Chanel started designing hats while working with Balsan, at first as a diversion that later developed into a company. She ended up being a certified milliner (hat maker) in 1910 and opened a shop at 21 rue Cambon, Paris called Chanel Modes. As this area currently housed a recognized clothing company, Chanel offered just her millinery creations at this address. It wasn’t till many years later, Chanel got into women’s dresses, becoming very famous for her Chanel Suit made for ladies which was also made for plus size women of the time. Chanel's millinery profession flowered as soon as theatre starlet Gabrielle Dorziat asked her to design her hats in the F Noziere's play Bel Ami in 1912. Consequently, Dorziat modeled Chanels hats once more in Les Modes. …show more content…
The fashions were built from modest materials such as jersey and tricot, mainly made use of for guys’ underwear. The area was a prime one, in the center of town on a stylish street. Right here Chanel offered hats, coats, sweatshirts, and the marinière, the sailor shirt. Chanel had the devoted assistance of 2 members of the family. One was her sister, Antoinette. The other was Adrienne Chanel, near to Chanel's own age, yet, incredibly her auntie; the child of a union her grandpa had late in his life. Adrienne and Antoinette were hired to design her designs; every day the 2 ladies walked through the town and on its boardwalks, marketing the Chanel
During her time in Moulins Chanel met and courted Etienne Balsan, an affluent textile hier. For three years she lived with him at his castle in Compiègne serving as his mistress. There Chanel lived a life of wealth and luxury that would not have been possible without Balsan. Later in her career it was those riches that inspired many of her iconic designs; her times spent on yachts lead her to incorporate those traditionally sailors looks of striped shirts and bell bottoms into her later
...s far as the author is concern, the fact that CoCo Chanel left the Victorian ideas and lived a life of her own made other women admire her. According to the author, clothing design was her star that raised her above other women. It would be better if other women would emulate her character and moral beliefs that should attract other women.
Working at her father’s clothing shop, she became very knowledgeable about expensive textiles and embellishments, which were captured in her works later in career. She was able to capture the beauty and lavishness of fabrics in portraits of aristocratic women.
Hiram Revels was born on September 27, 1827 in Fayetteville, NC. Unlike the majority of African Americans in the south, Hiram was born to free parents. His father worked as a Baptist preacher and his mother was of Scottish descent. Because of his Scottage background he was believed to be mixed with African and Croatan Indian lineage. In a time when teaching African Americans was illegal, Revels had an opportunity to attend a school taught by a black women. His older brother Elias Revels owned a barbershop, which he inherited upon his sibling’s death. Two years later he left to continue his education and to obtain a job.
The Roaring Twenties and the Gilded Age have come to be seen as revolutionary periods for the fashion world. With the emergence of influential designers like, Jacques Doucet, Mariano Fortuny, and Coco Chanel, this era of change has left a lasting impression on the fashion world as we know it today. The fashion evolution of these respective periods is a direct reflection of the evolution that was transpiring in American and European culture, making the world of fashion more than just a hobby for the wealthy, but an art form for the entirety of a culture.
Givenchy’s love for fashion grew when at the age of ten he attended the Pavillon d’ Elegance Paris Exposition. Once looking through Vogue magazine, he was inspired by Balenciaga men’s wear. He wanted to be a couturier and attended Ecole des Beaux-Arts in Paris, to start a formal education in fashion. His designing inspirations came from Elsa Schiaparelli and Madam Gres’s work. His experience also came from working at the House of Piguet in Paris; this salon was known for its dramatic yet simple style and after, at the House of Lelong that was known for their high quality clothing. Those positions gave him knowledge on how to work with couture customers and gave him an opportunity to build strong relationships with them (Press, 2002).
Coco Chanel, born Gabrielle Bonhuer Chanel, on August 19, 1883 in Saumur, France was an amazing woman who redefined fashion as we know it today. She was a clothing designer who revolutionized the fashion industry with her suits, little black dresses, and avant garde flare. Because of this quickly in her young life she became well know, and rose to be the fashion icon that she is today. From the timeless designs that are still popular to this day, and the sophisticated outfits that can be paired with great accessories Chanel has done it all. When it comes down to it though it was Coco Chanel’s philosophy that “luxury must be comfortable, otherwise it’s not luxury” that lead to her success. (“Coco Chanel”)
After World War II and the devastation of the Great Depression, women of the 1950’s started experimenting with new styles such as fancy skirts, shorts, and the well-known trouser pant (Monet). Women embraced the new look of cinched in dresses/ skirts, and fitted clothing to accentuate the hips and/or chest. A new beginning was taking place as women started wearing more “revealing” clothing to give themselves confidence, with a conservative twist (Monet). During World War II, nylon fabric was used for the production of parachutes. Now with the war over, nylon was now made for women’s clothing. For example: Lingerie, hose, blouses, and even sportswear (Monet). Also, large hoop, skirts often seen in the 1800’s, were trending again in the 1950’s, letting women show off the upper part of their body (Monet). Young girls’ fashion included bobby sox and poodle skirts seen in hit movies such as “Grease” (Cosmato). Fashion designer, Christian Dior, released his new line of fashion called “The New Look.” Waists of women looked as if they were thinner from the cinched material below their busts. He released his art to the public in 1947, giving the 50’s a chance to enhance his work in the coming decade (Monet). Women in the Mid...
