Upon her second husband's death, domineering matriarch Bernarda Alba imposes an 8-year mourning period on her household in accordance with her family tradition. Bernarda has 5 daughters, aged between 20 and 39, whom she has controlled inexorably and prohibited from any form of relationship. The mourning period further isolates them and tension mounts within the household. Youngest sister Adela, stricken with sudden spirit and jubilation after her father's funeral, defies her mother's wishes. Her brief taste of youthful joy suddenly shatters when she discovers that Angustias will be marrying Pepe. Poncia, Bernarda's maid, advises Adela to bide her time: Angustias will probably die delivering her first child. Distressed, Adela threatens to run
With several astute observations in his memories, Aires gets to deceive and confuse readers. The diary covers two years in the life of a sexagenarian with his proverbial wisdom but placid, deceives and misleads the reader with small observations. The narrator reports people who lived with the narrator, reading quotes and works that read as a diplomat and reflections on past events that occurred in politics. One of the main characters depicted by Aires is Fidelia, a young girl who he was interested. Due to his old age, Ayres never revealed his love to Fidelia, but considered a daughter to the couple Dona Carmo and Aguiar, who cannot have
To keep her daughter’s “virtue” intact Macaria beats her. In this way the mother establishes complete control over Marcela’s sexuali...
Additionally, María Teresa (Mate) contributes to the book in the third chapter through her diary entries. One day, she is called into the principal's office because Minerva had been sneaking out. Mate lies that Minerva was visiting her ill uncle, when she had really been sneaking out for secret meetings at Don Horacio’s house. Hilda, one of the girls who attends the meetings, joins the school to escape the police. After being caught, Mate is forced to give up her journal because of the evidence it contains about Hilda. Patria, the narrator of the fourth chapter, initially wants to be a nun, but quickly falls in love with Pedrito. They are married and have two kids. Unfortunately, her third child dies. Patria has trouble recovering from this, connecting it to how she didn’t continue her religious calling. Patria suspects that Pedrito has moved her dead son to the backyard after seeing him digging one night. Worried, she checks the cemetery, in order to see if her son is still there. She sees her son decomposing, and realizes she has lost all
him. He tries to go back to raping peasants, but he can’t lift them up
These girls have had a rough life. In 1910, their mother died and the four girls only have each other for all their weeps and worries. Also, their dad has been dead for years and ever since the death of their mother, life has just not been the same. They were left as orphans and took care of each other, since they were all they had. Then, something gave the Purcell girls a glimmer of hope. They had a guardian, who for the rest of their lives would take care of the girls. His name was Mr. Mackenzie and he was married to Mrs. Mackenzie and they had kids of their own. They have three sons; Gabriel, Geoffrey, and Antony. Also, they had one daughter; her name was Lucy. One child, though, would soon become very important in Julia’s life. His name was Master Geoffrey and he had been away at school ever since the Mackenzie’s started taking care of the Purcell girls, which was in January of 1910. At this time, he was the same age as Julia. They were both 15 years old. As soon as they first met, they wanted to get to know each other better. One of the first things Geoffrey noticed about Julia is that she was very much like her older sister, Frances; except, there was something special about her. He couldn’t put his finger on it, but there was something
Characters: Thad, Amelie Taylor, Maude Taylor, Blythe Taylor, Emma Taylor, Nikola Tesla, Jane Taylor, Mimi Taylor
The Mirabal sisters are no wilting flowers. The female protagonists in The Time of the Butterflies fought for their rights against a corrupted government using their full blown feminist powers. The citizens know them as “the butterflies” and see them as leaders. The beautiful sisters did what few men had been willing to do. Patria, the eldest, kept herself engaged in her children and religious activities while Dede, the second eldest, focused on pleasing her mother and being a reliable partner and sister. The third sister is Minerva, who is the firecracker in the family. She doesn't fear speaking to a crowd and giving her opinion. Maria Teresa in the youngest. She looks up to her sisters and isn’t loves to charm boys with her looks and spirit.
“As I’ve always said, they’re like children. There’s not one of them can do what he’s supposed to do without me there behind him driving him on” (The House of the Spirits, 65).
