Buddhist art spread across Asian countries, as believers brought the existing art and principles with them. The religion evolved in each new place to fit the new societies, which influenced the way the Buddha and Buddhist principles were represented in art. Starting from Theravada Buddhism in India, the religion evolved into another main branch called Mahayana Buddhism, which is popular in China, Korea, and Japan. Throughout its history, Buddhism has been ever changing to include local beliefs and customs, and the combination of these local usages with imported beliefs and symbols is characteristic of Buddhist art throughout Asia. Each new offshoot of Buddhism has its own unique take on the symbolism and rituals used to represent the religion.
Śaśibālā, , and Chandra Lokesh. Buddhist Art: In Praise of the Divine. New Delhi: Lustre Press, 2003. Print.
Chinese artwork is a form that contains and demonstrates many different meanings and morals that can be linked back to not only religion, but the overall meaning of life. This paper will discuss the sculpture titled Seated Buddha and how it represents peace, enlightenment, and the overall importance of how these two components influence the mindset of the people involved in the Buddhist religion. The Seated Buddha was created between the 5th and 6th century in China. The artist of this piece is unknown, but this does not hinder us at all from seeing what the artist was trying to portray through the different aspects that they included in the Seated Buddha sculpture. This piece is crafted from stone and a chisel was then used to create the
The History and Evolution of Buddhism Across the World
Religions have been an ever-growing, ever-changing part of peoples lives throughout the history of the world. One of the most dynamic of these religions is the practice of Buddhism. Today nearly 450 million people are influenced by its traditions worldwide. It is this massive influence that makes understanding Buddhism so crucial in today’s world. This paper aims to express its relatively simple history and also how it has evolved today as an influential religion not only in the United States, but throughout the world.
The statue that will be the focus of this paper portrays the figure “Amida, the Buddha of Infinite Light.” Like many other statues of the Buddha, this Amida Buddha was portrayed to be deep in meditation, sitting cross-legged. A viewer could observe that the Amida Buddha is making a hand gesture while in deep meditation. These gestures, also known as “mudras,” are symbolic in the Buddhist religion, and they are used to convey certain ideas (O’Riley 70). In this case, the Amida Buddha is making the mudra of appeasement (“Amida”). More physical observations could be made by pointing out the “balanced form, divine features, and flowing drapery” (“Amida”) of the Amida Buddha. Those qualities represent the nature of the Buddha, revealing him as “transcendent, graceful, and compassionate” (“Amida”). Features common to other Buddha sculptures show up on this Amida Buddha, like the elongated earlobes, the mole on his forehead, and patterned hair. At first glance, the Am...
WISDOM QUARTERLY: AMERICAN BUDDHIST JOURNAL. Digital image.WISDOM QUARTERLY: AMERICAN BUDDHIST JOURNAL. N.p., 30 Sept. 2008. Web. 15 Nov. 2013. .
Art Stands Tall for Human Values
In 2008 a group of archaeologist unearthed what could now be the world’s oldest statue. This larger than life statuette stands at whopping 2 ½ inches tall with an estimated carving date from 35,000 to 40,000 years ago from a mammoth tusk. The form of the statuette is that of female figure missing her head and feet with a primary focus on reproductive organs. Due to the pornographic nature of the statue archaeologist believe that the statue’s purpose and function is to represent longevity and fertility.
Being a designer, it is astonishing to relate styles that I apply to work with these simple Buddhists. They lived a simple lifestyle, appreciating materials and imagery that both were provided by nature. The aesthetics applied is an important way of expressing yourself as a citizen of the world.
Tibetan thanka[1] paintings are a wonderful example of the interconnectedness of religion and art. These images are “not meant to be the object of simple idolatry” (Jackson 11), but rather take on a more interactive role, which can be applied to nearly every facet of traditional Tibetan life. Tibetan Buddhism pervades all aspects of the creation and use of thanka paintings—in the training and requirements of the artists who create the paintings, in the physical creative process itself, in the iconography used, and in all the painting’s multiple functions. Tibetan thanka paintings, throughout their entire lifespan—from concept to consecrated image—help devotional religious activity for Tibetan Buddhism[2].
Though most works of art have some underlying, deeper meaning attached to them, our first impression of their significance comes through our initial visual interpretation. When we first view a painting or a statue or other piece of art, we notice first the visual details – its size, its medium, its color, and its condition, for example – before we begin to ponder its greater significance. Indeed, these visual clues are just as important as any other interpretation or meaning of a work, for they allow us to understand just what that deeper meaning is. The expression on a statue’s face tells us the emotion and message that the artist is trying to convey. Its color, too, can provide clues: darker or lighter colors can play a role in how we judge a piece of art. The type of lines used in a piece can send different messages. A sculpture, for example, may have been carved with hard, rough lines or it may have been carved with smoother, more flowing lines that portray a kind of gentleness.