Feminist art should be anything it wants! Constraining feminist art to fit a certain mold or definition is doing the very thing that feminism and feminist art is fighting back against. As far as the question, “What should feminist art do?”, this is a little more complex. Again, I feel like feminist art should do what ever the artist and viewer want it to do. Feminist art is, in general, the fight for female equality expressed in an art form. The reason I feel that this is a complex issue is because, just as a feminist, feminist art should “do” what ever it wants. It would be great to have feminist art, or any art, promote conversation about gender, equality, and the societal constraints dealing with gender inequality, but I think that what …show more content…
She uses ceramic media, cloth, numerical symbolism, historical significance, sexuality, anatomy, and intricateness in a talented way to lure the viewer to her exhibit. All of the different styles and colors presented uniformly symbolizes the individuals within a collective group of feminists. Chicago did a tasteful job in regard to balancing the feminist “we” and incorporating individual diversity of the women featured in the exhibit. An issue that I have with Chicago’s work is that it is labeled “feminist art”. I am sure that in the 1970s it was empowering and gained positive attention for a feminist movement, but today I feel that it is very obviously an exhibit to honor and represent women. The mere fact of labeling art a “feminist work” takes away from the artist and dilutes the message. Its reminds me of the of the ongoing debate we discussed in lecture on whether a skilled female writer should be labeled a “good woman writer”, to bring awareness to the reader that the writer is female, or a “good writer”, to not mention gender because it is irrelevant. Labeling a good writer a “good female writer”, because they also happen to be female, belittles all women as writers. The same goes for “feminist artists” and “feminist artwork”. I understand the motive to have a feminist “we” to create a movement, but I am hesitant to say that labeling something as a “feminist X” is a …show more content…
The fact that we are unable to fully define a feminist identity and use “etc.”, a sign of exhaustion, we can assume that there is wiggle room around gender categories, which is a good thing overall. If there is no way to cover all of the aspects of a feminist identity, there is inevitably some flexibility within the structure. This can have negative consequences for women singly. Classifying people indirectly and directly promotes an “ideal” that is impossible to fit into and ironically divides women. This is clearly counterproductive, we want women to be who they are while coming together and acknowledging cultural constrains that females face based on their
Judy Chicago was an explorer/ pioneer; someone who broke the boundaries during the 1970’s in favor of women in the art community. She helped question the predominant role of men meanwhile find a suitable role for women in contemporary art. Chicago paved the road for women and made a stand against against
In the sixties and seventies, the feminist art movement emerged that began to challenge the inequalities that faced women artists. This movement coincided with the feminist movement as a whole, that women across the country were taking part in. Many female artists including Judy Chicago, Hannah Wilke, Eva Hesse and others began to rethink art making and attempted to raise consciousness regarding womenís issues. Many of these women began to focus on their work on sexuality and acknowledging the fact that they were women and artists. This forceful and radical approach was instrumental in gaining the acceptance of females in the...
Feminism and political issues have always been centered on in the art world and artists like to take these ideas and stretch them beyond their true meanings. Female artists such as Hannah Höch, who thrived during the Dada movement in the 1920s in Germany and Barbara Kruger who was most successful during the 1980s to 1990s in the United States, both take these issues and present them in a way that forces the public to think about what they truly mean. Many of Kruger’s works close in on issues such as the female identity and in relation to politics she focuses on consumerism and power. Höch, like Kruger, also focuses on female identity but from the 1920s when feminism was a fairly new concept and like Kruger focuses on politics but focuses more on the issues of her time such as World War I. With the technique of photomontage, these two artists take outside images and put them together in a way that displays their true views on feminism and politics even though both are from different times and parts of the world.
In this case women are stuck where in no matter how they act or how they dress, they end up put into a label they do not necessarily belong in. The main goal of feminism is to create equality for women and fight against the labels put on them. Though throughout time feminism itself has been given a negative label. In today 's society women do not want to be referred to as feminists from fear of being labeled as a bitter man hating woman. This is definitely amplified in media today. Roxane Gay, author of Bad Feminist, brings up the idea of the essential feminist and where it suggests,” anger, humorlessness, militancy, unwavering principles, and a prescribed set of rules for how to be a proper feminist woman” (169). This fear of being labeled a feminist not only comes from fear of being thought of as angry or humorless, but from being attacked for not being the “proper feminist woman”.
Gender credo has signified political and cultural values in Greek and Roman era. In particular women representation in artwork has pondered and reinforced the values of their times. In the articles, "Parthenon and Parthenoi: A Mythological Interpretation of the Parthenon Frieze" by Joan B. Connelly and "The Muted Other" by Natalie Boyment Kampen, the Parthenon frieze, the Ara Pacis: Imperial Family frieze, and Cornelia: Mother of the Gracchi, are pieces depicted to characterize women in their implemented roles.
Both women subvert traditional imagery, physically and psychologically in prominent historic and current representations of African American’s historically and currently in American society. This subversion allows their artwork to escape the marginalization of African American art as seemingly “ethnic folk art” and exposes their works as tools for social progression.
