More handpicked essays just for you.
Harlem Renaissance and the effects on music
Harlem Renaissance impact on negro culture
History of the Harlem Renaissance
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Harlem Renaissance and the effects on music
Black theater is a subversive art form that creates a spectacle of humanity. Theatrical performances are able to combine the mind and body, two elements of the human that are assumed to be kept separate. Written ideas that are spawned from the mind are displayed through physical movement and emotional dialogue. My research paper will explore the aesthetics of black theater in the midst of double-consciousness. Many black drama critics argue that the Black Theater Movement lacked authenticity due to the white foundation it was built upon. In order to examine this argument, I will explain the history of black theater starting with the Harlem Renaissance. The movement responded to the call for new elements in Western theater. At the time, drama
In the article “Twoness in the style of Oscar Micheaux” by J. Ronald Green critiques the common theme of twoness which was a common debilitating dilemma for black film in America concerning American Social Codes. African Americans face the possibility of two identities at the same time but somehow resolve individually for her or himself. The point is made that African Americans are American citizens, but are hindered by the color line which sets them up to be positioned to understand two sides to the American hegemony. Hegemony consists of leadership or domination, either by one country or social group over others. American black cinema acquiesced in segregation, placed white cupidity off limits as theme, rehashed white Hollywood stereotypes
Racism as defined by Encyclopedia Britannica as “the ideology that humans are divided into separate entities called races and that some races are innately superior to others” is one of the world’s major issues and we cannot deny the fact that it still persists in the modern world. Many people are not aware of how much racism still exists in today’s society. Some people thinks of it is a way of life. Others think of it it as an offensive expression that shows closed-mindedness. Racism comes from different ethnicity, cultural morals, beliefs, and the physical appearances. Another issue that is related to racism are stereotypes involved in various racial slurs. Stereotypes are known as a generally held fixed concept or idea over a definite person, group, or thing. “A standardized mental picture that is held in common by members of a group and that represents an oversimplified opinion and prejudiced attitude.” Stereotyping puts people in a negative image, and then racism comes into play. It agitates the people affected by these generalized concepts. Racism is so ubiquitous that it has became part of today’s culture and became invisible yet many people experience it still. It is everywhere, it can be seen in the media and in one’s own community. Since the issue of racism has been going for centuries, various films were made to bring awareness to people. It is reflected in these films and other art forms as well especially in dance. Racial stereotypes were created for certain dance styles such as ballet is for white people and that hip-hop is for black people only. Using sources from dance studies and other scholarly articles, this essay will prove that racism is strongly presented and portrayed through both white protagonists in th...
Gill, Glenda Eloise. No Surrender! No Retreat! : African American Pioneer Performers of Twentieth-Century American Theater. New York: St. Martin's, 2000. Print.
The theatrical production Ma Rainey’s Black Bottom is one that has many themes. Not only does the playwright August Wilson bring up several thoughts on the injustices and social issues of the time he also displays how it effected blacks. With all of these ideas it made me wonder what audience was Wilson trying to address with play. In reading the play there were several instances where I could see where Wilson was addressing a mixed audience. Let me explain.
Black theater is as old as the first tribes in Africa who would dance with wooden masks to represent gods or legends (Kerr, p3). The playwrights of this time were the Griots, who were known as the keepers of history in African tribes and mark the beginning of African literary tradition (Freeman.) But when does the development of black playwright actually take off?
Both Dr. Manganelli in “The Tragic Mulatta Plays the Tragic Muse” and Dr. Ashton in “Entitles: Booker T. Washington’s Signs of Play” depict marginalized African-American characters who have to deal with being former slaves and get into the public light in performative roles. Both authors show that African-American always have to perform for white people, be it when they are slaves, in a concubine role or later when they are free.
