Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Chinese calligraphy thesis
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Chinese calligraphy thesis
Besides the practicality of Chinese characters, they also show the artistic appeal. In the works on calligraphy, the character “Shu” can be used as a verb meaning “to write” and as a noun meaning “calligraphy”. They can be interchangeable because of the association between them. The present models for calligraphy used to be exchanges of correspondence or inscriptions on a tablet for recording feudal decrees and regulations or honorable deeds. The main purpose of these inscriptions were not for art appreciation but they achieved certain artistic effect. Calligraphy originally referred to the method and principles of writing characters but now it has changed into an art form evidenced by so many exhibitions about calligraphy. It has become one …show more content…
As we all know, the introduction of a new concept to a certain subject always means the change in thinking mode and analysis. Many new concepts have been introduced to calligraphy such as space within words and out side words( space), twists and turns, “ping dong” and “bai dong” (ways of using the brush), Arc circle, Arc line( structure), etc. These concepts can not be found in traditional theory about calligraphy. The introduction of the new concepts indicates two problems. One is that the analytic tools used in today’s academic calligraphy teaching are refined. This is like the case with the carpenter who can only make a piece of simple furniture with just a plane and hammer. On the contrary, he can make more sophisticated furniture if he has various kinds of tools at hand. Another problem is that all the tools are used to analyze the form of calligraphy, which indicates that analysis of the form of calligraphy has become the synonym for calligraphy--- it is obvious that there is a tendency of emphasizing form in calligraphy …show more content…
It has not only the features of oriental art, but also reveals the temperament and philosophy and morals of Chinese people, for it has been nurtured by its traditional culture of thousands of years. It has close relationship with other art forms in development. With the development of science and technology, Chinese language is used as widely as other languages. Although traditional writing has been replaced by printing, its artistic features are not lost. On the contrary, it becomes perfect. The calligraphy works can be represented exactly by the photoengraving, signatures on books, newspapers, magazines by famous calligraphers are more popular. It proves that the unique features of Chinese characters will not be deserted due to the increase of advanced technology. And this will be a good reason for the prosperity of calligraphy together with the rapid growth of printing
Jacques Callot (1592-1635) was recognized as “The Father of French Etching”. Callot seemed to master the art form quickly and he influenced many in the process. His work in a series of prints titled ...
In every society and culture writing is very important by which it allows us to transmit ideas or knowledge for others to see. Writing allows us to look back at information from centuries ago and understand what it was like. According to chapter 12 “The two indisputably independent inventions of writing were achieved by the Sumerians of Mesopotamia somewhat before 3000 B.C. and by Mexican Indians before 600 B.C. Egyptian writing of 3000 B.C. and Chinese writing (by 1300 B.C.) may also have arisen independently” (Diamonds, pg. 218). Other cultures may have adopted writing by ideas inspired by theses writing systems. Diamonds also points out that Sumerian Cuneiform is one of the oldest writing systems. One way the writing system was developed was by using clay tablets to write on by using pointy objects to scratch the surface. He also describes three basic strategies in writing that were used such as logograms, syllables, and letters that are in the alphabet. The alphabet that we use today was developed due to blue print copying. He continued to describe the...
The painting included classical elements and modern elements, in both meaning and strokes. The calligraphy is in archaic style, which influenced archaic to be the base style for preceeding paintings. The Classic of Filial Piety set a standard for following Chinese paintings, which included morals, archaic style, and scrolls. The archaic style Li uses is personalized and is more compacted than normal archaic lettering. Described by Maxwell K. Hearn as “an unadorned and highly individualistic style derived from archaic models that features characters with stubby squat forms, rectilinear configurations, or exaggerated componets”(Maxwell, 39). Archaic style was considered a past element, and many seen using it in the painting as wanting to return to simpler morals and virtues.
Years after, bronze becomes more sophisticated and small detail were more prominent and the introduction of taotie became very significant. The taotie were animals forge into metal they may vary in style, but the most prominent were species that look like animals that protect the vessels. At this early age, we also encounter art pieces made with jade that suggest Shang people had tools that could shape this hard stone. As well as, design carved with animal tusk. With the over power of the Zhou dynasty over the Shang dynasty Sullivan introduces us with the Book of Song and Classic of History. Thanks to the description on page 36 of the Book of Song we ourselves can read an imagine how the palace and its surrounding was made. On the other hand, during the Zhou ritual bronze became more than just sacrificial vessels they became a way of record and communication. The early writing in Sullivan’s book as he mentions “defers discussion of calligraphy as an art” and it’s not until later chapter that he takes calligraphy as a way of art. The evidence presented in this book, however, we can still feel that this early calligraphy was indeed a way of art that later transcend in
These artists were intrigued in large portraits with landscapes and they liked all type of art; massive, fragile, and secretive. Through printing like mentioned above, it gave the opportunity for many to be exposed to all kinds of art. With art and printing, the idea of theatre and literature was born. Since the Song dynasty enjoyed archaeology, it helped develop cuisine and agricultural too. poetry also came along in this ear and it was a huge factor for the Chinese. The enjoyed to use poetry to reconnoiter all characteristics of the world. There was no topic that was kept off restrictions when writing poetry and since there was free printing available most work was getting
While the medium of calligraphy has commonly been ink on paper, contemporary artists continuously stretch and challenge the boundaries this traditional art. Two artists in particular represent such efforts to provide new shape and life to calligraphy: Hassan Massoudy and Mattar bin Lahej. Transforming calligraphy from a static art, Iraqi artist Hassan Massoudy introduces theatrically-inspired form and movement to his letters, while Emirati artist Mattar bin Lahej transitions calligraphy to the third dimension by his sculptures. Despite the visual differences between these two artists’ works, both reflect to re-explore the expressive capacities of the word.
