'Bye-Bye Blackbird': Bob Fosse-The Musical

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Bob Fosse originally choreographed Bye Bye Blackbird in 1972. It was created with the purpose of Liza Minnelli performing the lead role on her TV special: “Liza with a Z”. The Music is by Ray Henderson and the lyrics are by Mort Dixon ("Fosse - the Musical."). Bye Bye Blackbird is a dance piece in which every dancer is required to sing. There is a lead role and sixteen dancers supporting the lead. Although it was originally created and purposed for Liza Minnelli, in this production the role of the lead was played by Ben Vereen, who sings and dances the entire time. As previously mentioned: the costumes were simplified in order to draw the attention to solely the choreography. For this performance, the dancers were dressed in tight fitting black …show more content…

Dancin’ is a music revue that was first produced in 1978. Unlike Fosse, Dancin’ was directed and choreographed entirely by Bob Fosse himself since it was created before he passed away. Dancin’ was created as a way to show respect to the art of dance. Just like Fosse, Dancin’ also opened at the Broadhurst Theatre. The show was meant to use little dialogue and singing. Fosse wanted to showcase his more movement based side by choreographing strictly based off of what the music conveyed and not necessarily what emotions were being …show more content…

The dancers must have the ability to switch their intention and facial expressions instantly. Another difficulty the dancers face in this piece is stamina. Once the piece picks up, it does not once slow back down: Original cast members realized the importance of repetition within rehearsals, “Repetition wasn’t just important, it was necessary. You did not have time to think, therefor you needed to be able to rely on your body to be two steps ahead even when your mind was a step behind.” (Jovovich). For the entire seven minutes of the piece, the dancers are constantly moving. This specific choreography seems to posses more full body movements than a lot of the other showcased pieces in Fosse. This piece is the first time in the Revue that the audience witnesses multiple level changes throughout. The choreography constantly explored athletic ways in which the dancers could transition to and from the ground. Crunchy Granola Suite also showcases a great amount of partner work. This provides another obstacle for the dancers because now not only do they need to worry about what they are doing, but also they need to be aware of the other dancers in relationship to

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