Carlos Santana Ryan Conroy All the world knows the special magic of Carlos Santana. Since 1966, he has led the group that bears his name, selling over 30 million albums and performing before an estimated 13 million people. In every performance, Carlos shares with his audience a personal communication that crosses all boundaries and differences. Carlos was introduced to traditional music by his father, Jose. An accomplished mariachi violinist and experienced musician, he taught Carlos the basics of music theory and gave him an understanding of the value of a note. Although Carlos' excitement for music would be sparked by his first experience, he quickly discovered the limits of its traditional form and wanted more. Carlos wanted to play the kind of music that was filling the radio waves and making people dance. Tijuana, 1955 the drastic change of moving from the small, quiet town of Autlan to the humming, thriving boom town of Tijuana brought a renewed hope and opportunity for a new life. Both for Carlos and his family. The eight-year old Carlos quickly left the violin for the guitar, studying and emulating the sounds of B.B. King, T-Bone Walker and John Lee Hooker. Soon he was being asked to join local bands like the T.J.'s, where he added a unique touch and feel to his own renditions of all the great songs of the 1950's. As he continued to play with different bands along the busy Tijuana Strip, he not Page Two only started to perfect his style and sound, but actually started bringing home enough money to really help his family. His future looked promising. In 1960, Carlos' family moved to San Francisco while Carlos stayed in Tijuana for another year to make extra money until his family was settled. However, he soon found himself amid the multicultural atmosphere of San Francisco, with all of its diverse musical styles. It was here that Carlos would find what he had been searching for, as if destiny had brought him to the right place at the right time. For the next five years, Carlos continued to evolve his own unique style of music that would later identify him as one of the most distinctive, innovative musicians of our time. In 1966, the music of Carlos Santana exploded on the streets of San Francisco with the debut performance of the Santana Blues Band. For the next two years, the Santana Blues Band was overwelmed by a wave of popularity that would take them from San Francisco's Fillmore West, to that historical performance in 1969 before 500,000 at the Woodstock Festival in New York.
By virtue of his warm, flamboyant stage manner, longevity, constant touring, and appearances in the mass media, Tito Puente is probably the most beloved symbol of Latin jazz. But more than that, Puente managed to keep his music remarkably fresh over the decades; as a timbales virtuoso, he combined mastery over every rhythmic nuance with old-fashioned showmanship — watching his eyes bug out when taking a dynamic solo was one of the great treats for Latin jazz fans. A trained musician, he was also a fine, lyrical vibraphonist, a gifted arranger, and played piano, congas, bongos and saxophone. His appeal continues to cut across all ages and ethnic groups, helped no doubt by Santana's best-selling cover versions of "Oye Como Va" and "Para Los Rumberos" in 1970-71, and cameo appearances on "The Cosby Show" in the 1980s and the film The Mambo Kings in 1992. His brand of classic salsa is generally free of dark undercurrents, radiating a joyous, compulsively danceable party atmosphere. Rooted in Spanish Harlem, of Puerto Rican descent, Puente originally intended to become a dancer but a torn ankle tendon suffered in an accident scotched those ambitions. At age 13, he began working in Ramon Olivero's big band as a drummer, and later he studied composing, orchestration and piano at Juilliard and the New York School Of Music. More importantly, he played with and absorbed the influence of Machito, who was successfully fusing Latin rhythms with progressive jazz. Forming the nine-piece Piccadilly Boys in 1947 and then expanding it to a full orchestra two years later, Puente recorded for Secco, Tico and eventually RCA Victor, helping to fuel the mambo craze that gave him the unofficial — and ultimately lifelong - title "King Of the Mambo," or just "El Rey." Puente also helped popularize the cha-cha-cha during the 1950s, and he was the only non-Cuban who was invited to a government-sponsored "50 Years Of Cuban Music" celebration in Cuba in 1952. Among the major-league congueros who played with the Puente band in the `50s were Mongo Santamaria, Willie Bobo, Johnny Pacheco and Ray Barretto, which resulted in some explosive percussion shootouts. Not one to paint himself into a tight Latin music corner, Puente's range extended to big band jazz (Puente Goes Jazz), and in the `60s, bossa nova tunes, Broadway hits, boogaloos, and pop music, although in later years he tended to stick with older Latin jazz styles that became popularly known as salsa.
Imaging that you found out that the love of your life who promised you to bring down the stars, who said yes in the altar, who you married, who is the biological father of your children is cheating on you through these dating websites that are destroying marriages nowadays. In these websites you find thousands of married people of both genders having adventures with stranger out there. They do not feel fulfil in the relationship which they have now, and simply just because they got tired of their loved partners.
