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Media role in society
Media role in society
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Taking a conventional story and giving it a compassionate twist through the naturalistic chemistry between its characters allows Rock-A-Fella’s most recent production, “Paid in Full,” to stand out among previous gangster/crime films. Loosely based on the story of three prominent Harlem drug dealers of the 80’s (AZ, Rich Porter, and Alpo), director Charles Stone III reworks the emotions, actions, and the consequences that these three men experienced, closely following the good boy in the ghetto turned bad story of AZ through the character of Ace (Wood Harris).
The film traces the footsteps of Ace, a well-to-do, somewhat reserved young man of Harlem who spends a lifetime immersed in the glamour of the Crack Epidemic coupled with the pressure exerted on him to become a part of the drug world from his closest friend, Mitch (Mekhi Phifer) who is based on the character of Rich Porter. Despite his lifelong resistance against being a part of this world, Ace loses his strength and takes over his Mitch’s dealing business following Mitch’s arrest.
Ace’s strength can only be weakened at the sight of the classy, wealthy dealer- Lulu. Lulu, a client of the dry-cleaning shop that Ace works at, unintentionally leaves a small bag of cocaine in a pocket of his pants. When attending to Lulu’s pants, Ace discovers the drugs and, like a moral man, returns them to Lulu who lives better than any man Ace has ever encountered. Rewarding Ace for his honesty, Lulu gives the cocaine to Ace- a true test of Ace’s morality. Inevitably, Ace ends up selling the cocaine to a needy client of Mitch’s, realizing the ease at which dealers make such an abundance dirty cash.
Following this realization, Ace enters the corrupt world he has always denied, emb...
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...the shift from an ideal lifestyle to an undesirable lifestyle of paranoia……
Mr. Stone managed to grasp the exact emotions that the character of Ace would feel while being in a community with daily pressures to leave behind the seemingly bad for the falsely good. Just as Mitch pressures Ace to give up his minimum wage job at the dry-cleaners, Malakai of “Save The Last Dance”(2001) pressures his best friend, Derek, to be a part of his gang. These scenarios are shockingly realistic, and “Paid in Full” gives a clear depiction of the difficulty involved in ignoring something that is flashily flaunted on a daily basis throughout an impoverished community. As an audience member, the character’s pain and insecurity involved in turning down the people who are most influential to that individual creates a sense of anxiety in the audience that is palpable.
A young boy gets older and even though they struggle financially his parents make sure they teach him the honest values of life. But in this film George Jung is a high school football star and wants to see other options and forget what values his parents have taught him. The young man from a small place gets millions from distributing cocaine and ends up losing it all. The behaviors of George Jung become intense with curiosity as he arrives in California to attend college with his friend Tuna.
Ace spends his days grinding in a laundromat under constant ridicule from Mr. Pip. He gets off work and is made fun of
Like most things captured on film for the purpose of being marketed, the richness of gangster life, with sex, money, and power in surplus, is glorified, and thus embraced by the audience. And as a rule, if something works Hollywood repeats it, ala a genre. What Scarface and Little Caesar did was ultimately create a genre assigning powerful qualities to criminals. Such sensationalism started with the newspapers who maybe added a little more color here and there to sell a few more copies, which is portrayed in Scarface’s two newspaper office scenes. Leo Braudy denounces genres as offending “our most common definition of artistic excellence” by simply following a predetermined equation of repetition of character and plot. However, Thomas Schatz argues that many variations of plot can exist within the “arena” that the rules of the genre provide.
A hit was put out on Taylor and Zavala by leaders of the Mexican drug cartel because they were becoming a nuisance. This hit was carried out by the same Latino gang members who had previously done a drive-by shooting of a rival gang. The officers were enticed towards their imminent deaths with a car chase which was set up by the Latino gang members. This chase led them towards an apartment complex which was rigged with many gang members and artillery to ensure that neither Taylor nor Zavala would survive. The two were ambushed but decided that gunning their way out was their best option. When the officers made it to an alley they were met by another Latino gang member who fired at Taylor and Zavala, hitting Taylor once in the chest before being shot and killed by Zavala. Zavala went to aid Taylor who appeared to be quickly dying and called out for help. Before police back up arrived the original Latino gang members found Zavala in the...
Non-seafood eaters need not read further! Although they can easily make a seafood lover out of most anyone… the seafood savvy palate will be thrilled with Mary Mahoney’s.
John Singleton’s 1991 film Boyz n the Hood is a portrayal of a struggling black community in South Central, California. The film most closely follows the lives of Tre, Doughboy and his brother Ricky, all of which are young black men who are presumed to be in their senior year of high school. While the 1990’s may have been a time of economic prosperity for the masses, the underbelly of the country struggled. The film aims to carve out a place for the strife of black communities in the cinematic canon by shedding light on the urban landscape that traps its inhabitants. This exploration of the myth of upward mobility is intertwined with a multitude of issues that affected black America at the time. Through plot and symbolism, Singleton poignantly touches on all these subjects. However, I offer the criticism that he should have simply picked one or two of these issues instead of trying to cram them all into one film.
