Dee does not respect her culture or traditions. For Dee culture and traditions are just a word rather than a heritage. Dee always want to be a center of attention at her college. Dee grabs a wooden churn, ask her mother whether she can take it. Because she wants it, she can display it as an art work in her own house. In addition, she also argues that she wants the grandma’s quilts. Dee said to her Mama, “You just will not understand. The point is these quilts, these quilts!” (Walker 400). Dee does not even know how to quilt. Dee thinks of the quilts as a display to hang in the living room. Traditional things were just some artifacts for her to show off others about her heritage. She never respects or understand the true meaning behind the quilts, this just shows ignorance in her attitude towards the ancestral things in the
Alice Walker’s story entitled “Everyday Use” focuses on an African American family that contends with one another to determine how to embrace heritage. For Mama and Dee, heritage plays a critical role in deciding what path to take in life. On the one hand, the Mama seeks to protect her heritage by being an honest hard-working mother that cares about the people in her life not the resentment she faces for being an African American. On the other hand, Dee tries to ‘modernize’ heritage by creating a new identity after seeking higher education. In turn, Dee creates a driving force between family members through her new identity, education, and desire to obtain the ragged, old quilts.
It is imperative to understand that these heirlooms are mere representation of heirlooms designed for everyday use. It is ironic that Dee changes her name, and wants to take the dasher to show off in her home as part of her heritage when she is trying so hard to distance herself from her past. She does not understand that she is taking away an item used every day by her mother. She is convinced that Maggie does not deserve the quilt, because she would merely put it to everyday use. Mama cannot fathom the reason behind Dee’s desire to possess the quilt when it is obvious she sees it as an artifact. The relationship between Mama and Maggie is different from hers and Dee’s and is evident in the way the use of the family heirloom is viewed; while the former would care for and preserve the heirloom, the latter would only hang it as a piece of art, to be discarded when they get old or new ones are
When Dee returns and announces that she would be using a new name in order to reflect her African heritage her Mom becomes annoyed and starts to find her attitude ridiculous. After Dee tells her Mom that she no longer goes by Dee, Mom replies, “What happened to ‘Dee’?”(488). The fact the Mom asks about these changes exemplifies this annoyance she has with Dee. When Dee explains she changed her name because she’s oppressed her Mom shows that she finds the attitude ridiculous by pointing out it is a family tradition spanning more than 4 generations. When Dee starts asking to have the items that her Mom and Maggie need for everyday use with the intent to appreciate it as art, it only furthers how much she irritates her Mom. Dee had been offered one of the quilts before she went to college Dee thought they were, “old-fashioned, out of style.”(490). It’s after Maggie agrees to give Dee the quilts that her Mom realizes that she has always given Dee everything she wanted even at Maggie’s expense. Mother had an epiphany about how to handle the situation, shown when she says, “Something hit me on top of the head”, “just like when I’m in church and the spirit of God touches me”(492). Dee’s attitude had annoyed the Mom so much she had this realization. For once the Mom decides to stand up against
Dee Wangero holds on the necessity of being educated. In "Everyday Use" Momma describes at one point how Dee "burned us with a lot of knowledge we didn't necessarily need to know"(Walker 112). In the era Mama was raised, women were expected to cook and clean and find meaning in life through these daily household chores. Momma inherited her name and the typical role black African American women were socially fit to do, and this satisfied her. She saw no need for an education when everything was fine in the stagnant place she held in society. In Sam Whitsitt's In Spite of it All: Reading Alice Walker's "Everyday Use" he writes, that quilting
Alice Walker’s “Everyday Use” is a thought provoking short story that teaches the importance of preserving heritage. The story surrounds an argument between a southern traditional mother (Mrs. Johnson) and her eldest daughter (Dee/Wangero), over Dee’s lack of respect, knowledge and selfish behavior regarding her family’s heritage. Mrs. Johnson has two daughters (Maggie and Dee) who have two completely different views of the world and different lifestyles. In the story two quilts are used to symbolize the importance of the family’s culture. A family feud begins when the three women argue over who should receive the quilts.
