Change And Continuity In Japan

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At the dawn of the 20th century, Japan began a rapid social, political, and cultural transformation under the pressure of a threatening Western gaze. In a complex overturn of traditional Japanese values, the Meiji government abolished feudalism and produced a centralized administration where power laid with an oligarchy of wealthy businessman and former nobles (Ebrey, 336). Beyond a governmental overhaul, however, Japan also imported Western military technology, legal norms, constitutional thought, dress, financial structures, dress, and food. Through an oligarchy whose control allowed for a Western renovation of factories and schooling systems, Japan completed its transformation into a modern, industrialized society as epitomized in Naomi, …show more content…

Following the overthrow of the shogun, a small group of men began the implementation of programs that eradicated status distinctions and established broad civil and criminal codes following Western guidelines, where the law did not distinguish between classes. Projects that involved the building of telegraph lines and railroads were initiated for the sake of furthering communication and fostering unity (Ebrey, 340). By establishing state control over certain arms-related industries, the oligarchs fortified the Japanese military with advanced, expensive Western technologies. The government extended the invisible hand into social and cultural affairs as well; traditional Japanese hairstyles were outlawed in an effort to force citizens into a mass gravitation towards Western dress (Ebrey, 337). Ultimately, Japan’s modernization was only successful because its government was able to extensively control economic industries and social norms in a way that encouraged citizens to embrace Western …show more content…

In the novel, Joji, a respectable man in his 20’s, quickly falls under the spell of Naomi, who begins the tale as 15-year-old siren. During the years in which she gradually comes to dominate him, she and Joji demonstrate a desperate yearning to appear Western and engage in Western practices, perhaps an allegory for Japan’s avid interest in Western ideals and fashions at the time. From the start, Joji expresses that his initial fascination with Naomi came about as a result of her sophisticated, Western name, which he claims caused her “to take on an intelligent, Western look” (Tanizaki, 4). As Naomi develops, she takes on the persona of the modan garu, a promiscuous woman who smoked, drank, and had both an income and an education. This sexual liberation paralleled Western lust for flappers and actresses such as Mary Pickford. In addition, Naomi personifies Japan’s new consumerism in her constant consumption of everything from food and clothing to Western culture and sex. The sheer desires of Naomi are overwhelming; Joji’s house is described as being overflowing with all of her “new and different” Western clothing (Tanizaki, 45). Her promiscuity with regards to white men also point to a fixation on Western products and people, a type of consumption that came at the sacrifice of her reputation. As Naomi’s

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