Sophocles translates his philosophy of life, of there being a harmony in the workings out of the universal order of things, into a harmony in Oedipus Rex. In the play, Oedipus, for instance, is a free agent with, however, certain limits upon his freedom of action as determined by the will of the gods; a transgression by Oedipus would lead to intervention by the gods since justice must prevail as is evident by the admission of chorus in the play
("But all eyes fail before time's eye, / All actions come to justice there.").
This view of a just universal order is maintained, in the play, by Sophocles through a careful and effective blending of sympathy and censure in his play Oedipus Rex which ultimately results in a moving tragedy.
Oedipus is not presented by Sophocles as a mere puppet. It is precisely his own search for the truth about his identity that eventually leads to his downfall; Oedipus' stubborn attitude even calls forth Jocasta's lamentations
("He will listen to any voice that speaks disaster, / And my voice goes for nothing.").
Sophocles, thus, censures Oedipus who is not a victim of fate but is instead responsible for his own doom. Similarly, Oedipus chooses to gouge out his eyes when he is encountered with the truth about his identity. Oedipus' confession
"But the blinding hand was my own!",
meaning that the above act was self-willed, invites criticism of his hot temper and his rash behaviour.
Oedipus is further censured for his overweening pride in his intellectual abilities. In his encounter with Teiresias, he reminds the blind prophet that it was he, of all involved, who solved the riddle of the Sphinx; he challenges Teiresias
"And this is the man you think you can destroy,"
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...hebes from the murderous plague, win him the respect and applause of the audience and he seems genuinely good.
Moreover, Oedipus commits the sinful acts of parricide and incest in ignorance which further buys sympathy for him by mitigating his responsibility in the errors committed by him. Thus, Sophocles shows that Oedipus is not only admirable but also innocent; his pride is presented as an intellectual rather than a moral shortcoming leading to Oedipus' moral innocence winning not just the sympathy but also the hearts of the audience.
Thus Sophocles has successfully harmonized censure and sympathy in his play Oedipus Rex by, on the one hand, casting Oedipus in a very pitiable light as a result of his misfortune, and, on the other hand, exposing the flaws in Oedipus'character in such a way as to invite strong condemnation of his failings.
Aristoteles’s “Theory of Tragedy” suggests that the tragic flaw in Sophocles’ play Oedipus is the King’s “self-destructive actions taken in blindness,” but a worse flaw is his arrogance. There are a few opposing views that stray from Oedipus being fully arrogant. First is that he took actions to save himself from further pain. Second, by putting himself in charge was the right thing to do as the leader of his people. Third, Oedipus never tried to outwit the gods but used the prophecy as a warning to leave Corinth.
...Sophoclean Rulers: Oedipus.” In Twentieth Century Interpretations of Oedipus Rex, edited by Michael J. O’Brien. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1968.
After his recognition and reversal, Oedipus exclaims "The hand that struck my eyes was mine, . . . I did it all myself!" (ll. 1469, 1471) He is not only referring to his self-inflicted mayhem, but also the chain of events that led to his demise.
As tragic hero Oedipus displays all of the usual canon; power, arrogance, and pride. Oedipus manifests himself in a position of confidence, which he derives from his success at solving the riddle of the Sphinx and marrying a queen.“It was you who came / and released Cadmus’ Town from the tribute / we paid to the cruel songstress…” (Sophocles, 33-35) , “CREON: Then tell me this - / are you not married to my sister?” (Sophocles, 696-697). In turn, it also enabled him to make rash decisions, such as slaying his father, without personal recompense. “I was to slay my father. And he dies, / And the grave hide...
There is overwhelming evidence corroborating the notion that the perplexity as well as bewilderment underlying man’s destiny along with his deeds is what may qualify Sophocles “Oedipus” as a real human tragedy in the sense that the whole story is about mysterious and enigmatic inquiries about truth as well as human tragedy.
In Oedipus Rex by Sophocles, Oedipus is responsible for the tragedy of his downfall. Fate and free will are two opposing ideas that Sophocles seems to blend together and brings up an interesting argument. Sophocles ultimately leaves it up to the reader of the play to view and decide the truth though. Oedipus is presented with a series of choices throughout the play, his stubborn nature and arrogance push him to act without thinking and ultimately make the wrong decisions, the decisions that end up leading him to his downfall. While Oedipus and those around him consider fate the source of Oedipus’s problems, Oedipus' decisions show the audience that he is responsible for each and every outcome involving him in the end all the way back to when he first left his adopted parents. Sophocles is able to drive his message about the weakness behind human arrogance through Oedipus' fatal flaws and the use of metaphorical and literal blindness.Perhaps the most obvious reason Oedipus is responsible is that by the end of the play Oedipus has taken responsibility for his actions and blinds himsel...
