Boundaries in Marlowe’s Dr. Faustus, Shelley’s Frankenstein, and Havel’s Temptation
With every trip around the sun, the human race continues to push forward. Frontiers begin to fade, the horizon becomes less of a mystery and more of a pastime and the greatest challenge seems to be finding areas where advancements can still be made. Since we have become so good at extending boundaries, the question of whether or not an un-crossable boundary even exists becomes especially relevant. Indeed it is easy to think that there may be nothing that humans are incapable of achieving. For centuries, however, literature has been very imaginative while still holding on to the notion that at some point, crossing boundaries results in trouble. It might be said that in works of this type a distinction is made between pushing limitations and overstepping boundaries. In such literary works as Christopher Marlowe’s Dr. Faustus, Mary Shelley’s Frankenstein, and Vaclav Havel’s Temptation, the main characters push boundaries farther than they have been pushed before inevitably causing negative consequences for the characters and the people that surround them.
The work entitled Dr. Faustus centers around the character thus named who aims solely to lift every limitation and exceed every boundary he encounters. From the very opening of the play after the chorus in the first scene, Dr. Faustus explains his dissatisfaction with the boundaries he has already met:
Is not thy common talk found aphorisms?
Are not thy bills hung up as monuments,
Whereby whole cities have escaped the plague,
And thousand desperate maladies been eased?
Yet art thou still but Faustus, and a man.
Couldst thou make men to live eternally,
Or, being dead, raise them to life again,
Then this profession were to be esteemed. (19 – 26)
This excerpt reveals that Faustus, although he has had much success and is widely recognized for it, yearns for further discovery, a limitless experience, a power that physically is beyond him. Later in the same scene, he clearly states his solution to this quandary, “A Sound magician is a mighty god. Here Faustus, try thy brains to gain a deity” (63 – 64). In order to achieve this for even a limited time however, he must exceed natural human boundaries. In his search for a means to do so, he forms a new boundary, namely the loss of control over his soul, in scene 5 through a contract with Lucifer.
Frankenstein has been a classic for many years, and for many years to come. It strikes me to be one of the few horror stories one can actually read without vomiting, and instead, sympathize with. The book deals with a handful of things, as the moral dilemmas of interfering with nature. But, is it possible to connect this horror story with today's society?
self-centered. His life is the mirror of a Greed Tragedy. In his case, the flaw
As long as humans have lived in forested areas, they have cut down trees for lumber and/or to clear space for agricultural purposes. However, this practice has resulted in the destruction and near extinction of our national forests. Today, fewer than five percent of our country's original forests remain (Thirteen) and the U.S. Forest Service continues to allow more than 136,000 square miles to be logged each year (Byrant). Even more alarming, is the fact that only twenty percent of the current public forest lands are permanently protected by law, leaving nearly eighty percent to be consumed by chainsaws and bulldozers (Heritage...).
Shelley’s writing was heavily influenced by the artistic movement that emerged in the 19th century in England. One of her most popular novels, Frankenstein, features one of the key aspects of romanticism: the romantic hero. In the excerpt from this novel in Fiero’s The Humanistic Tradition Dr. Frankenstein is shown to possess the qualities of said hero. The plot of Shelly’s Frankenstein highlights the unmanageable quest of Dr. Frankenstein’s attempt to overcome the decaying effect of death. His aspirations and ultimate “failure” are what brand his character the romantic hero of the novel.
Deforestation is fast becoming one of the world’s worst environmental/geographical occurring disasters known to mankind, and is due to humankind’s greed, ignorance and carelessness when considering the future of our environment.
Instead, the once breathtaking forests are now sights to avert from. “The roadsides, once so attractive, were now lined with browned and withered vegetation…” (Carson). The roadsides used to be lined with green forests, but as deforestation has taken its impact, the roadsides now have become barren and lacked the greenery. Deforestation has caused a harmful influence on the once beautiful Earth. Deforestation can be caused by “fires, clear-cutting for agriculture, ranching and development, unsustainable bagging for timber, and degradation… (WWL). Today, many organizations are working to find ways to resolve the issues established by it.
Although Christopher Marlowe's Doctor Faustus has outclassed every one at Wittenberg with his academic studies, he is "still but Faustus, a man." Proud of his accomplishments, he desires to become a superman. His judgment clouded by the sin of his pride, he misunderstands his knowledge and dismisses the disciplines of medicine, philosophy, law, and divinity. He lusts for God's capability to "make men live eternally or being dead raise them to life again," believing the devil's arts of magic and necromancy can provide the power, honour, omnipotence and, most importantly, the wealth he craves. His deluded pursuit of the immediate pleasures such wealth can yield brings upon himself the risk of eternal damnation. By conjuring the devil, Faustus removes himself from the influence of the Holy Ghost and God's love, instigating attacks of despair, and internal conflicts as personified by the Good and Bad Angels.