When one thinks of a gangster they may think of speakeasies and classy cars or maybe drive-bys, but they will always imagine a man who is not afraid to get his hands dirty to grasp for a higher place on the social ladder. They will think of a man portrayed in a genre of cinema more American than any other, the gangster film. This genre began in the early thirties and has been re-adapted each decade to fit a new time. Although gangster films may mold themselves to fit into a certain cultural era, they still stay deeply tied to the foundations of the genre and its historical relevance to the american dream. This is apparent when comparing the differences and similarities between The Public Enemy and American Gangster. To better understand this comparison one needs to understand the origination of some of the classic conventions of the gangster film genre.
The main protagonist of the film, Scotty Smalls, is introduced as a straight-A, friendless young boy who has just moved into a new neighborhood in new state. While
In film, many times the auteur often uses the medium to convey a moral or make a social commentary. In the case of Howard Hawkes’s original version of Scarface, there is more being portrayed through the characters then merely the story. Hawkes makes a statement about the façade of organized crime, and the farce of the American Dream.
New Jack City, noted as ‘the crime film of the 90’s’,serves as an important episode for African-American people in America. Set in New York city, the film depicts the story of a success-driven antagonist Nino Brown (Wesley Snipes) who builds an empire powered by organized crime, drug trafficking, and Black delinquent young adults trapped in the cycle of crime. Ronald Reagan’s economic policy coupled with the popularity of crack-cocaine in the inner city creates inconsistencies and untapped markets in the poor community which Nino Brown brilliantly capitalizes on and exploits. His empire is able to successfully cut out the middle men in the drug trafficking market and centralize their operation in a single low-income housing complex inhabited
Life is an ongoing process of learning and growing through challenges and experiences. It is mentioned by Ralph Waldo Emerson, an American poet, that “unless you try to do something beyond what you have already mastered, you will never grow.” Emerson contributes to the idea that change is inevitable and it is key to one’s personal development (Lipovetsky, 2012). Well, such is an essence in the film “The Blind Side” when the protagonist, Michael Oher, changes and grow through adversities, which eventually shaped him into the man he is today. Oher, also known as Big Mike, is a 16 year old African American teenage boy. Oher was one of the twelve children living in a broken extremely impoverished home in the ghettos of Memphis surrounded by drugs.
...e thing. Mark Renton learns that the life he once thought of as boring is actually preferable to a life of addiction. From this one can learn not to, similar to the gangster world, romanticize drug culture and the drug world.
In the Oscar award winning movie Crash, directed by Paul Haggis, a network of characters portray the lifestyles of different races in Los Angeles. In the movie, characters “crash” into one another, similar to pinballs, to spur new emotions and explain their actions. A main character Anthony, an African American male, steadily tries to prove why he does not and will not fall into the black male thug stereotype. He was slightly close minded and repeatedly had a negative outlook towards his environment. Anthony created contradictions between what he said and what his actual intentions were. His actions were guided by his environment and further analysis of them will prove his motivation.
Deep down inside everyone has the same desire – to do what one wants whenever he or she chooses to and to not have to worry about anyone or anything else. Along with this desire to be able to do what ever it is that one wishes to at any given time, a person wants to be successful at what they do. The type of success that a person wants may be measured in money, property, fame, or even the entourage that follows him or her. This kind of lifestyle is only truly lived by a certain kind of people – gangsters and mobsters. For the rest it is just a dream to be able to live such a life, but for gangsters and mobsters this lifestyle is reality. But these gangsters can go around doing anything they want without the fear of consequences, which would, for most people, lead to long-term prison sentences. We are commonly shown in many movies and television shows that gangsters can just walk into an alley and beat up whoever they wish and be able to leave as if nothing ever happened. In “The Gangster as Tragic Hero” by Robert Warshow and “Our Mobsters, Ourselves: Why The Sopranos Is Therapeutic TV” written by Ellen Willis the gangster’s middleclass part of his or her lifestyle is brought out along with this “dream” reality at the same time.
“We fight each other for territory; we kill each other over race, pride, and respect. We fight for what is ours. They think they’re winning by jumping me now, but soon they’re all going down, war has been declared.” Abuse, Pain, Violence, Racism and Hate fill the streets of Long Beach, California. Asians, Blacks, Whites and Hispanics filled Wilson High School; these students from different ethnic backgrounds faced gang problems from day to night. This movie contains five messages: people shouldn’t be judgmental because being open-minded allows people to know others, having compassion for a person can help people change their views in life, being a racist can only create hate, having the power of the human will/goodness to benefit humanity will cause a person to succeed at any cost and becoming educated helps bring out the intelligence of people.