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What symbolism emerges in the story of a streetcar named desire
What symbolism emerges in the story of a streetcar named desire
What symbolism emerges in the story of a streetcar named desire
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The topic for my term paper is “A psychological study of the character of Blanche in Tennessee William’s A Streetcar Named Desire”. I decided to choose this topic as it symbolizes realism in a practical way. A Streetcar Named Desire is a melodrama in which Blanche DuBois is the protagonist of the play. The play depicts how Blanche lies to herself as well as others, allowing herself to make life appear as it should be rather than accepting how it already is. She fantasises her own world rather than living in the reality. Further, Stanley, Stella’s husband who is a grounded gentleman, tries to disdain Blanche’s fabrications and makes all efforts to unravel them. Throughout the play there is a struggle between appearances and reality. William dramatizes Blanche’s psychological behavior which made it hard for her to accept things as they were and hence, she created a fantasy world of how things should’ve been. In the end, William shows that in both the physical and psychological world, the boundary between reality and fantasy is permeable. Though to some extent, fantasy is vital in every individual’s experience.
Keywords: Psychological
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He was an American playwright. He is considered among the three foremost playwrights in the 20th century American drama along with Eugene O’ Neill and Arthur Miller. After years of hard work, he became famous for his play, The Glass Menagerie in 1944. The play deeply reflected his own unhappy family background. He continuously achieved more success with his works including A StreetcarNamed Desire(1947), Cat on a Hot Tin Roof(1955), and Sweet Bird of Youth(1959). His later work attempted a new style that was not appealing to the audiences. Further, alcohol and drug consumption inhibited his work. His play, A Streetcar Named Desire is rated on the short list of the finest American plays of the 20th century along with Long Day’s Journey into Night and Death of a
Each and every individual develops some sort of perspective and opinion on many different subjects, objects, and people throughout life. However, these perspectives are prone to change. The play, A Streetcar Named Desire, by Tennessee Williams is a great example of new outlooks on life making an effect on personal beliefs. It shows the denouement of two opposing perspectives and how they can eventually damage or even destroy an individual. Some ideas established by Tennessee Williams are shown by incidents such as Blanche's gay husband committing suicide, Stanley and his perspective of reality revealing the fantasy in which Blanche confides herself in, and Mitch's aspect that every individual is to be given an equal opportunity in life.
In 'A Streetcar Named Desire' we focus on three main characters. One of these characters is a lady called Blanche. As the play progresses, we gradually get to know more about Blanche and the type of person she really is in contrast to the type of person that she would like everybody else to think she is. Using four main mediums, symbolism and imagery, Blanche's action when by herself, Blanche's past and her dialogue with others such as Mitch, Stanley and the paperboy, we can draw a number of conclusions about Blanche until the end of Scene Five. Using the fore mentioned mediums we can deter that Blanche is deceptive, egotistical and seductive.
6). Williams’s sister Rose is the real-life parallel of Blanche – Blanche’s illusions about life mirror Rose’s after her forced lobotomy*. However, unlike Rose Blanche is presented as knwing that she is “on the verge of - lunacy” (p.7). Similarly, Williams declared that after the events of ‘A Streetcar Named Desire’, Blanche left the asylum and lived a fulfilling life with a young gentleman – he was perhaps deluding himself, pushing his hopes for Rose onto Blanche, the fictional character believed to have been inspired by his
The human mind is fragile, unpredictable and unreliable. Simultaneously, the human mind is a master of self-defense against emotionally shaking experiences that one might live through. During the first half of the 20th century, mental illness was not a subject widely spoken about and drugs, electro-convulsive therapy, and surgery were used as treatments for persistent illnesses of the mind (PBS “Timeline: Treatments (...)”). This is the world Tennessee Williams grew up in, with a three year older sister who developed a mental illness herself (Hoare). In 1947, Tennessee Williams broke through the barrier of fame with his well known play A Streetcar Named Desire: the story about the emotional demise of the fragile, yet determined, southern belle Blanche DuBois and her visit to her sister Stella in New Orleans. Williams himself said that his plays are “pleas for the understanding of delicate people” (Rocamora): they contain a desperation for sensitivity, tenderness and humaneness that can rarely be found other plays (Maupin). Blanche DuBois is Tennessee Williams’ representation of the “delicate people”, as she battles psychological illness through fear, guilt and compensation for the surrounding people and relations in the play.