Over the course of approximately one-hundred years there has been a discernible metamorphosis within the realm of African-American cinema. African-Americans have overcome the heavy weight of oppression in forms such as of politics, citizenship and most importantly equal human rights. One of the most evident forms that were withheld from African-Americans came in the structure of the performing arts; specifically film. The common population did not allow blacks to drink from the same water fountain let alone share the same television waves or stage. But over time the strength of the expectant black actors and actresses overwhelmed the majority force to stop blacks from appearing on film. For the longest time the performing arts were the only way for African-Americans to express the deep pain that the white population placed in front of them. Singing, dancing and acting took many African-Americans to a place that no oppressor could reach; considering the exploitation of their character during the 1930's-1960's acting' was an essential technique to African American survival.
Plum, Jay. "Accounting for the Audience in Historical Reconstruction: Martin Jones’s Production of Langston Hughes’s Mulatto." Theatre Survey. v 36 (1995) 5-19.
Women have gone through so many problems and hardships throughout their history. Black women in particular have had to face many more challenges throughout their history. Not to take away from the white women and the hardships they faced, black women have dealt with the same and more issues due to their race. Throughout the history of women, they have not gotten paid as much as men, were targeted more for sexual violence, were not treated with equal respect, and were not treated fairly at all. Black women, on top of all of those hardships, had to deal with their race and the issues that their race brought upon them. Black women during the Black arts movement, faced even more hardships. They were held back, used by their body image to be disrespected, were
The Black Arts movement refers to a period of “furious flowering” of African American creativity beginning in the mid-1960’s and continuing through much of the 1970’s (Perceptions of Black). Linked both chronologically and ideologically with the Black Power Movement, The BAM recognized the idea of two cultural Americas: one black and one white. The BAM pressed for the creation of a distinctive Black Aesthetic in which black artists created for black audiences. The movement saw artistic production as the key to revising Black American’s perceptions of themselves, thus the Black Aesthetic was believed to be an integral component of the economic, political, and cultural empowerment of the Black community. The concepts of Black Power, Nationalism, Community, and Performance all influenced the formation of this national movement, and it proliferated through community institutions, theatrical performance, literature, and music.
The fight for equality has been fought for many years throughout American History and fought by multiple ethnicities. For African Americans this fight was not only fought to gain equal civil rights but also to allow a change at achieving the American dream. While the United States was faced with the Civil Rights Movements a silent storm brewed and from this storm emerged a social movement that shook the ground of the Civil Right Movement, giving way to a new movement that brought with it new powers and new fears. The phrase “Black power” coined during the Civil Right Movement for some was a slogan of empowerment, while other looked at it as a threat and attempted to quell this Black Power Movement.
The Black Arts Movement The amazing era of the Black Arts Movement developed the concept of an influential and artistic blackness that created controversial but significant organizations such as the Black Panther Party. The Black Arts Movement called for "an explicit connection between art and politics" (Smith). This movement created the most prevalent era in black art history by taking stereotypes and racism and turning it into artistic value. This connection between black art and politics was first made clear in a great essay written by Larry Neal in the summer of 1968.
Although artists like Al Bernard and Bert Williams were performers of physical blackface on stage in the 20th century, the hipster has shown to become a form of non-physical blackface. A type of blackface that isn’t ridiculed or criticized by society, but accepted or sometimes even ignored as a grand section of American popular culture. The essay gives us a walkthrough by Mailer on how he thinks the hipster and the Negro have joined together in the form of the White Negro. The psychoanalysis and exploration of the struggle of the hipster by Mailer throughout his essay leads to an almost perfect understanding of the new concept that he is trying to convey.
In the Following essay I will explore and develop an analysis of how the movie Twelve Years A Slave produces knowledge about the racial discourse. To support my points, I will use “The Poetics and the Politics of Exhibiting Other Cultures” written by Henrietta Lidchi, a Princeton University text “Introduction: Development and the Anthropology of Modernity” and “Can the Subaltern Speak?” by Gayatri Chakravorty Spivak.
Theatre will always survive in our changing society. It provides us with a mirror of the society within which we live, and where conflicts we experience are acted out on stage before us. It provides us with characters with which we identify with. The audience observes the emotions and actions as they happen and share the experience with the characters in real time.