As I stand here is Stanley's arms and hear my sister inside, I have so many thoughts that run through my head. I wish Stanley had not told Mitch about what he found out about Blanche's past. I saw how they were getting along, the adoring star's in Mitch's eyes everytime he looked at Blanche, and the contradicting peace and excitment that came over Blanche everytime she waited for Mitch to come and see her. If given time they would have had a chance. A chance at love and happyness. Not the kind of love that hits you like a freight train, like me and Stanley. But more of the gentle love that flows and mingles until it connects two people to the point that they are inseperatable. Everyone has something in their past that they are not proud of and try to hide. Though I am reluctant to beleive the stories that Stanley tells about my sister, I must admit that there could be some truth in what he says, even with his great dislike for my sister, he would not hurt me deliberetly in this way with mistruths. …show more content…
Her careing attitude for all those around her, and her devotion to her first husband. Its hard to imagine that my gentlybreed sister doing all those things that Stanley is accusing her off. But I do remember how she was when I came home to father's funeral, how drawn and alone she looked but still tried to put on a good and happy face. She is simply an amazinging person to me and always will
In 'A Streetcar Named Desire' we focus on three main characters. One of these characters is a lady called Blanche. As the play progresses, we gradually get to know more about Blanche and the type of person she really is in contrast to the type of person that she would like everybody else to think she is. Using four main mediums, symbolism and imagery, Blanche's action when by herself, Blanche's past and her dialogue with others such as Mitch, Stanley and the paperboy, we can draw a number of conclusions about Blanche until the end of Scene Five. Using the fore mentioned mediums we can deter that Blanche is deceptive, egotistical and seductive.
Within Tennessee Williams's story about love and abuse within marriage and challenging familial ties, there lie three very different characters that all see the world in vastly different ways. These members of a family that operate completely outside of our generation’s norms, are constantly unsure of themselves and their station within the binary not only of their familial unit, but within the gender binary that is established for them to follow. Throughout the story of the strange family, each character goes through a different arch that changes them irrevocably whether it is able to be perceived or not by those around them. The only male, Stanley is initially the macho force in the home who controls everything without question. He has no consequences for his actions against his wife and is never held accountable for treating the people around him poorly; this lasts until Blanche arrives. Blanche is an outwardly demure, but spirited young woman who after experiencing untold misfortune breaks mentally and decides to no longer care what others may think of her. She lives her life lavishly and foolishly by having dalliances with younger or richer men who shower her with gifts and attention to get sex from her all too willing form. Her effect on Stanley is one of temptation and challenge; she continually tries to convince her sister that she is too good for the man and in turn fosters a resentment for her in him. Stella acts as the antithesis of Stanley and Blanche’s extreme personalities. She is innocence and purity where they are the darkness that threatens to overtake her life. Throughout, Stella is a pawn that they both try to use against the other to no real avail as she is determined to make the best choice for herself. In th...
The character of Harold Mitchell fundamentally illustrates the consequences of deceit and illusion in Blanche Dubois’ life. In her quest to restore respect in society, Blanche is impelled to pursue the hand of Mitch. Moreover, the significance of selecting Mitchell as her man revolves around the fact that he conforms to the collective consciousness of modern society. Her idiosyncrasies and unorthodox presence in society dawn upon her as she makes haste to improve her general perception from those surrounding her. Consequently, Mitchell plays an instrumental role in preventing Dubois’ descent into insanity because he bridges the gap between her intrinsic self and her false persona by serving as an empathetic figure capable of understanding
Neither Stanley nor Mitch was intelligent enough to comprehend that not everything is black and white. They perceived her as a deceitful whore. Stella chose her husband over her sister. Also, Mitch could not overlook her mistakes. Mitch focused on her flaws, which blinded him from seeing the beauty and love Blanche had to offer.
The essential conflict of the story is between Blanche, and her brother in-law Stanley. Stanley investigates Blanche’s life to find the truth of her promiscuity, ruining her relationships with Stella, and her possible future husband Mitch, which successfully obtain his goal of getting Blanche out of his house. Blanche attempts to convince Stella that she should leave Stanley because she witnessed a fight between the two. Despite these instances, there is an essence of sexual tension between the two, leading to a suspected rape scene in which one of their arguments ends with Stanley leading Blanche to the bed. Branching from that, Stella has an inner conflict because she does not know whether to side with her husband or her sister in each situation. Blanche and Mitch ha...
Blanche who had been caring for a generation of dying relatives at Belle Reve has been forced to sell the family plantation. Blanche is a great deal less realistic than Stanley and lives in illusions which bring upon her downfall.
A Streetcar Named Desire is an intricate web of complex themes and conflicted characters. Set in the pivotal years immediately following World War II, Tennessee Williams infuses Blanche and Stanley with the symbols of opposing class and differing attitudes towards sex and love, then steps back as the power struggle between them ensues. Yet there are no clear cut lines of good vs. evil, no character is neither completely good nor bad, because the main characters, (especially Blanche), are so torn by conflicting and contradictory desires and needs. As such, the play has no clear victor, everyone loses something, and this fact is what gives the play its tragic cast. In a larger sense, Blanche and Stanley, individual characters as well as symbols for opposing classes, historical periods, and ways of life, struggle and find a new balance of power, not because of ideological rights and wrongs, but as a matter of historical inevitability. Interestingly, Williams finalizes the resolution of this struggle on the most base level possible. In Scene Ten, Stanley subdues Blanche, and all that she stands for, in the same way men have been subduing women for centuries. Yet, though shocking, this is not out of keeping with the themes of the play for, in all matters of power, force is its ultimate manifestation. And Blanche is not completely unwilling, she has her own desires that draw her to Stanley, like a moth to the light, a light she avoids, even hates, yet yearns for.
