'But you are not jeffmute?' Ireland's Image Abroad
In "Ireland at the Bar" James Joyce is concerned with the image of Ireland in the eyes of the Britain and the role of the English media in Imperialism. The essay recounts the details of the trial for murder of Myles Joyce, accused of killing John Joyce [not a relation of his], his wife, mother and children on the 17th of August 1882 in Maamtrasna in Connemara. Myles Joyce was one of four or five peasants, "all of them members of the ancient tribe of the Joyces", arrested for the murder of their neighbour. Myles was the eldest of them, at sixty years of age, and belonged to a generation of Irish people who only spoke Irish. The patriarch was tried in English, a language he didn’t understand, and "Myles Joyce was convicted after the jury met for six minutes." (Flood, 883) and hanged in December 1882 at Galway jail.
Myles Joyce was given the services of an interpreter as Joyce describes. "On the one hand there was the officious interpreter, on the other the patriarch of the miserable tribe who, unused to civic customs, seemed quite bewildered by all the legal ceremonies."(145) The Magistrate instructed the interpreter to ask the accused if he saw the woman on the morning in question, "the old man broke out into intricate explanations, gesticulating, appealing to the other accused, to heaven. Then, exhausted by the effort, he fell silent."(145) The interpreter answered to the magistrate "He says no, your worship."(145) The interpreter does an injustice to Myles Joyce by rendering the passionate protestations of the accused into monosyllabic answers.
For Joyce, however, the case of Myles Joyce represents a greater issue concerning Irish Identity. He points out:
The figure of the bewildered old man, left over from a culture which is not ours, a deaf-mute before his judge, is a symbol of the Irish nation at the bar of public opinion. Like him, Ireland cannot appeal to the modern conscience of England or abroad. The English newspapers act as interpreters between Ireland and the English electorate. (146)
After he had been executed, Myles Joyce was considered to have been wrongfully accused of the murders. In fact, his co-accused admitted their part and exonerated Myles of any wrongdoing. But respective governments in Britain who refused to ever have a proper enquiry into this miscarriage of justice overlooked this.
Translations depicts the cultural take over of Ireland by the British Empire, yet it cannot be said to be simply pro-Irish.’ Consider this comment. English Literature Coursework- ‘Translations depicts the cultural take over of Ireland by the British Empire, yet it cannot be said to be simply pro-Irish.’ Consider this comment on the play. The Cultural take over of Ireland by the British Empire is a central issue in Translations.
There is particular consideration given to the political climate in this story. It is incorporated with social and ethnic concerns that are prevalent. The story also addresses prejudice and the theme of ethnic stereotyping through his character development. O'Connor does not present a work that is riddled with Irish slurs or ethnic approximations. Instead, he attempts to provide an account that is both informative and accurate.
In 1801, the political Act of Union created a legislative bond between Great Britain and Ireland, bringing Ireland under British control as part of the “United Kingdom”. Within the poem ‘Act of Union’ Heaney draws upon the double meaning of this titular phrase to compare the long lasting effect of this lawful union with an act of sexual domination.
James Joyce was born in Ireland to a borderline destitute/middle-class family. After his graduation from the University College, he moved to Paris to study medicine only to be called back to Dublin to care for his mother during her last days (O’Conner). He remained in his home country for a year, publishing short stories in “The Irish Homestead” newspaper (O’Conner). Joyce was a failure at many different occupations: teaching, journalism, and accounting; however, he is one of the few authors to have known success in his own lifetime (Bulson 17). Living in the 1910s era, which found pride in formal diction and savvy language, Joyce found many publishers were wary of his work, which pushed the social limits with bitter language and brash subjects (Bulson 18). Bulson quotes Joyce’s argument with publishers as he refused to grant their wishes of revision, “I seriously believe that you will retard the course of civilization in Ireland by preventing the Irish people from having one good look at themselves in my nicely polished mirror” (33). This was his attitude towards the eventually published collection of short stories, Dubliners, confirming the beginning of modern literature.
Fairhall, James. James Joyce and the Question of History. Cambridge University Press. New York, New York: 1993.
In James Joyce’s Dubliners, the theme of escape tends to be a trend when characters are faced with critical decisions. Joyce’s novel presents a bleak and dark view of Ireland; his intentions by writing this novel are to illustrate people’s reasons to flee Ireland. In the stories “Eveline, “Counterparts”, and the “Dead”, characters are faced with autonomous decisions that shape their lives. This forlorn world casts a gloomy shadow over the characters of these stories. These stories are connected by their similar portrayal of Ireland. They clearly represent Joyce’s views on people’s discontent with Ireland.
The years 1870 to 1890 in Ireland saw the fervent battle of Charles Stewart Parnell and his Home Rule party for home rule in Ireland. This consisted of Ireland having its own parliament to deal with internal affairs while still remaining under the control of Westminster in international affairs. It was not the desire for a full separation from Britain that would come later. However, by 1890, problems in Parnell’s personal life lead to a breakdown in communication with the Prime Minister and to a split in the Home Rule party. According to M E Collins, this left a void in Irish politics and life that was filled with a new cultural awareness and a questioning of Irish identity: ‘the new movements were different. They stressed the importance of Irish identity, Irish race and Irish culture’ (170 M E Collins, Ireland 1868 - 1966). It is at this point that Fanon’s ‘Wretched of the Earth’ becomes relevant to Irish history. In his chapter entitled ‘On National Consciousness’, Fanon stresses the colonised native fears of being assimilated totally into the culture of the coloniser, of being ‘swamped’ (169 Frantz Fanon, The Wretched of the Earth). These were the exact concerns that occupied the minds of the Irish people after the failure of home rule. They began to be anxious about what Collins terms ‘the distinguishing marks of Irishness’: ‘a culture and language that was different to Britain’s’.
