protagonist with a tragic flaw that leads to his downfall. This tragic flaw of Macbeth’s, heavily laden with the themes of ‘fate or free will’, and ‘ambition’, is brought out by Shakespeare in his writing to present us with a character whose actions and final demise are, if not laudable, very recognisable as human failings.
In Shakespeare’s play Macbeth, the protagonist, Macbeth, murders the king of Scotland and eventually murders several other people. In the end, Macbeth meets his tragic fate of being killed by the nobleman Macduff. Throughout the play, Macbeth makes decisions that affect his fate, but other characters manipulate his choices and his actions. Early in the play Macbeth, Macbeth has control over his actions, but due to the influence of other characters and his subsequent insanity, by the end of the play, Macbeth has no control over his fate.
Shakespeare wrote timeless literature pieces, set in the Elizabethan era. His stories relate to conventional views of Renaissance culture while maintaining a realistic, morphable view concerning issues, such as gender roles. By questioning and challenging Elizabethan hierarchy, stories such as Macbeth posed a threat to stereotypes and ideology while respecting values. Shakespeare's tragedy, Macbeth, explores femininity, gender stereotypes, and allusions to Greek mythology to investigate relativity between cruel behavior and masculinity. (NEED ONE SENTENCE)
instill in him the need to be King. Still, desire is not enough for Macbeth and he is thus driven "to seek certainty as his one objective. He wants certainty from the witches . . . at whatever cost" (Campbell 228). Macbeth, however, is not completely lost yet; honour and justice remain in him, and although it takes him some time to fully consider the consequences of the witches' words on him, he rejects his horrible thoughts of murder and postpones all action: "If chance will have me king, why,chance may crown me, / Without my stir" (I. iii.143-144). For the time being, Macbeth's true essence is in control, that of loyalty and honour.
When anything in life first begins to grow, it begins as a seed. The seed of a plant, or of a thought, or of an idea. Once created, the seed can do one of two things. It can grow, or it can die. Shakespeare’s play Macbeth tells the story of an innocent man who is turned evil from the seeds planted by those around him, allowing readers to explore the repetition of growth and how it is implied through characters. Throughout the play, growth is used to display Macbeth and Banquo as foil characters, show Banquo’s “goodness” through positive imagery, and to show Macbeth’s “evilness” through negative growth imagery. By analyzing Shakespeare’s use of growth imagery, critical readers recognize that growth enforces the idea that growth triumphs evil, embodied in the actions and consequences of Macbeth and Banquo as they make one of two crucial choices? Good, or evil?
All hail, MacBeth, that shalt be king hereafter! (Line 47-50) These prophecies throw into his mind the possibility of further advancement to the highest level of the nobility. If the witches had not told MacBeth of their prophecies, there is little chance he would have thought about them himself, and even less chance he would have murdered king Duncan. In Act Three, Scene Five, the witches talk to Hectate, the goddess of demons, about MacBeth.
away if she isnt grateful for the food that she has recieved. Katharine eventually thanks her husband, but still does not get enough food to satisfy her hunger. Katharine is then told by his “loving” husband to get ready in her best outfit to meet his dad at his house. The tailor then enters the scene, and Petruchio sends the man to get a bigger cap than he initially brought for his wife. Katharine told Petruchio that she is able to talk for herself, and shows more of a dominant role in the relationship that was not initially expressed before. Then, although Katherine thinks highly of the dress, Petruchio fires the tailor after complaining about the dress that he made. Petruchio decides that it is what’s on the inside that counts, and announces
William Shakespeare's play Macbeth shows us that cheating will not get you were you want to go. Macbeth was written in the 16th century England during the Elizabethan period, because of this the story has a complex plot and many themes that the people in the Elizabethan period would enjoy. The character Macbeth has many traits that Shakespeare used to develop Macbeth throughout the play and even how the character Macbeth advances the theme of the play.
While Macbeth exhibits certain Machiavellian characteristics, he does not heed Machiavelli's advice regarding rulers who desire to obtain their principalities through crime, and through either the ignorance of, or disregard for, this advice, Macbeth cannot be considered Machiavellian.
In Shakespeare’s tragic play Macbeth, Shakespeare creates the ruthless character Macbeth, who is willing to go beyond any measure in order to attain the power of being king, including murder, deceit, betrayal and overpowering the chain of being. Macbeth was first tempted by the idea of kingship when three witches presented him with their portent of Macbeth becoming the next King of Scotland. Ebullient, Macbeth, immediately informed his wife of the news and they both pondered the thought of having the power to rule all of Scotland. Lady Macbeth, a power seeker herself, promptly schemed a plan to kill King Duncan in order for her and her husband to rule, displaying her ready ambition for power. Macbeth’s thirst for power ate away at his conscience