Brief Summary Of Elie Wiesel's 'Night'

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Chapter Ten The next morning, Franz Sigel spotted Stanislaus at the end of the St. Nicholas Hotel lobby. Sigel offered to show Stanislaus and his family the sights of New York City as a courtesy to Karolina for allowing him to accompany her and her friend Anna at the reception that evening. “A carriage is waiting for your family in front of the hotel,” Sigel told him as they waited for Karolina and her children to catch up. Karolina’s Ohio cousins decided to remain at the hotel but requested their son come with them for a tour the city. Stanislaus and Karolina agreed to have a playmate for their oldest child with them. After they completed their plans, Sigel escorted the group through the doors of the hotel toward the waiting carriage. Outside …show more content…

He met Sigel when the family he worked for told him Sigel would be able to teach him to write English. Sigel, tutoring other German immigrants after his work day offered to teach his employer’s other workers as well. Joseph bowed low to Sigel and pointed him and Stanislaus’s family towards the waiting carriage. Karolina and Stanislaus had never seen a black man before and were startled when they saw him, but Stanislaus shook the man’s hand profusely and settled into the carriage next to Sigel and the two older boys and called for his wife and youngest son to join …show more content…

Stanislaus excited to see the building’s architecture thanked him while he looked out the windows. The carriage traveled up Broadway, crossed over to Fifth Avenue, and passed a large arena, the Hippodrome, covered by a red, white and blue canvas. This structure would be housing P.T. Barnum’s circus opening shortly. The carriage dodged and weaved past other Horse Drawn wagons, carts, and men on horseback and pulled up to a large building still under construction. Joseph jumped down and opened the carriage door. “I told you I would show you something magnificent!” he said and pointed to the large building. The carriage parked directly in front of the centerpiece of the new “Exposition of the Industry of all Nations”, which was scheduled to open in New York City later that summer. Sigel pointed out to them the New York Crystal Palace, a magnificent glass and iron building modeled after the Crystal Palace, built in London for its own exposition two years before. Sigel took his leave and went to discuss his architectural plans with the building’s construction foreman. Stanislaus was fascinated and asked the workmen questions as they were completing construction of the dome. The exterior of the building made of cast iron and glass windows sparkled in the sunlight. The two wings facing the street would contain exhibits of classic pieces of sculpture and portraits of historical

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