At the end of A Streetcar Named Desire, Stella ‘sobs with inhuman abandon’ and Stanley kneels beside her, unsure what to do. Stella feels incredibly guilty for letting her sister, Blanche, be taken to the mental hospital, she feels as though its her duty, as her sister, to look after her. However this is impossible because Stanley raped her and Stella refuse to believe it, so, she does nothing and the play ends with Stanley's fingers finding ‘the opening of her blouse’. ………………..other reading…………….
Stella states that Blanche’s life has been heavily affected by the death of her husband, Allan. Blanche’s marriage “killed her illusions” which can be interpreted literally. Blanche states that she fell in love “all at once and much, much too completely,” however, her love was unrequited since instead of returning the love Blan... ... middle of paper ... ... o have experienced some sorrow,” which Mitch agrees with, thus revealing that he has been affected by the loss of this girl.
She looks for empathy in all the wrong places. She looks for it when with strangers, with Stanley, Mitch, and Stella. The tragedy of Alan’s death is a leading cause for Blanche’s desire for attention and empathy. After his death he becomes involved with the hotel “flamingo”. It is here where she mistakenly thinks that sex, is a form of empathy. This empathy causes her character to have a blackened image of how to gain empathy from others. Once she gets run out of the flamingo she attempts to gain attention from Stanley. “It 's mine, too. It 's hard to stay looking fresh. I haven 't washed or even powdered my face and here you are!” Blanche understands that Stanley is a man who can at least support his wife. She flirts with Stanley, in a desperate need to feel, safe and cared for. Stanley understands that Blanche is manipulative, and he does not give empathy towards her. The tragic Irony with Blanche is that she does not recognize true empathy when it is given to her, Mitch has a deep care for Blanche, to the extent that he is willing to marry her. “You need somebody. And I need somebody, too. Could it be—you and me, Blanche?” Mitch shows a great amount of compassion towards Blanche, but blanche cannot recognize this empathy and sees it more as an opportunity to manipulate him, which doesn’t turn out well in the end. Stella is the
Ross: I am sitting before this elderly man. I have found his company to be quite calming in the
...d that a majority of blanches stories were a lie. Stanley and blanches relationship mimicked that of Napoleon and snowball in which napoleon felt threatened by snowballs presence and found the only way to maintain control was to exile him. Blanches inability to accept Stanley’s superiority is what leads Stanley to taking irrational measures and raping her. Stanley’s act mixed with the guilt of her lost love ultimately leads up to her mental breakdown which renders her in a state in which she must be institutionalized. In the end it would be Stanley’s behavior that would destroy Blanche and leave Stella questioning her love for him. Stanley had turned Stella against her own sister, abandoning blood in seek a better life with Stanley. In my opinion that is far more detrimental to there well beings than simply doing hard labour on a farm regardless of who’s running it.
One of the first major themes of this book is the constant battle between fantasy and reality. Blanche explains to Mitch that she fibs because she refuses to accept the hand fate has dealt her. Lying to herself and to others allows her to make life appear as it should be rather than as it is. Stanley, a practical man firmly grounded in the physical world, disdains Blanche’s fabrications and does everything he can to unravel them. The relationship between Blanche and Stanley is a struggle between appearances and reality. It propels the play’s plot and creates an overarching tension. Ultimately, Blanche’s attempts to rejuvenate her life and to save Stella from a life with Stanley fail. One of the main ways the author dramatizes fantasy’s inability to overcome reality is through an explorati...
...t was the rape which finally destroyed her not Mitch breaking up with her. On the other hand however it could be said that whilst Mitch was not the reason for her ultimate downfall he was the person who created the circumstances for Blanche’s rape. Stanley probably would not have raped her if she was still seeing Mitch and even if he would have done Blanche may not have been as catatonic as she was when he found her and therefore would have been able to defend herself better.
Blanche wants to be in a stable relationship, what she needs is a better coping mechanism apart from being her promiscuous self, and what she desires is to be youthful and appear attractive in the eyes of every man. What Stella wants is for Blanche and Stella to get along, but she can only choose one so she needs to think about her family not just herself, but what she desires more than anything is Stanley, Blanche states, “ What you are talking about is brutal desire-just desire-Desire!- the name of that rattle –trap streetcar that bangs through the Quarter, up one old narrow street down another…” more deeply she digs herself into it. What Stanley wants is Blanche out of his life he states, "And wasn 't we happy together wasn 't it all okay till she showed here?" (1827), what he needs is to remain the dominant one in the family not just let someone come in and step all over his pride, but what he desires is his sexual relationship with Stella and for everything to go back the way it was. What Mitch wants is to not be so lonely especially know that his mom is dying and she wants to see him settled, what he wants is a steady relationship something long term and along the lines of marriage, but his desires are to be with