Tennessee Williams gives insight into three ordinary lives in his play, “A Streetcar Named Desire” which is set in the mid-1930’s in New Orleans. The main characters in the play are Blanche, Stanley, and Stella. All three of these characters suffer from personalities that differentiate each of them to great extremes. Because of these dramatic contrarieties in attitudes, there are mounting conflicts between the characters throughout the play. The principal conflict lies between Blanche and Stanley, due to their conflicting ideals of happiness and the way things “ought to be”.
Tennessee Williams explores in his play” A Streetcar Named Desire”, suggests the main protagonist, Blanche, who has ruins her reputation due to her adversity. She is kick out of Laurel. She have no choice, but to move to her sister’s house. This place can allow her to create a new identity and new life. However when Blanche is revealed , it cause her to choose to live in her own fantasy world , because she cannot face the harsh reality. The Play” A Streetcar Named Desire”, by Tennessee Williams illustrates that sensitive people may succumb to fantasy to survive when they faced adversity, ,which forsake their identity to find an acceptable existence.
A Streetcar Named Desire is an intricate web of complex themes and conflicted characters. Set in the pivotal years immediately following World War II, Tennessee Williams infuses Blanche and Stanley with the symbols of opposing class and differing attitudes towards sex and love, then steps back as the power struggle between them ensues. Yet there are no clear cut lines of good vs. evil, no character is neither completely good nor bad, because the main characters, (especially Blanche), are so torn by conflicting and contradictory desires and needs. As such, the play has no clear victor, everyone loses something, and this fact is what gives the play its tragic cast. In a larger sense, Blanche and Stanley, individual characters as well as symbols for opposing classes, historical periods, and ways of life, struggle and find a new balance of power, not because of ideological rights and wrongs, but as a matter of historical inevitability. Interestingly, Williams finalizes the resolution of this struggle on the most base level possible. In Scene Ten, Stanley subdues Blanche, and all that she stands for, in the same way men have been subduing women for centuries. Yet, though shocking, this is not out of keeping with the themes of the play for, in all matters of power, force is its ultimate manifestation. And Blanche is not completely unwilling, she has her own desires that draw her to Stanley, like a moth to the light, a light she avoids, even hates, yet yearns for.
The character I choose to diagnose for this assignment is Blanche DuBois from the play “A Streetcar Named Desire” by Tennessee Williams. The DSM5 states that in order for someone to be diagnosed with Histrionic Personality Disorder, one must exhibit a pervasive pattern of excessive emotionality and attention seeking, beginning by early adulthood and present in a variety of contexts. One must display five (or more) of the following circumstances in order for this diagnosis to be relevant: is uncomfortable in situations in which he or she is not the center of attention, interaction with others is often characterized by inappropriate sexually seductive or provocative behavior, displays rapidly shifting and shallow expression of emotions, consistently uses physical appearance to draw attention to self, has a style of speech that is
In Tennessee Williams’ play A Streetcar Named Desire, main character Blanche Dubois to begin with seems to be a nearly perfect model of a classy woman whose social interaction, life and behavior are based upon her sophistication. The play revolves around her, therefore the main theme of drama concerns her directly. In Blanche is seen the misfortune of a person caught between two worlds-the world of the past and the world of the present-unwilling to let go of the past and unable, because of her character, to come to any sort of terms with the present.
In Tennessee Williams’ 1947 play, “A Streetcar Named Desire,” Stella and Stanley Kowalski live in the heart of poor, urban New Orleans in a one-story flat very different from the prestigious home Stella came from. This prestige is alive and well inside Stella’s lady-like sister, Blanche Du Bois. Over the course of Blanche’s life, she has experienced many tragedies that deeply affected her, such as the death of her gay husband, the downward spiral in her mental health that followed, and most recently the loss of her wealth and therefore social status. She constructs a proverbial lampshade to mask her pain and to control the last part of her world that she is able to, the image she projects into the world for herself and others to see. The brooding prince of William Shakespeare’s “Hamlet” chooses a very similar way of coping with the hand life has dealt him. When his mother remarries his uncle only a month after his father’s passing, the ghost of Hamlet’s father visits the young prince demanding avengement. These events cause Hamlet to try to replace the old lampshade that helped him cope with reality by changing his own image and fooling himself and others into thinking he’s crazy. An examination of both plays reveals that the importance of subjective truths and the way in which Blanche and Hamlet use them to cope transcends the context of both plays.