Oedipus is guilty because, despite knowing the prophecy that he will commit parricide and incest, he yet kills an elderly gentleman and sleeps with an elderly women. The choice was his, and this accounts for his guilt.
Ehrenberg, Victor. "Fate and Sophoclean Rulers." In Twentieth Century Interpretations of Oedipus Rex, edited by Michael J. O'Brien. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1968.
As a tragedy Oedipus the King spends the majority of the play discovering who he is, without knowing exactly what is occurring. The tragedy was that he suffered the improbabilities of murdering his father and then marrying his mother, it is a tail of his revelations about his past, and the events that led him to his ultimate fall. In this play, Sophocles illustrated a world of human frailty, pride, and punishment, which helped to propel, with dreadful inevitability, a protagonist moving toward catastrophe. Oedipus is the direct cause of his own undoing, however it is not because he is evil, proud, or weak, but simply because he does not know his true past or who he is. The facts that he believes to be true are unraveled, thus revealing his fate. Oedipus meets the first criterion of a Greek tragedy, which is that the protagonist is a good person. Oedipus has both a good he...
This essay will illustrate the types of characters depicted in Sophocles’ tragic drama, Oedipus Rex, whether static or dynamic, flat or round, and whether protrayed through the showing or telling technique.
Eventually Oedipus discovers that the prophecy that he had worked so hard to avoid had already come true. Praying or speaking to the Gods, he believes that he is “cursed in [his] birth” (Sophocles 232), as well as “cursed in marriage” (Sophocles 232). When he discovers that his wife (who is also his mother) had killed herself, Oedipus brutally gouges his eyes out. At first this action may seem reckless, but despite the pain, Oedipus believes that it is the right thing to do. During his realization, Oedipus says, “Too long you looked on
Sophocles’ Oedipus is the tragedy of tragedies. An honorable king is deceived and manipulated by the gods to the point of his ruination. In the face of ugly consequences Oedipus pursues the truth for the good of his city, finally exiling himself to restore order. Sophocles establishes emotional attachment between the king and the audience, holding them in captivated sympathy as Oedipus draws near his catastrophic discovery. Oedipus draws the audience into a world between a rock and a hard place, where sacrifice must be made for the greater good.
Oedipus’ epiphany is truthful in his current state, but his decision in failing to recognize his sin before his realization ultimately makes his epiphany invalid, and its sole purpose is to only assist him in receiving sympathy from the citizens of Thebes. Sophocles uses the phrase “this evil is mine” to suggest how Oedipus has matured through the course of his life, taking responsibility for his own sinful actions and behaviors. Certainly, Oedipus is filled with regret, and Sophocles even uses repetition on the word “guilt” to symbolize how this emotion has devoured his entire life into despair, where “sorrow” and “guilt” intertwine by force. Truly, as Sophocles comments, the ramification of making a sinful decision prompts an act of retribution from the gods in deciding the miserable fate of an individual through his rebellion towards evil against the supernatural. Thus, in the tale of Oedipus and his jinxed fate, Sophocles expresses Oedipus’ prideful attitude that is rooted towards hubris and the overconfidence it buys to illustrate the vicious cycle of the sinful decisions we make and the sudden awareness of how our own tragic flaw would lead us into impending trouble and overwhelming
Irony used from beginning to end and with each statement made by Oedipus about finding the killer of Laius. Although the audience is familiar with the story they are fully invested in Oedipus. Because Sophocles uses irony in his play it makes the audience empathize with the protagonist. Oedipus becomes human, a tangible character that experiences the same emotions as everyday people. The thing that makes Oedipus even more human is that he is a victim of a fate assigned to him before he was born. He unknowingly carries out the prophecy destined for him which leads to the discovery that he was abandoned at birth by his biological parents; with this discovery a sense of his identity is taken from him. A character so arrogant normally does not receive empathy from the audience, however, he is still very much an innocent fragile human being punished for his father’s defiance. Sophocles used irony to bring a new twist to a familiar story. The use of irony keeps the audience ahead of the protagonist yet still eagerly awaiting his reaction to the obstacles before him; even though they know his fate the audience wants to see how he deals with his unfortunate
Oedipus was willing to die to uncover the truth. Closure was needed for Oedipus the individual and Oedipus the king. Despite this need for closure, Oedipus remained blind to the clues in his path, plainly dismissing the ideas of other characters. Oedipus’ passion for knowledge was at least as strong as his blindness to the clues in his path. This blindness can be attributed to his pride. This pride gradually developed from h...