One of the most influential and inspiring feminist artists to produce work, Judy Chicago was able to (how she changed the world) through her work including ‘the dinner party’ (1979).an instillation completed after 5 years of development. Triangular in configuration, equilateral in structure, reflecting the goal of feminism, an equalized world. Completed using ceramics, needle and fiber techniques as well as china painting. The table holding 39 place settings each commemorating a mythical or important woman or historical figure. Beneath the table was 2304 handmade porcelain tiles, 999 of which were inscribed of other important woman’s names. In her artwork the dinner party Judy Chicago gave recognition to woman both achievers and oppressed. In this way she gave a voice to the duality of woman’s issues, not only was she advocating for recognition of woman’s achievements but she was also bringing to the forefront the concept of inequality. Judy Chicago‘’ had been trying to establish a respect for woman and woman’s art; to forge a new kind of art expressing woman’s experience’- challenge and redefine conventions of gender’’ The fact that the names of woman were placed on a high end table setting challenged gender equality in itself as tables like this had previously been only acc...
...ve theme more than what the curators chose. I’m fascinated by Cindy Sherman’s work and will definitely be following her career more closely now, thanks to MoMA’s exhibition.
"Whilst some feminists have argued to be included in 'male stream' ideologies, many have also long argued that women are in important respects both different from and superior to men, and that the problem they face is not discrimination or capitalism but male power." (Bryson, 2003, p. 3). The feminist art movement is unclear in its description because some describe this movement as art that was simply created by women and others describe it as art with anti-male statements in mind. For the focal point of this paper, the goal will be to analyze several female artists and their works of art who influenced, and who are said to have made powerful influence both in the feminist art movement from a political and societal perspective, then and today. With that being said, we will start with the female artist Judy Chicago and a quote from her that calcifies her position as an artist. "I believe in art that is connected to real human feeling that extends itself beyond the limits of the art world to embrace all people who are striving for alternatives in an increasingly dehumanized
The Feminist Art Movement raised women’s status and the world’s awareness on gender equality through artworks that reflect women’s lives, feelings, and value. Through creativity, feminist artists invited the audience into their daily livings, to understand their strengths and efficiency, and to consider their needs and feelings. The movement expanded the traditional female role in society, such as housewives, to individuals with talents including artists, writers, the working class, and professionals. The female artists used media ranging from traditional techniques, like painting, to non-traditional art forms, such as installation art, performance art, conceptual art, and sculptures to share with the audience their new perspectives.
The piece from the article that I found most intriguing and inspiring has to be Chicago’s Menstruation Bathroom. Menstruation is seen as such a taboo thing in our society, we don’t openly talk about it. This piece is attempting to fight those taboos by bringing the imagery of Menstruation, the tampons, the pads, the blood, into the open as opposed to being hidden behind the stall doors. For me, this piece has even more meaning because in one of my other cultures classes we learned about women in Nepal who are sent to sleep in cow sheds during their periods because they are considered “impure” while menstruating. So art like this is important to help fight taboos and normalize this thing that is part of human life, and more specifically a woman’s
Since its inception, and for the two centuries that followed, feminism has been engaged in what might be seen as a critical endorsement of Enlightenment principles of universal rights, equality, and individual freedoms. Universal principles of citizenship were generally considered fairer and more inclusive, having been developed in opposition to particularist rights such as those invested in castes, estates, or ethnic groups. While feminists have long sought to expose what in recent debates has been identified as the ‘false universalism’ of an exclusionary, androcentric liberalism, this critique informed a strategy that sought not to dispense with universalism but to ensure that it was consistently applied. Along with other disadvantaged social groups, women have demanded recognition as moral and juridical equals, and have deployed egalitarian arguments to advance claims on the rights associated with citizenship. However, while they claimed that they had the same entitlements to justice and political representation as men, they also insisted that women's ‘difference’ be recognized as...
During the feminist movement women sought to gain gender equality and they turned to art to get their message out there. Feminist art set the bar higher for women so they can be seen more equal to men. It redefined the way women were seen and gained them a lot more power in the world. Women were able to use feminist art to be able to show the world that they were just as capable of being successful artists just like men were. Artist like Judy Chicago help set ideas of gender equality become a reality. “Inspired by the women 's movement and rebelling against the male-dominated art scene of the 1960s.” (the art story). Judy Chicago stood for women being equal to men and fought against how men were the ones in charge of the world. She used her art as a weapon to combat gender equality. Many other artists like Chicago used their art to fight gender equality. Feminist art helped explore ideas of gender equality and exchanged it around the world. Her art served as a way of breaking societal expectation by incorporating controversial
Feminist theory helps to analyze gender inequality and its themes which are discrimination, sexual objectification, oppression, stereotyping and so on.
Cultural feminism was first coined by Brooke Williams in 1975 during the end of the Second Wave of Feminism, but was at first called radical feminism and then separated to be called cultural feminism (Echols 35). The two became separated because radical feminist stressed patriarchy and lack of female rights, while cultural feminism embraces the differences of men and women (Echols 36). According to Alice Echols, cultural feminism can be achieved within patriarchal societies because they focus on male behavior and away from biology and the stricter of male supremacy like radical feminism does (page 36). Cultural feminist try to improve human relationships in the world by making an effort to develop a better value system without thinking that characterizes are biological and unchanging (Mantilla 4). By acknowledging that women’s characteristics are superior to some of men’s characteristics, then we as a society can hold responsibly to women being emulated of their values and characteristics. Cultural feminism focuses on the ideology of female nature or the core that is assigned by feminist to revalidate the female’s attributes that make females attributes undervalued (Alcoff 3). A goal of cultural feminist is to try to create and maintain healthy relationships and environments that are free of masculinity values (Alcoff 3). Alcoff says that people think being a woman is a bad thing. This is a result of the Feminist theory, as defined as by Webster Dictionary is “the theory of the political, economic, and social equality of the sexes and the organized activity on behalf of women's rights and interests”