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Where have you been? where are you going
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The story "Where are You Going, Where Have You Been" written by Carol Oats is about a girl who flaunts her beauty which ultimately leads to her abduction. After the story is read the question is, was the author trying to show Connie's situation as fate or free will? The situation Connie got herself in was caused by free will. Connie's character played a big role in what ultimately happened to her. Connie's actions could give people bad ideas about her, and Connie does leave her house without physical force. Connie's character plays a big role in what ultimately happens to her. Connie is a vain girl that thinks the way you look is everything. She plays the stereotypical part for girls in today's society. She thinks that as long as you are pretty and dress a certain way then you are everything. This comes across when Oates writes "Connie thought that her mother preferred her to June because she was prettier" (980). By flaunting her looks she could easily give a guy like Arnold Friend perverted ideas about her. It could make them see her as easy, which he did. Connie's personality also had two sides to it. The side she displayed at home is mocking and sneering, and the side she displayed in public made her look trashy. It seemed that she didn't know who she was or what she wanted to be. All she let us know is that she wanted "the caress of love," she wanted someone to be "sweet, gentle, the way it was in movies and promised in songs" (Oates 980). This could have been why she did not put up much of a fight at the end and walked straight into Arnold's arms. It seemed almost like this was what she wanted and what she had been dreaming about. Connie's actions also played a big role in her abduction. Connie liked to go out and hang out with guys. She liked to hang out with different guys, not the same one every night. Guys talk about girls like this and spread nasty rumors about them. These rumors probably did not escape the ears of Arnold Friend. So even before he saw Connie for the first time he probably had the idea that she was easy. He said as much towards the end of the story when he started naming people she knew and telling her that they told him things about her (Oates 983).
At the end of the movie, a stranger named Arnold Friend encountered Connie at her home while she was home alone. Arnold was a vicious, but alluring character. The way he dressed was as if he tried to imitate a young teenage boy. First, his intentions for Connie were kind of blurry. Connie, being as
Her identity was pure, innocent, young and beautiful. At first, she just wanted to have a pure feeling with Gatsby, but when Gatsby went to the front, she could not stand the loneliness and the family persuasion, and she chose to marry Tom. When she chose to marry Tom and abandon Gatsby, her new identity increased material and selfishness. Her identity as a wealthy lady remains, but her purity is long gone. However, Gatsby was not aware of it. Another identity of daisy is a vain woman. In a society badly affected by consumerism, she chose to drift with the tide. She loves all luxuries, but all of this is entirely dependent on Tom. So although Tom had all kinds of romantic affairs,
The Theme of Temptation in “Where Are You Going , Where Are you Been?” by Joyce Carol Oates
Oates shows archetypes throughout the story. The symbolic archetype shown is “the friendly beast” or “the tempt”. The friendly beast, of course, would be Arnold Friend; Arnold never hurts or does anything to Connie, he just tempts her by saying, “we’ll drive away, have a nice ride.” The temptation for Connie is that she wants to grow up, get away from her family and live her own life. Although, Connie is very ignorant; Connie believes her looks will get her very far in life, but what she doesn’t realize is that ignorance does not equal bliss. In The Sitting Bee Dermot McManus talks about how Connie struggles with independence and how she wants to do things on her own. McManus says “that Connie still relies on others to take her home and other things, and how
The mysterious Arnold Friend goes to Connie’s house. He tries to convince Connie to take a ride in his car. Most people will deny the offer, but seeing as though Connie is unruly, she is easily persuaded by Arnold . Arnold deceives Connie with his charm and ride. He takes her to a place where she does not know. We find that Mr. Friend is not so friendly, but a sick soul with a loose tongue. In addition to this I agree with author Christina Marsden Gills of “Short Story Criticism, vol.6” when she explains that:
For centuries, society has placed a remarkably large emphasis on protecting the young from the many perceived errors of growing up. Effective sex education is resisted in many locations across the country in favor of somewhat comical biblical suggestions for abstinence until marriage even while the majority of those targeted teens are viewing the world as a more and more sexual place. So many views are weaving in and out of teenagers' newly formed adolescent minds that any effective argument for responsible attitudes or analysis of sexual behavior in teens should be expressed with a certain minimal degree of clarity. Unfortunately, this essential lucidity of advice is missing in the short story “Where are You Going, Where Have You Been,” in which the misguided Joyce Carol Oates creates the character of Arthur Friend as a cliché personification of the inner demon of uncontrollably budding sexuality. Instead, the murky characterization of the antagonist presents nothing more than a confused and ambiguous view of the meaning of the story.
Her exposition is painstaking. She sets the scene by making the main character and protagonist, Connie, parallel to an average girl in the sixties. Oates' narrator introduces Connie using elements of description which puts emphasis on the vanity of the main character. Connie's mother is quickly introduced and is used by the narrator to reveal how much disdain her mother has for her vanity. The narrator uses the main character's mother to introduce her sister, June.