In her late twentieth-century short story “Everyday Use,” African-American writer Alice Walker contrasts the struggle between the main characters involving the recurring theme. The story takes place in a rural Georgia setting during the 1970s. The plot circulates around Mama, Maggie, and Dee. Throughout, heritage develops and remains a central theme revolving them. Each of these women in the Johnson family tries to stay true to heritage value. But different roles of heritage exist between each woman, so their ways of achieving this mission differs. The story “Everyday Use” exemplifies the various understandings and use of heritage through Mama, Maggie, and Dee.
...Dee begins just taking various items for herself, assuming they belong to her first, before even asking permission from her mother. Walker, through Mrs. Johnson point of view describes Dee as going straight, “to the trunk at the foot of my bed and started rifling through it.” This shows the attitude of Dee being very self-centered and parasitic. (Mcquade, ed. And Atwan, ed. 2000)
For example, when she arrives, the very first thing Dee announces is that she has taken a new name to remove herself from “the people who oppress her” (Walker). In fact, she was named after her aunt, but Mama humors her instead of making an issue of it (Walker). There are several instances in this story where Dee insults her culture and heritage due to her recent acculturation (Walker). She wants to acquire everyday things from the family home to display as art (Walker). Her sister is offended, but Mama, keeps a tight rein on the situation, as any good leader would (Walker). Mama can see that Dee has evolved and adapted from her experiences and allows her that freedom (Walker). But, not everyone can be seduced by the influences of others and so cultures and traditions are retained. When Dee’s visit ends, life goes back to the way in which Mama and the younger sister, Maggie, are accustom (Walker). Mama keeps a balance in this story. She is conducive in assuring her daughters feel comfortable to stay with what they know or fly off into the
The quilts play an important role in depicting symbolism of heritage because they signify Dee’s family origins. For instance, Dees’ significant family members all have pieces of their fabric sown on to the quilts as a remembrance of who they were and their importance in the family. Nevertheless, Dee is overlooking important facets of her family history because she does not see the quilts her ancestors made as valuable, hand-made, pieces of fabric that should be passed down and taken care of to keep their history alive. As Mama stated, “In both of them were scraps of dresses Grandma Dee had worn fifty years and more years ago. Bits and pieces of Grandpa Jarrell’s paisley shirts. And one teeny faded blue piece, about the size of a penny matchbox, that was from Great Grandpa Ezra’s uniform that he wore in the civil war.” (1129). Despite her family’s history, Dee continues to misinterpret the...
Dee sort of disowns her heritage and feels her way is the new way to live a good life. She encourages her sister before she leaves to follow that new way of life. The mother and the daughter however are accustomed to the way they live and how they survive. They feel that their family traditions are nothing to throw
Everyday Use is a short story by Alice Walker that tells the story of a family torn apart by different views on heritage. Walker describes two sisters who are very different because of their views on heritage. Maggie is portrayed as a sweet, shy girl who loves her mother and cares very much about others; conversely, her sister Dee is described as a beautiful, but greedy girl who, through her selfish acts, creates distance between her and her family. Because of the way these characters appear, the reader can quickly infer that they are not at all close to one another due to one sister’s selfishness. By using these characters and the events they are involved in the author presents an important theme in the passage.
One situation in particular that Mama brings up is the time when she offers to Dee to bring some of the ancestral quilts with her to college. She claims, “I had offered Dee a quilt whe...
Dee desired more from life than the things she grew up with. Mama (1982) makes this clear when she says, "Dee wanted nice things" (p. 316). It is a short phrase, but very revealing. Dee didn't just want to have the necessities; she ambitioned to have the nice material things in life. Even Dee's sense of fashion displayed this materialistic attitude when Mama (1982) says that Dee would wear dresses "So loud it would hurt my eyes" (p. 317). This way of expressing herself through the use of loud colors was an expression of her rejection of the status quo. Her studies opened her eyes to a different world and now the world she grew up in was too small for her ambitions. Furthermore, Dee's materialistic attitude not only made her reject her family and home, but it made her feel embarrassed of her mother's humble living. This is evident when Mama (1982) says, "She wrote me once that no matter where we “choose” to live, she will manage to come see us. But she will never bring her friends" (p. 317). Dee's materialistic ambitions made her look down on her own family. She felt superior than that place and bringing her friends to visit would had been unacceptable. Dee did not realize that her rejection of that house was also the rejection of her loved ones and everything that place represented. Materialistic ambition can definitely make us trade love for pleasure, family for money, and a true grounded identity for a shallow