One of the first major themes of this book is the constant battle between fantasy and reality. Blanche explains to Mitch that she fibs because she refuses to accept the hand fate has dealt her. Lying to herself and to others allows her to make life appear as it should be rather than as it is. Stanley, a practical man firmly grounded in the physical world, disdains Blanche’s fabrications and does everything he can to unravel them. The relationship between Blanche and Stanley is a struggle between appearances and reality. It propels the play’s plot and creates an overarching tension. Ultimately, Blanche’s attempts to rejuvenate her life and to save Stella from a life with Stanley fail. One of the main ways the author dramatizes fantasy’s inability to overcome reality is through an explorati...
“Illusions commend themselves to us because they save us pain and allow us to enjoy pleasure instead. We must therefore accept it without complaint when they sometimes collide with a bit of reality against which they are dashed to pieces” (Sigmund Freud). Illusion can be a part of our lives; however, if taken to the extreme, it can lead one to forget reality. Every individual has problems in life that must be faced with reality and not with illusion, even though it might throw one into flames of fires. Tennessee Williams' play of a family reveals the strength of resistance between reality and desire, judgment and imagination, and between male and female. The idea of reality versus illusion is demonstrated throughout the play. Blanche's world of delusion and fantastical philosophy is categorized by her playful relationships, attempts to revive her youth, and her unawareness in the direction of reality of life. In Tennessee William’s play, A Streetcar Named Desire, through the study of character and tropology, fantasy and illusion allow one to make life appear as it should be rather than as it is.
In Tennessee Williams’s play, A Streetcar Named Desire he creates a very complex psychoanalytic plot. Freud's most enduring and important idea was that the human psyche (personality) has more than one aspect. Freud saw the psyche structured into three parts the id, ego and superego, all developing at different stages in our lives. These are systems, not parts of the brain, or in any way physical. The three main characters in the play can each be compared with one of the three parts of the human mind. Stanley’s character corresponds with the id, Stella’s character can be compared to the ego, and Blanche’s character would represent the superego. Looking at the play through this lens one can see Williams’s reflection of himself throughout his work with an alcoholic, abusive father of his own, a strict demanding mother, and a schizophrenic sister. Knowing this A Streetcar Named Desire brings on new bigger
The first principle character in this play is Blanche DuBois. She is a neurotic nymphomaniac that is on her way to meet her younger sister Stella in the Elysian Fields. Blanche takes two 2 streetcars, one named Desire, the other Cemeteries to get to her little sisters dwelling. Blanche, Stella and Stanley all desire something in this drama. Blanche desired a world without pain, without suffering, in order to stop the mental distress that she had already obtained. She desires a fairy tale story about a rich man coming and sweeping her off her feet and they ride away on a beautiful oceanic voyage. The most interesting part of Blanche is that through her unstable thinking she has come to believe the things she imagines. Her flashy sense of style and imagination hide the truly tragic story about her past. Blanche lost Belle Reve but, moreover, she lost the ones she loved in the battle. The horror lied not only in the many funerals but also in the silence and the constant mourning after. One cant imagine how it must feel to lose the ones they love and hold dear but to stay afterwards and mourn the loss of the many is unbearable. Blanche has had a streak of horrible luck. Her husband killing himself after she exposed her knowledge about his homosexuality, her advances on young men that led to her exile and finally her alcoholism that drew her life to pieces contemplated this sorrow that we could not help but feel for Blanche throughout the drama. Blanche’s desire to escape from this situation is fulfilled when she is taken away to the insane asylum. There she will have peace when in the real world she only faced pain.
Blanche uses her fantasies as a shield; and her desires as her motivation to survive. Her fading beauty being her only asset and chance of finding stability. Stella’s relationship with Stanley also emphasis the theme Williams created in this book. They’re only bond is physical desire and nothing at all intellectual or deep rooted. Tennessee Williams exemplifies that their relationship which only springs from desire doesn’t make it any weaker. He also creates a social dichotomy of the relationship between death and desire.