As first introduced, Dr. Faustus appears to be an individual full of ambition that has made a name for himself within the academic community and is well respected by his peers. However, because the knowledge of man was something that he had appeared to have easily mastered, Faust becomes discontent with it much like a child tires of an old toy. Here Marlowe establishes the binary of want versus need, in which a gift is bestowed upon an individual who has put forth little to no effort in obtaining it and as a result possesses an overall lack of appreciation for its value. This applies to the young doctor in the sen...
Faustus sells his soul for what he believes to be limitless power, with the full logical, as opposed to emotional, knowledge as to consequences of such a transaction. He knows the stakes of his gamble with the ...
III. Faustus is portrayed as a very individual character. He changes and is shaped by the events that happen all around him. Everything he does affects his future outcome. For example his decision to give up his studies of medicine were very un-stereotypical of a character that is studying to be a doctor to do. Even more so is his decision to take upon the necromantics of the devil. He says, “Then read no more; thou hast attain'd that end: A greater subject fitteth Faustus' wit.” (1.11) He believes that he has learned enough information about all the great things of the world and there is nothing left to study that will intrigue him as much as magic will. His curious personality affects the play because his decisions determine the plot. For example the Seven Deadly Sins entice him so he becomes convinced not to repent his sin. This characterizes him as gullible, curious and adventurous. He becomes obsessed with his magic and he absolutely loves having the powers to do anything he pleases. An example of this is when he conjures up Helen. He knows he can do whatever he wants without reservation so he chooses to conjure the woman who launched a thousand ships. This shows that not only is he gullible, curious and obsessed but also Faustus only wishes for the best in whatever he does; the best that will please him.
The play progresses to Faustus gaining power but doing nothing productive with it because he has no wisdom to guide himself on. Faustus wishes for power and has plans looking forward to his future life but as he gains it, he starts to lose his wisdom as power clearly took a toll on his mind. He becomes a performer for an emperor and finally ends up believing there is no redemption for his life as he knows he has sinned against God before and after his deal with the devil which what he believes - his last straw with God. Faustus crumbles after he has too much of the weight of power in his hands to the point it ruins him, as he has no wisdom to properly organize his goals or
Superman, Spiderman, Iron Man, Batman; these are some examples of the modern day hero. Most call this form of a hero a Super Hero. In the early nineteenth century, the popular hero of the day was the romantic hero. Mary Shelly gives a great picture of this hero in her novel Frankenstein. She uses Victor Frankenstein, the creator of the famous “Frankenstein’s Monster” as her character which embodies the traits of a romantic hero. The model was relatively new; however, Christopher Marlowe had written a character in the early fifteenth century which embodied the same characteristics. These attributes of romanticism in the form of a hero are seen in both Mary Shelly’s Frankenstein and Christopher Marlowe’s Dr. Faustus in very much the same way. The authors use their respective hero to show the flaws in human nature and humankind’s predisposition towards sin using such things as obsession, internal battles and differing moral codes.
Marlowe reflects ambition in the character of Faustus to deter the audience from being ambitious, and over-reaching their place in the ‘Chain of Being’. However, if Marlowe chose to be ‘dangerously over-ambitious’ and regarded himself as this, it is likely that he may have written ‘Dr. Faustus’ differently, not viewing ambition in such a negative way. Whatever Marlowe’s view on ambition was, it is not made clear in the play, through Faustus or other characters. Certain aspects of his personality are indeed reflected in Faustus, which make reading the play and exploring Faustus as a character even more intriguing.
I can go as far as saying that Faustus lusts to be God, similarly to Lucifer, considering everything he has asked for. Lucifer was envious of God before he fell from grace, and with Faustus emulating Lucifer so closely, he also matches this unnecessary envy through his actions. He is too charmed with being a God in which he says “A sound magician is a mighty God.” The fact that Faustus wants to be an equal with God has him in complete denial of God 's power. But just as how Lucifer was damned for the same desires, Faustus was destined to follow the same fate. Despite Lucifer’s damnation, it is also as if he has succeeded in someone serving him as a God, seeing that Faustus has gave himself up to
Deforestation is not a recent act. It has been practiced throughout human history. About nine-tenths of all deforestation occurred before 1950, but it has increased dramatically over the last 60 years. Trees provide shelter,warmth and food. So its not a surprise that chopping down trees is an age old human activity. Wood from trees is used to build shelters and fuel fires. Fires are used for warmth and to cook food. Nuts and fruit from the trees are food for both humans and animals. Medicines and dyes are also made from the nuts and fruit from the tree. When the trees were cleared,there was rich soil to grow crops with. Back then, stones and flint axes were used to cut down the trees, but for the last sixty years, power saws have been used, and that has made a huge impact. (Williams, 2001).