There was only one problem, he struggled to read music (PBS). Even though he had a difficult time reading and writing music, Hendrix joined his first band The Velvetones for about three months (PBS). In the summer of 1959, Hendrix finally sought out his calling and joined a new band that was called The Rocking Kings. Hendrix would never have gotten very far without his inspirations, which included the famous Buddy Holly, B.B. King, Muddy Waters, Howlin’ Wolf, and many others. In the year 1961 Hendrix joined the United States Army, but was discharged in 1962 due to an injury in
Correspondingly, after a few songs the band responded by singing the songs that the audience liked and by motivating them to scream and cheer for them. This way the audience wouldn’t get bored and stop cheering and dancing. This event took place in a dome-shaped like place where it also holds events like bull riding. There was a floor section where the people stand and there was the seat section where it went around the place and it was fenced around. This is what Hispanics call a “Jaripeo” because you can have concerts and bull riding, which is kind of like being at the
Santana was signed to Colombia Records and at Colombia it was there they recorded their first album. After the first album they weren't satisfied so they had to make some changes so they dropped Livingston from the band and replaced him with Michael Shrieve who was worked on jazz & rock music.
Peace and music over powered the 600-acre dairy farm in the town of Bethel, New York 46 years ago. The Woodstock Music and Art Fair was a festival known as an Aquarian Exposition of three days. For an audience of 400,000 people, 32 acts performed outdoors. Woodstock was a pivotal moment in music history as it changed the world of rock ‘n’ roll. The festival connected the 1960s counterculture generation through the power of music. Art and new ideas were the main historical force that changed society August 15th through the 17th in 1969, leaving a powerful influence on the Western world between the late 1960s and mid 1970s.
I enjoyed reading Punished: Policing the Lives of Black and Latino Boys by Victor M. Rios because it was not only informing, but I could place myself as if I were one of the characters in the story. I could not even begin to imagine what these boys with through. From being beaten’ for no reason, to getting cuffed and sitting in the back of a cop car because they were eating a slice of pizza is absolutely ridiculous and should not be tolerated. Not only did I understand how these boys were in the networks of crime, but also, the criminalization, and punishment made sense and how I observed the higher authority took action. In my essay, I will be discussing three major concepts which are: moral panics, labeling , and code of the street.
The Woodstock Music Festival was a music event in Bethel, New York that changed the way people live. During August of 1969, many large crowds of American music lovers all came together to listen to the music of their favorite musicians for this huge music event. Woodstock swept the nation with not only talented musicians, but also many new thoughts and opinions on the world. This popular concert event introduced the ideas of peace, unity, kindness, and togetherness. The Woodstock Festival made a major impact on the United States. It helped people overcome prejudices, informed people about the danger of drugs, led to safer and better prepared concerts, and started a chain of music events all around the world. On August 15 through 18 of 1969
The Woodstock Music & Art Festival took place on Friday, Saturday, and Sunday, August 15th, 16th, and 17th, 1969. As you can imagine, a concert like Woodstock would have had to be planned very carefully. It didn’t just happen.
In “Charro” by Oscar Casares, respect is an underlying theme that ties the whole story together. It weaves itself in and out of each scene as if it were its own character in the story. From having the respect for family or that of someone’s personal space, it is a constant throughout. Respect has the most important part in life. Family, friends, and acquaintances all need it. Humans have the tendency not to give respect all the time, which, without the presence of it, anger, hate and violence will arise from tension cause from its absence.
In the late 1500's after the disappointment of Coronado's non-glorious expedition was forgotten, Spain had a renewed interest in New Mexico. King Philip II needed a new conquistador to go to New Mexico to obtain and claim the 3 G's (Gold, Glory, and God) for the crown and for the country. The man chosen to fill this job was Juan de Onate. Being of noble Basque blood it seems that Juan de Onate was destined to become someone of importance. It is said that the Basque people were "Hardy, self-reliant, and stubbornly strong" and "In New Spain won distinction as explorers, soldiers, and discoverers of mines on the frontier." Juan's father Cristobal de Onate was one of those Basque people described above. In 1546 Cristobal along with a few other Basque men discovered a silver mine in Mexico, but was already rich due to his many encomiendas, his salary as a lieutenant-governor, and many other businesses he owned. Given Juan de Onate's tremendous wealth and outstanding family history King Philip thought that he had found an excellent conquistador, but would soon find out that he was wrong.
Mexican-American award-winning guitarist Carlos Santana is the leader of Santana, a band whose music uniquely blends Latin-infused rock, jazz, blues, salsa and African rhythms.Mexican-American award-winning guitarist Carlos Santana is the leader of Santana, a band whose music uniquely blends Latin-infused rock, jazz, blues, salsa and African rhythms.With their highly original blend of Latin-infused rock, jazz, blues, salsa and African rhythms, the band—which quickly became known simply as Santana—gained an immediate following on the San Francisco club scene. The band's early success, capped off by a memorable performance at Woodstock in 1969, led to a recording contract with Columbia Records, then run by Clive Davis.
Hector Juan Perez Martinez was born in Ponce Puerto Rico in 1946. (Rodriguez) By the time he was 4 he had already experienced his first tragedy, his mother died.His family had a big musical history. Hectors grandfather was known for his beautiful
The instruments used to make Mariachi music, like the guitar or violin, were introduced to Mexico by the Spaniards. Nowadays, Mariachi Music is known all around the world and there are many band groups that will go to different cities and play at events, parties, and festivals (Roldan, "Vestimenta De Los Charros O