Rennolds Milbank, Caroline. Couture, The Great Designers. New York: Stewart, Tabori & Chang, Inc. Publishers, 1985. Print.
Mr.Lauren had more dreams to fulfill. He chose the name Polo for his line of ties because the sport repsented to him a lifestyle of athletic grace and discreet elegance, an image of men who wore well-tailored, classic clothes and wore them with style. With that image in mind, Mr Lauren established Polo as a separate menswear company in 1968, producing a complete line of men's clothes. Using only the finest fabrications, Mr. Lares's menswear was distinctive, innovative, but always classic and refined. His suits blended the American Ivy League natural shoulder silhouette with the fitted shape and expensive fabrics of the best European custom tailored clothing. His shirts were all cotton, richly patterned and expertly made. This same care was, and still is, applied to every element of...
Paul Poiret was born on April 20th, 1879 in Paris, France. His contributions to twentieth-century fashion has earned him the title in many people’s eyes as the “King of Fashion”, because he established the principle of modern dress and created the blueprint of the modern fashion industry. Poiret’s designs and ideas led the direction of modern design history. He was born into a working class family and his natural charisma eventually gained him entry into some of the most exclusive ateliers of the Belle Époque. Jacques Doucet, one of the capital’s most prominent couturiers, hired him after seeing promising sketches he had sold to other dressmakers. Furthermore, he was hired by the House of Worth and was put to work to create less glamorous and more practical, simple items because his out of the ordinary designs were not welcomed in open arms by opulent clientele. Despite this experience he was still confident in his ideas and ventured out on his own with money barrowed from his parents and opened a storefront. Moreover, he wanted to promote of the concept of a "total lifestyle” was seen as the first couturier to merge fashion with interior design. His independent work broke the normal conventions of dressmaking, and overturned their underlying presumptions. He liberated the woman’s body from the petticoat and the corset to allow clothing to follow woman’s natural form. Poiret also radically revolutionized dressmaking to switch from the emphasis surrounding the skills of tailoring towards those based on the skills of draping and began to use bright colors. Furthermore, Poiret was apart of the art deco movement, which was surrounded by a period of immense social upheaval, particularly for women, and emergence of technol...
In the early 1800s, France was the sole fashion capital of the world; everyone who was anyone looked towards Paris for inspiration (DeJean, 35). French fashion authority was not disputed until the late twentieth century when Italy emerged as a major fashion hub (DeJean, 80). During the nineteenth century, mass produced clothing was beginning to be marketed and the appearance of department stores was on the rise (Stearns, 211). High fashion looks were being adapted and sold into “midlevel stores” so that the greater public could have what was once only available to the social elite (DeJean, 38). People were obsessed with expensive fashions; wealthy parents were advised not the let their children run around in expensive clothing. People would wait for children dressed in expensive clothing to walk by and then they would kidnap them and steal their clothes to sell for money (DeJean, 39). Accessories were another obsession of France‘s fashion; they felt no outfit was complete without something like jewelry or a shrug to finish off the look and make it all around polished (DeJean, 61). As designers put lines together, marketing began to become important to fashion in the nineteenth century; fashion plates came into use as a way to show off fashion l...
In the 19th century play, FASHION, Anna Mowatt develops the character plot as a contrast and comparison between being “natural” and “artificial in a world becoming preoccupied with fashion, and being fashionable. In the head notes, it was stated that Daniel Havens said FASHION is “the ugly image of the American Dream gone sour.” (Watt and Richardson) Fashion has a complex definition. The word ‘fashion’ can mean anything from the type of clothes you wear, how you communicate with others, the place you live, how you present yourself, or who you associate yourself with. In FASHION, Mowatt took a comical yet sober look at the definitions of “fashion,” applied it to real life in 1845, and through her characters, provides a mirror with which an audience/reader can evaluate themselves. I do not believe updating this play would be difficult because America has continued down the fast and destructive path in an effort to keep up with the “fashions” of the day.
On the occasion of the οpening of the Musée Yves Saint Laurent and the publicizing of the Yves Saint Laurent Haute Couture archive this October, it is only fair to dedicate this essay to one of the most controversial, most talented and innovative couturiers in the history of fashion, the man that as Pierre Bergé said: “[…]gave power to women.” (Another Magazine 2017) through his garments, through the identity of the style that he created; a style that is, still to this day, fresh, shocking, empowering and mesmerizing. Yves Henri Donat Mathieu-Saint-Laurent was born on the 1st of August in 1936, just a wear before legendary Elsa Schiaparelli show her groundbreaking ‘Autumn 1937’ Collection, in Oran, Algeria, to a prestigious and
She changed the idea of how women viewed themselves and how the society viewed women. People thought that she had a revolutionary ideas only in fashion, but in fact she had an impact on women’s place in society. Women started feel themselves more confident. The main idea of her style is simplicity and everlasting elegance in women wear. Through fashion Chanel did women’s life more simple and comfortable, she allowed women feel themselves more free, which helps them to feel the ability and power for making their life and to manage their life as they want to (“Coco