Bless Me Ultima Figurative Language Essay

Rudolfo Anaya’s novel bless me, Ultima ignites theory to a community, comprised of goodness and necessary evil. These contrasting existences are described through ghosts of alienation and ostracization from immediate society, evident according to the solitary and lonesome physical appearance of Rosie's house.

Anaya depicts Rosie’s house as malevolent through sketchy figurative language (personification, simile, and imagery), that suggests through the home’s masquerade and brisk warnings the picket fence is unable to conceal her absence of morality, and production of sin. Likewise, the house “stood away from the street,” Anaya personifies Rosie’s house to be a defiant, nonconforming creature, bearing solitude like fanged smiles as it remained consciously away from the world. As the house

The quotation not only indicates the growing idealization of aberrations but imparts explanation to how these behaviors are a reflection of immorality. Deviating from the moors of society enlist connotations of negativity at the evasion of rules. Comparatively, Rosie’s house has a picket fence surrounding the weedy grounds.” The imagery is then supported through the parallel idea of a thin, positive coating of generality at Rosie’s personal masquerade. The struggle to identify what is intrigued as the association of normality with picket fences is unclosing unkemptness, demonstrating Rosie’s absence of general care of her weeds, or symbolized troubles feeding from her surroundings like a weed, and other’s implied wrong doings occupying her schedule. Furthermore, the children “knew that Rosie was evil, not evil like a witch, but evil in other ways.” Through simile Anaya conveys that children’s elementary vision of sin and which creatures are deviants of so and it's relationship of the public’s perception of Rosie’s house. A