One of the star pieces shows the magnificent 4000 movable types that Xu painstakingly carved one by one to create his famous Book from the Sky. Each “word” on the type is altered so that it appears to be Chinese but totally incomprehensible to everyone. This corresponds to Xu’s mistrust towards language due to his experience in Cultural Revolution and the erasure of culture at that time as the artist once said “To strike the written word is to strike at the very essence of culture”. The exhibition starts by removing everyone from his or her cultural and educational background and equalizing the spectators. Standing in front of these exhibits, both adults and children feel the same frustration of inability to understand the language, which resembles the sentiment that Xu felt when he first arrived in America. They are then introduced to a creative way of seeing language – the combination of multiple languages under the camouflage of Chinese calligraphy. The addition of English also indicates the changed environment of the artist from China to America. After that, spectators are invited to see the word games that Xu Bing plays, presenting the notion of the paradox between the power and fickleness of language, of what it means to be human, and of how our perceptions color our worldview in artworks such as the First Readers. One of the most important exhibits
Traditional Chinese art is deeply rooted in its philosophy, encompassing Daoist, Buddhist and Confucian schools of thought. The goal of many traditional Chinese landscape artists, as described by Professor To Cho Yee of Michigan-Ann Arbor, is to “reveal the highest harmony between man and nature” through a balance of likeness and unlikeness (Ho). This metaphysical philosophy borrowed art as a vehicle to search for the truth or the “dao”, which is the path to enlightenment. As early as the 5th century, scholar artists such as Su Shi (1037-1101) of the Song dynasty realized that to create likeness, one must understand the object beyond its superficial state and instead capture the spirit of nature; only then can a point of harmony with nature
When looking at the tradition of shanshui, it seems to face an endless stream of reproductions of limited number of landscape stereotypes. New masters built their reputation particularly on borrowing and copying freely from those old masters. Still, now when people learn Chinese landscape painting, they start with imitation (臨摹), which means they was confined to copying old masters, thus studying and copying masters’ works are necessary foundations for artists’ creation. From the modern culture condition, creating is what art should do, but not like the way of tradition shanshui used to be. But then, some studies found that what they call “copy” is not really what we understand “copy” to mean. From particularly tracing to liberal reinterpretation to subtle recreation, what begins as a way of learning continues as a way of self-cultivation and of creation. Dong Qichang said that the main point of using brush and ink to imitate the masterpiece is that to connect with and think deeply of the original on...
The most distinctive features of Chinese civilization were in the Song period. This was the scholar-official class certified through highly competitive civil service examinations. These elite were better educated than others in Chinese history. Aristocratic habits and prejudices largely disappeared when examination system was fully developed. This system came to be considered the normal ladder to success. The invention of printing should be given a little credit. The art of carving words and pictures into wooden blocks was developed by Tang craftsmen. They would ink the blocks then press paper onto them. An entire page of text and illustrations was held on each block. In the eleventh century movable type, on piece of type for each character, was invented. In China whole-block printing was cheaper. The spread of literacy was
In the country in which we know today as Iraq was where the beginning of writing was created. In Mesopotamia, the ancient Sumerians developed the first writing system, cuneiform. The term cuneiform, which means “wedge-shaped writing” was coined by nineteenth- century scholars and the invention of cuneiform shaped the future for all civilizations. This paper will explore the history of cuneiform, the evolution of writing and never ending impact it had on history.
In the world have religion, art and culture in different cultures around the world each that defines us on who we are and why we do it. Like in art there are people who are artists and like to inspire themselves so that they can create the most wonderful art they can. Most of the artists use their emotions when they create art so that they can a wonderful meaning to it in the picture. They also portray a message in their painting so it leaves the person thinking what is the painting trying to say. There is also a goddess that became well known through a video and the goddess name is Santoshi Ma. People have been worshiping her more and more and the goddess has taken the temples of previous goddesses. There is also calligraphy which people think
In China, most of the artists worked not for money but for themselves, so their paintings and art were forms of individual expression. They tried to express themselves with symbols and personal terms. The most common types of paintings were literati paintings which were characterized by unassuming brushwork, subtle colors, and the use of landscape as personal meaning. Literati painters painted for each other and used canvases like handscrolls, hanging scrolls and album leaves. Many of the paintings expressed the painters personality. One Chinese painter, Ni Zan, has a famous painting called The Rongxi Studio. It is done in ink and has mountains, rocks, trees and a building. The painting has little detail and is painted with the dry brush technique, like Zan’s personality, a noble spirit.
Language has always been the key to how humankind has interacted with each other, so it is only fitting that one of the oldest forms of expression is making written language an art form. Poetry is known to conjure images within our minds and speak to our soul in a profound way. The best poets can use a few lines to make one think and feel something inside on anything such as a political statement, or of the beauty of nature. An excellent example of a poet who made art out of written word is Poṉmuṭiyār in his A Young Warrior. The poem uses its content and form to provide the overall meaning that one should live in peace because life is short.
To conclude, Chinese writing is more advanced in cross time and cross-space communication in comparing with English writing. Furthermore, Chinese writing is more attractive and easy to read. Although a Chinese Character may have complicated strokes, each Chinese Character carries more information; shorter, simple and informative Chinese documents are made in result. This shows that the advantages of semanto-phonetic writing, like Chinese writing are more than that of alphabetic writing, like English writing. As such, semanto-phonetic writing is more preferable than alphabetic writing.