Bradstreets An Author to Her Book

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Bradstreets An Author to Her Book

It is hard to sympathize with someone when you have no idea where they are coming from or what they are going through. It is similar experiences that allow us to extend our sincere appreciation and understanding for another human being’s situations and trials of life. Anne Bradstreet’s “The Author to Her Book” expresses the emotions that Bradstreet felt when her most intimate thoughts were published to the world without her consent. The average person would not see the cause for distress that Bradstreet feels in this situation. She had written a collection of near perfect poetry, which expressed her feelings in a way that the majority of women during that time did not have the talent or training to do. Many would wonder why she would be disturbed about these works being printed when they had brought many people pleasurable reading and had brought Bradstreet herself much personal fame. Therefore, Bradstreet can not just write a straightforward poem to tell how she feels about her stolen thoughts. Unless her reader happens to be a writer, he or she would not be able to sympathize with Bradstreet in this matter. Instead, she had to use a situation in which her readers could comprehend the many emotions she experienced. No doubt, many women read her poetry, and the majority of women during that time were, or would one day be mothers. This similarity opened a door for understanding. By comparing her writing to a child, Bradstreet is able to win the compassion of her readers and help them understand the feelings that she experiences.

Bradstreet sees herself s the “mother” (line 23) of this work, which she calls an “ill-formed offspring” (line 1) and she gives the work many human characteristics to enhance the effect of the conceit. She says that the “child” had been by her side until “snatched from thence by friends, less wise than true” (line 3). Bradstreet’s works would probably never have been published had it not been for her brother-in-law. A person she thought she could trust saw fit to take her works back to England and have them published without her consent. He took her most intimate thoughts and placed the future of them in his own hands and she was never consulted. She shares an intimacy with her work like that of a mother and child and that intimacy was infringed upon when her work was “exposed to public view” (line 4).

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