The setting of the room symbolizes the loneliness the narrator is undergoing. The narrator has her mind encased that there is a woman struggling and in her solitary room, she feels its true and she is even seen fighting for her. The author used the room to symbolize what the main character was going through all alone in the isolated estate where she was brought by her husband. The yellow paper played a distinct reason for the narrator’s madness. In her writings, she explains that the more she became insane, the more the wall paper became a big issue to her that is why she smudged ultimately.
Whatever it may be that holds them back, they will resist. Charlotte Gilman's The Yellow Wallpaper focuses on the maltreatment and inequality of females. Under her husband's command, a young woman suffering from postpartum depression is forced into complete isolation. Not only is she disconnected with the world around her, she must give up the right of self expression. She is not allowed "to engage in normal social conversation" because there is "the possibility of over-stimulating intellectual discussion."
Biographical and Historical Contexts.” Ed. Margo Culley. New York: W.W. Norton, 1994. Print Chametzky, Jules. “[Edna and the “Women Question”]” The Awakening: An Authoritative Text.
Interpretation of “The Yellow Wallpaper” Domineering and neglectful spouse causes his wife to lose her sanity. This is a story about how a woman’s arrogant husband drives her to insanity by forcing her to spend so much time alone. After spending months in her bedroom looking at yellow wallpaper which she despises, her imagination begins taking over her mind. She believes a woman is trapped inside of it. By the end of the story she actually thinks she is the woman who had been trapped in the wallpaper and has finally escaped from it.
However, this wish is in essence to empower herself. The narrator is already afraid of her husband and is suffering mentally and emotionally. She desperately wishes for an escape “through fantasy, into a symbolic version of her own plight: a version in which she would have a measure of distance and control” (DeLamotte 6). Throughout the text, Gilman reveals to the reader that during the time in which the story was written, men acquired the working role while women were accustomed to working within the boundaries of their “woman sphere”. This gender division meritoriously kept women in a childlike state of obliviousness and prevented them from reaching any scholastic or professional goals.
The curves of it “commit suicide”, the patterns “crawl” and “creep”, and there are “unblinking eyes are everywhere” (Gilman). In her mind, she is animating an inanimate object. The wallpaper becomes a terrifying object for both the narrator and the reader. Strangely, she also sees a woman trapped inside of the wallpaper, shaking invisible bars. Possibly due to her own circumstances, she is imagining herself as that very woman inside the wallpaper.
Conflict between Individuality and Conformity in The Bell Jar In Sylvia Plath's novel The Bell Jar, Esther Greenwood seems incapable of healthy relationships with other women. She is trapped in a patriarchal society with rigid expectations of womanhood. The cost of transgressing social norms is isolation, institutionalization and a lost identity as woman. The struggle for an individual identity under this regime is enough to drive a person to the verge of suicide. Given the oppressive system under which she must operate, Esther Greenwood's problems with women stem from her conflict between individuality and conformity.
The Feminist View of the Yellow Wallpaper The yellow wallpaper is a story about John and his wife who he keeps locked up due to her "nervous condition" of anxiety. John diagnoses her as sick and has his own remedy to cure her. His remedy s to keep her inside and deterring her from almost all activities. She is not allowed to write, make decisions on her own, or interact with the outside world. John claims that her condition is improving but she knows that it is not.
The story ends with the woman’s husband breaking down the door to find her creeping around the wallpaperless room. After witnessing this the husband proceeds to faint as the wife continues to creep around the room. At face-value of this story is the showing of false ideas and insanities of a woman who is mentally ill. The people that are portrayed in this story by the narrator are the narrator, her husband John, and the sister-in-law and housekeeper Mary. The conflict of this short story is the struggle to stay within the grip of reality.
The idea she gives in her article based on Gilman not having the same view as the novel “Jasmine”. There is depression in one and freedom in another, but the comparison that they both have are merely on women trying gain there freedom back. Women equality had was a great issue to women back then, especially, when a situation explained in “The Yellow Wallpaper” the narrator does not understand that she is the one trapped behind the wallpaper behind those bars. Nadkarni explains, “the story charts the narrator 's growing madness and preoccupation with the wallpaper of her sickroom and ends with her identification with the woman she sees "crawling" (55) behind the "bars" (52) of the prisonlike pattern” (219). She discovers the narrator as an insane woman who does not understand that who she discovers behind the wallpaper is she on reflection; she is the one escaping from her own miserable life.