Being sexualized by the boys around her, Connie is self-conscious and finds her worth in beauty. The story even states, “She knew she was pretty and that was everything” (Oates 422). She is concerned about her appearance and what others think of her because she has been taught that she lacks any value outside of physical beauty norms. Arnold Friend, even tells Connie, “...be sweet like you can because what else is there for a girl like you but to be sweet and pretty and give in?” (Oates 432). Between this coaxing and the consistent message about the importance of beauty, Connie is nearly forced to conform to this mentality, which displays the lack of respect for young females as human beings. This in turn leads women to self-degradation as they are consistently viewed as sexual
When Connie first meets Arnold, she doesn’t know who he is: he’s just a creepy guy in the parking lot. However, Arnold sees her as an adult woman who is ready to pursue a relationship with her because that is what her appearance says about her. In reality that’s all it is, her appearance and she is not ready for that type of relationship. So, when Arnold Friend came by and was persuading her to come with him saying, “Don’tcha wanta see what’s on the car? Don’tcha wanta go for a ride?” (Oates 375). This line is one of the many that he used to persuade girls to get into his car. Also, he is making all moves to get closer to kidnapping Connie. Connie did try to avoid him but she had false hopes. Although Connie seemed to be confused there are many girls like this that fall for someone’s charms even if they are sincere or not just because these girls seek for someone to appreciate them. Arnold Friend said. “But I promise it won’t last long and you’ll like me that way you get to like people you’re close to.” (Oates 383). These statements give Connie confidence to leave her house and go with him regardless if they just
Oates uses a great number of symbols in her short story "Where are you going? Where have you been? to create an aura of unease and Devilishness. Her principal symbols are Arnold Friend, his disguise, and the music Connie listens to. Oates' use of symbolism and Biblical allusions to Satan force the reader to raise an eyebrow to the character of Arnold Friend and the doomed future of Connie.
This is especially true when someone like Arnold Friend is out to get us. We see this allegory of Arnold friend in everyday life. Everyday Satan tries to temp and deceive anyone he can get. We can either blindly give into it like Connie or we can be alert. The archetypes and allegories described by word choice and details give us an incredible reminder to stay alert. In the short story review from “the sitting bee” it is explained, “Probably the most obvious sign of conflict is the struggle Connie encounters with Arnold.” The sad thing is she eventually gives in without thinking. Her vision went from hazy to clear to hazy again. She was helpless throughout the entire
“He wagged a finger and laughed and said, “Gonna get you, baby.” The quote foreshadows future events in the story because of the fact that Arnold says, “Gonna get you, baby.” There’s no actual reasoning behind why he chooses her, but it states he might try something later on. Oates also uses small wording to kind of hint at the readers. “Her mind was filled was all filled with trash daydreams.” (Oates 1). This quote tends to shape the short story. This quote leads readers to the possibility that Connie’s experience with Arnold could have all been a foreshadowing to a trashy daydream. In the article “Oates’s Where Are You Going, Where Have You Been” by David K. Gratz, he also points out the quote. “Both Rubin and Winslow note that seems to be falling asleep just before he arrives, and Rubin points out the nightmare quality of her being unable to act in the end.” (Gratz). This article more or less solidifies the fact that Connie might of fell asleep and dreamed up the whole encounter. In all, Oates uses multiple accounts of foreshadowing to further the possibility of the encounter being all just a bad dream of
Arnolds uses his charms and good looks when he enters to start off his adventure. It is clear that Connie enjoyed
Connie’s clothes and infatuation with her own beauty symbolize her lack of maturity or knowing her true self, which in the end enables her to be manipulated by Arnold Friend. Connie was enamored with her own beauty; in the beginning of the story Oates states that Connie “knew
Gatsby spent his entire life working up from poverty and finding ways to gain wealth. Through becoming an officer, he meets Daisy, but cannot have her until he can provide for her. This causes him to leave her in order to become wealthy, but as he does this, Daisy marries Tom, not for love, but for money. Even when Gatsby returns, Daisy still has trouble leaving Tom and telling him how she really feels. Perhaps this is because it is so sudden, which also shows how the male characters easily persuade female characters. Daisy had been with Tom for years and now Gatsby shows up, even eats lunch with Tom which is ironic, but expects Daisy to just walk away as if it’s not a big deal. “Tom was feeling the hot whips of panic. His wife and his mistress, until an hour ago secure and inviolate, were slipping precipitately from his control,” (131). This is when Tom begins to realize that he’s losing Daisy, but the important aspect of this situation is what Daisy is trying to get out of this and how the men can easily affect the women. After Daisy allows Jay to get blamed for the murder, and destroy his name for her, it shows how she had never cared about anyone but herself. She might have enjoyed spending time with Gatsby, but if he didn’t have the money that he did, she wouldn’t have even looked at him. Once Gatsby has this power, he is able to pressure Daisy into leaving her