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Ancient Greek influence on western culture
My experience on visiting a museum
Influence of greek culture
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Material: Bronze Cultural background: Roman, 1st - 3rd Century CE. Approximate dimensions: L: 4.92cm, H: 11.72cm, B: 4.20cm Museum: Museum of Ancient Cultures Inventory number: MU4745 Surface treatment: Painted with acid and wax. Condition: Mostly intact, with the base chipped from the thumb across the back of the hand to the ring finger. There is also a fragment missing under the snake on the back of the hand, below the middle and ring finger. The artefact shows signs of corrosion as it has turned dark green in colour. It has also lost its sheen. Details of the fingers and outline of the snake coiled around the wrist appear to be worn down. Method of manufacture: The hand of Sabazius likely would have been made using a technique called …show more content…
This artefact is also made of bronze and has the same decorative motifs including the blessing (benediction) symbol, snake entwined around the wrist, and pine cone held in the upright fingers. A nail hole is also present on the back of the hand. However, it is fully intact and also displays a turtle and lizard on the back of the hand. A square, perhaps magical symbol is seen on the palm under the pinky, which is not seen in MU4745. The snake also does not reach the top of the thumb. 1912,0710.1 British Museum (date unknown), Online Catalogue, < http://www.britishmuseum.org/research/collection_online/collection_object_details.aspx objectId=465950&partId=1&searchText=sabazius&page=1> (viewed 28 March 2015). Also hollow cast and made of bronze. The snake, benediction sign and pine cone are all similar, yet the cone is being held up by all three outstretched fingers. The snake does not have as prominent a position on top of the thumb. This artefact is not as well preserved, and shows signs of oxidisation predominately in the palm and across the right back hand side. The broken section may have been where the nail hole was
On My visit to the Hunter Museum I chose the piece of art that I felt best related to. I picked the piece of art Pullman, by Hung Liu, because I loved the way they worked together to accomplish a mission. Pullman is a 2 dimensional wall piece created by Hung Liu in 2004, and was later purchased by the Hunter Museum in 2009. Pullman is A 66x132 inch oil on canvas, colored paining and is displayed on the wall in the museum. There is a wall text about the piece that can be found next to the painting. The painting is hard to define from close distance, but the farther you stand away the colors and textures come together. The paining is on a wall by itself, and is truly a breathtaking piece. We often take for granted the luxuries we have in the United States.
Surely, it was easily recognizable during the Early Zhou dynasty that it was a ritual wine vessel and for the wealthy to use for their offerings. But today, at first glance, it may look intimidating with its sharp points from top to bottom. The vessel has a unique shape and green patina color that catches the eye whether looking disgusting or elegant. It is also not very inviting with its rough looking texture, long spout, and awkward handle. Right where the rim of the cup starts and the spout ends are a pair of capped posts rising from the rim. Opposite from the spout is a sharp leaf-shaped rim, which could be easily mistaken as the spout, since wine could be poured out from that end too, technically. The design was modeled after a bird in flight. However, with a closer look, the detailed work on the vessel shows. This one has a somewhat thin braided or grid-like design imprinted around the whole cup, which makes it unique from other bronze vessels. Most Shang bronze vessels have a dominant motif of a frontal monster or animal-like mask known as a taotie. It typically had horns, eyes, nose, upper jaw, fangs, horns, eyebrows, and ears; therefore, sometimes could be known as opposed animal profiles or split representation as well (Cantor). Some versions include legs and a tail. With the closer look, the strong structure is more apparent as well. It is a unique one resembling a camera's tripod, though pointier and could actually be real sharp. Developed from the gu which was a goblet used for a single drinker, this jue was considered a small ewer on legs. It was a wine cup that only ancestor spirits could "hold and touch", not to mention its large size. This specific Ritual Wine Vessel measures a little over eight inches in height and a little over six inches in width due to
Another easily recognized symbol in this story is that of the snake. "Sykes, what you throw dat whip on me like dat? You know it would skeer me - looks just like a snake, an' you knows how skeered Ah is of snakes" (Hurston 678). The snake is the main symbol in this story, it ties it together because it is mentioned at the beginning of the story and at the end. Sykes decides to bring a snake into their home, "Look in de box dere Delia, Ah done brung yuh somethin'.Syke! Syke, mah Gawd! You tak...
What specific features of the statue can you point out? By looking at the statue you can tell that this mohenjo man was wealthy. They had to wear clothing made from animal skin with hair to make warm and plants. probably wears a lot of gold with his outfit. maybe the 3 leaf may mean his rank.
Joines, Karen Randolph. Serpent Symbolism in the Old Testament: A Linguistic, Archaeological, and Literary Study. Haddonfield, NJ: Haddonfield House, 1974. Print.
This Cactus Stirrup vessel was created by the Chavin. This was made in Peru, and sometime between 900 and 200 BC. These vessels were used for looks. This Cactus vessel is a Tembladera-style. The material this vessel is made out of is gold and ceramic Chavin ancient artifacts. The purpose of this vessel was that it was a the Chavin's gold crown. Also, it served as feline, the Cactus Stirrup
There is an art piece called Statue of the Goddess Sakhmet, which was created during 1417-1379 BCE, and made by granite. This is the 18th dynasty in new kingdom period, reign of Amenhotep III. This acquisition is seated upon a throne and her whole body in a really straight position. Also her head is facing front, and both of her hands are placing upon on her laps. This goddess is always depicted as a lion-headed woman with bared foots. This goddess always with a sun disk and uraeus on her head. However, in this case, there is no sun disk and uraeus.