This essay will be evaluating the question: how did language and communication play a role in shaping what happened to Lia? Also, it will look at if Fadiman points out ways in which communication practices between doctors and patients could be improved. These were important in the book, The Spirit Catches You and You Fall Down, because they shaped what would happen to Lia in the end. The evidence we will look at will include the facts that the doctors and the Lees couldn’t understand each other, the hospitals didn’t have enough interpreters for everyone, and that the Lees did not trust hospitals or doctors in the first place because of their culture.
Edna Pontellier is not a Creole, so her relationship with her husband is difficult. In her husband's eyes she has failed in her duties as a wife and as a mother to her own children. What Enda's husband expects from her is never what she does. Leonce comes home in the middle of the night and talks to Edna while she is sleeping. Then he tells her that Raoul one of their sons is sick and tells her to get up and check on him. Edna had never really had the desire to have children but she did anyway. She was not a "mother-woman" because she would rather be alone sometimes; she did not feel she had to be with her children twenty-four hours a day. If one Edna's boys "....took a tumble whilst at play, he would not apt rush crying to his mother's arms for comfort; he would more likely pick himself up"(16). Enda never felt that she fit in with Creole society because she "...most forcibly was their entire absence of prudery"(19). The Creoles' would talk about things such as childbirth and would flirt with others and not mean anything. Yet Edna would never dream of talking about her childbirth's with anyone or flirting unless she meant it. Creole women devoted their whole lives to their husbands where Enda was carefree and did as she pleased. She was carefree because she would go out onto the beach with only a sundress and a little hat on when she was suppose to be all covered up so she would not become sun burnt.
The Horror story of “Diary Of A Haunting” was written by M. Verano. The main character is Paige. Paige is very capable of what she believes in. She also is very strong and fearless and curious about what is going on in her house. The theme of my book is “If You Have Something To Say, Say It.” I believe that Paige knew something was going on, but she was too afraid to say it because she was soon to know if her family would think shes crazy. Since she didn't say anything things got worse. I believe it is important to speak up if your know that something is wrong.
The House of the Spirits written by Isabel Allende is an extraordinary novel that weaves together, history, politics, and current events to create a unique piece of literature. Throughout the novel on several occasions it is clear that there is inequality between the aristocrats and the peasants and this leads to struggle between the classes. The issue of class struggle takes the form of growing conflict by causing a division between the Conservatives and Socialists. At the head of the Conservatives is Esteban Trueba, a violent and materialistic figure. He believes people need to work their way up to the top and there is no reason that peasants share the upper classes wealth. On the other hand, Pedro Tercero Garcia represents the Socialistic view and he is willing to make the change through revolutionary principles. As the novel progresses class differences begin to build up and result in a political struggle between the Conservatives and Socialists thereby impacting the society in a negative way and causing it to rip to shreds.
Manette is at the house of the Evremondes', tending to a psychotic young peasant girl. The two Evremonde brothers convince Dr. Manette to come with them, to see someone who they believe needs help. When he arrives at their spacious house, he immediately hears piercing screams, coming from upstairs. He is taken to the room, to see a girl, about 20 years old, who is tied down to a bed, shrieking loudly, and thrashing around. The doctor gives her medication, seemingly to no avail. Meanwhile, the "elder" brother takes him to another patient, the girl's brother, who has a fatal wound in his chest.
Alba. The House of Bernarda Alba: A Drama About Women in the Villages of Spain. Trans. James Graham-Lujan and Richard L. O’Connel. New York: New Directions, 1947. 155-211.
The play "The House Of Bernarda Alba" gives an interesting portrayal of a middle class home consisting entirely of women. The plot is set in a small town, middle class house in a society dominated by men. It is believed to be set somewhere in Spain in the 1930s. The play was written in a time when the suppression of woman was still strong. The mother, the head of the household, does everything she believes is necessary to keep her house within a good social standing in the town. The mother had become the master of the house after her husband died, which makes her work harder to keep a good reputation for her house of women. Looking deeper into the story one might find two sides to the dilemmas that cover the house. There are protagonists, principle characters in a story, and antagonists, characters that act adversaries or opponents to the principle characters. In this play one of the maids, Poncia, is forced to be in the middle of much of the drama consuming this house. She, Poncia, can be looked at as both a protagonist and antagonist. One might say that she fits into a back up role; helping support the main characters' roles, in the cast of characters.