A collection of short stories published in 1907, Dubliners, by James Joyce, revolves around the everyday lives of ordinary citizens in Dublin, Ireland (Freidrich 166). According to Joyce himself, his intention was to "write a chapter of the moral history of [his] country and [he] chose Dublin for the scene because the city seemed to [b]e the centre of paralysis" (Friedrich 166). True to his goal, each of the fifteen stories are tales of disappointment, darkness, captivity, frustration, and flaw. The book is divided into four sections: childhood, adolescence, maturity, and public life (Levin 159). The structure of the book shows that gradually, citizens become trapped in Dublin society (Stone 140). The stories portray Joyce's feeling that Dublin is the epitome of paralysis and all of the citizens are victims (Levin 159). Although each story from Dubliners is a unique and separate depiction, they all have similarities with each other. In addition, because the first three stories -- The Sisters, An Encounter, and Araby parallel each other in many ways, they can be seen as a set in and of themselves. The purpose of this essay is to explore one particular similarity in order to prove that the childhood stories can be seen as specific section of Dubliners. By examining the characters of Father Flynn in The Sisters, Father Butler in An Encounter, and Mangan's sister in Araby, I will demonstrate that the idea of being held captive by religion is felt by the protagonist of each story. In this paper, I argue that because religion played such a significant role in the lives of the middle class, it was something that many citizens felt was suffocating and from which it was impossible to get away. Each of the three childhood stories uses religion to keep the protagonist captive. In The Sisters, Father Flynn plays an important role in making the narrator feel like a prisoner. Mr. Cotter's comment that "… a young lad [should] run about and play with young lads of his own age…" suggests that the narrator has spent a great deal of time with the priest. Even in death, the boy can not free himself from the presence of Father Flynn (Stone 169) as is illustrated in the following passage: "But the grey face still followed me. It murmured; and I understood that it desired to confess something.
Kiberd, Declan, Inventing Ireland: the Literature of the Modern Nation, Harvard University Press, Cambridge, 1996.
The writer assumes a calculating, but warm persona which genuinely wishes to help Ireland. This persona of his is established through his usage of logos and his desire to change Ireland. He is a Irish writer who went to oxford, and lived in Ireland. His ethos is very solid because of his heritage and his education. He shows good will, humility, and likeability. These traits can be seen through his desire to help his country, his selflessness, and his humbleness. He takes a very logical approach to solving the problem and has an overall serious tone. He uses a very logical approach to solving the problem and has a very serious, but passionate tone. His way of thinking is ...
Joyce was born in 1882 in Dublin, Ireland and lived through reformations, wars, and trials until he died in Zürich in 1941. He was a man much in politics and was much interested in how a country was being led. In the year 1914, James wrote 15 short stories known as Dubliners, which also includes the short story “Araby” (Thomas). “Araby” is a short story in which he writes describing a young lad’s curiosity and nave experience with love and in which he describes his personal life as a boy. Ireland was not always free and independent as it is now.
James Joyce began his writing career in 1914 with a series of realistic stories published in a collection called The Dubliners. These short literary pieces are a glimpse into the ‘paralysis’ that those who lived in the turn of the century Ireland and its capital experienced at various points in life (Greenblatt, 2277). Two of the selections, “Araby” and “The Dead” are examples of Joyce’s ability to tell a story with precise details while remaining a detached third person narrator. “Araby” is centered on the main character experiencing an epiphany while “The Dead” is Joyce’s experiment with trying to remain objective. One might assume Joyce had trouble with objectivity when it concerned the setting of Ireland because Dublin would prove to be his only topic. According the editors of the Norton Anthology of Literature, “No writer has ever been more soaked in Dublin, its atmosphere, its history, its topography. He devised ways of expanding his account of the Irish capital, however, so that they became microcosms of human history, geography, and experience.” (Greenblatt, 2277) In both “Araby” and “The Dead” the climax reveals an epiphany of sorts that the main characters experience and each realize his actual position in life and its ultimate permanency.
... of stories Dubliners, James Joyce leads the reader to the conclusion that the Catholic Church took the role of a governing body, and that modernist movement was inhibited by the outdated ideas of the Catholic Church. The story “The Boarding House” provides the reader with excellent examples of a priest who overextended his role in society, and it has been shown that such an occurrence has negative effects of the society as a whole. The Catholic church as a burdensome entity is very well shown in Joyce’s’ the “The sisters”. The story also provides us with a good explanation of the social connotations of religion within the modernist movement. In the stories of Dubliners the legal system is replaced by the institute of religion, and it is the presence and social context of the Catholic Church which prevents the Irish community from advancement.
McCann et al. Belfast: Institute of Irish Studies, 1994, 95-109).
At the age of 40 in 1896, Sigmund Freud introduced the world to a new term- psychoanalysis (Gay 1). Psychoanalysis is a method of treating patients with different nervous problems by involving them in dialogues which provide the physician with insight into the individual’s psyche. These dialogues provided the basis for Freud’s psychoanalytic theory, which “attempts to explain personality, motivation, and psychological disorders by focusing on the influence of early childhood experiences, on unconscious motives and conflicts, and on the methods people use to cope with their sexual and aggressive urges” (Weiten 363). Part of this theory involves the structure of the mind. This is a concept that touches on human nature itself and attempts to explain the motives behind human behavior.