Catfish and Mandala, by Andrew Pham

903 Words2 Pages

I was told from a young age the easiest way to get in touch with your cultural heritage is through food. Many good memories and cultural traditions are passed down via food. Food is a way of connecting people to each other, bringing up good memories from the past. Food has a way of healing old wounds and making people happier. You have a sense of pride knowing you are connected to your culture through the use of food. However there are times when you question your cultural food choices, particularly if you haven’t grown up on certain dishes. Reading Catfish and Mandala reminded me of my cultural closeness through food. Due to being bi-ethnic I learned how to cook food from both my ethnicities, however there were times when I found myself acting like a foreigner towards certain dishes. A prime example was when I had Chitlins or pig intestines. I had eaten menudo, thanks to my Hispanic mother and this was the first time I had Chitlins, an African American dish via my paternal grandmother. Unlike Menudo, which to me has an appetizing smell and taste, Chitlins were a gray stringy putrid smelling dish. Remembering the utter dislike I obtained from that African American dish, reminded me of Pham’s experience with Vietnamese food. While there are some dishes people can’t stand, most usually embrace a dish from their culture and that helps ease some of the pain or discomfort. Pham’s trip however has the opposite effect. He shows us the Vietnamese culture through the eyes of an assimilated Vietnamese American trying to get back in touch with his roots. He hopes to get in touch with his roots mostly through interaction via food. In Pham’s case that’s exactly what he does, with disastrous results bringing to light his inability to... ... middle of paper ... ...cement of a body seeking reassimilation into a culture whose people do not necessarily welcome him. However palatable the concept of cultural mixture might be when thinking of food, Andrew Pham's body signifies a pluralism that creates enormous difficulty for him as he tries to reintegrate into a culture that repeatedly thwarts his desire to assimilate. (Phillips 49) He has become too Americanized. In the end Pham’s desire to become fully Vietnamese has ended. He has come to terms with the fact he is more American than he is Vietnamese. . Works Cited Phillips, Delores B. "Quieting Noisy Bellies: Moving, Eating and Being in the Vietnamese Diaspora." University of Minnesota Press 73 (2009): 47-87. Print Pham, Andrew X. Catfish and Mandala: A Two-Wheeled Voyage Through the Landscape and Memory of Vietnam. New York: Farrar, Straus and Giroux, 1999. Print.

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