The first symbol was a tall, bronze ladder that was narrow and stretched all the way to Heaven. The ladder represents the path that everyone must climb in order to get to Heaven. On the ladder are iron implements, all of which were various weapons, and that if you were not careful, you would be "torn to pieces" (2). The iron implements were the tools that were used to torture people, especially in the arena where the Christians were killed. One could also see the implements as obstacles that people face while trying to live a good life and get to Heaven. The dragon found at the bottom of the ladder is representative of the temptation of the devil (2). When the dragon put his head down and Perpetua stomped on it, it showed that she had power over the devil and that she was able to resist his temptations. The huge expanse of garden symbolizes Heaven. The white-haired man milking his ewes and dressed like a shepherd is referring to God watching over all his people like a shepherd watches his flock. The thousands of people dressed in white are either representing the angels and saints in Heaven or the thousands of believers that have died before and now live in Heaven. Finally, in her vision, Perpetua is given a small morsel, and she accepts it with both hands, and the people say "Amen". These actions symbolize those of Eucharist and that she was receiving the Body of Christ. After this had happened,
snake, while perched on a cactus, which was growing out of a rock in the
The first vessel I chose, named “Zhui” gui, is from West Zhou dynasty, which was probably cast around 900 to 850 B.C.E. Basically, this vessels consists of two distinct parts -- an oblate bowl with two handles symmetrically by the side and a huge square base at the bottom. Starting from the bowl, it’s decorated organized but not delicately. The ornaments can be mainly divided into three parts. The top and bottom patterns are almost the same, looking like a band with plenty of coiling-type clouds, which each two of them reverses both upside down and mirror-symmetrically, except for a raised head of an antelope-like animal lying in the middle of the upper band, having its long horns curling inward. The middle part is more complex. One can easily identify two raised prominent eyes of a taotie, a motif commonly found on Chinese ritual bronze, symmetrically lie on each side of the central...
When I saw this image I was able to decipher how it was drawn and I saw the details that made it appear to be three legs below instead of two. I was unable to draw this image and it wasn’twas not expected for an American to be able to however a member from the African tribe would be able to without a problem. Now look at the 3D box below which gives you the visual illusion of being able to put youyour hand inside the box. I learned to draw this in grade school but I’mI am sure if someone saw this from a different culture they would be just as amazed as I am with the “devils tuning fork” drawing. Very
This essay deals with the nature of a cross cultural encounter between the Benin people and Portuguese traders in the 15th and 16th centuries, which resulted in the depiction of Portuguese figures in Benin brass plaques. It will propose that this contact between people with different cultures was on the basis of 'mutual regard' (Woods, K. 2008, p. 16), and although the Portuguese had qualms about idolatry in Benin it will show that assumptions by Europeans up to the 20th century of the primitive nature of tribal African societies was inaccurate with regard to the Benin people, who had a society based on the succession of the King or 'Oba', a Royal Family and Nobility. The essay will finally suggest that Benin’s increase in wealth following the arrival of the Portuguese led to a resurgence in bronze sculptures and the introduction of a new form, the rectilinear plaque.
The Natural History Museum is extraordinary place to explore and learn. It’s fun and breathtaking. The museum served as an agricultural fairground from 1872 until 1910. The original structure of the building from the 1913 and today’s structure are combined with a blend of many styles. Like a Spanish Renaissance ornamentation in the terracotta trimmings. There is a Romanesque style in the arched windows and the brick walls. The Beaux-Arts tradition is a T-shape floor plan. The building measures 75 feet in diameter with three wings. The Rotunda’s walls are made of Italian marble and the floors have a mosaic tile. The statue in the center of the floor called “Three Muses.” The Rotunda’s dome is 58 feet high with a skylight 20 feet across on top, which has been restored recently into a bright colored stained glass design. The museum had its first grand opening on November 6, 1913 and was called “The Los Angeles County Museum of History, Science, and Art. It was opened formally to the public. The museum was joined by other major cultural facilities in the park; the Memorial Coliseum, Sports Arena, Swimming Stadium, California Science Center, California African American Museum and the largest Municipal-Owned Rose Garden in the nation, with a beautiful water fountain in the center.
The creatures depicted in the plaque have bird-like faces, big eyes, and human-like but slightly simplified bodies. Most figures seem to be wearing skirts or tunics, and each of them is carrying or holding different objects. In the bottom register, there are individuals carrying what seem to be musical instruments, one of them being a harp-like instrument. In the middle
This bronze sculpture shows one of three God’s in Hindu triumvirate, Shiva Nataraja, the destroyer and regenerator, as a dancing figure within the ring of fire. The ring of fire is the eternal cyclical nature of existence, the cosmos and consciousness. Other elements shown in this dance are Shrishti (creation), Anugraha (release), Sthiti (preservation), Samahara (destruction), and Tirobhava (illusion). In the form of Shiva Nataraja, he has four arms that represent different aspects of the universe., this signifies world creation through music. In his left hand is destruction depicted as fire. Both the hands are equal in height and level, this signifies the equality in destruction and creation. Abhaya mudra which symbolizes fearlessness., pointing to left foot signifying salvation and upliftment. Shiva’s right foot is pressed on the back of a demon dwarf at the center, this depicts victory over ignorance. In this sculpture Shiva’s flowing hair stands out with a small personified image of the Ganges river. Stories tell of Shiva and how he broke the fall of great Ganges’