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Describe the transition from the late middle ages to the renaissance
Middle Ages to Renaissance transition
Describe the transition from the late middle ages to the renaissance
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Sandro Botticello’s The Birth of Venus is the Florentine painter’s most famous work. Completed in about 1480, the painting now hangs in the Ufizzi in Florence. This tempura on canvas painting is large in size at 5’8” X 9’1” (Janson and Janson 443) and reflects the artistic and philosophical trends of its day. Painted on the dividing line of the middle ages with the Italian Renaissance, the painting’s subject and style are influenced by a developing and transitioning aesthetic.
Botticelli or Alessandro di Mariano Filipepi was born to an upper middle class family of four sons in the Ognissanti parish in 1445 (“Botticelli”). There are several stories that exist about why the family’s name may have become Botticelli. Regardless, it is known that Sandro Botticello was raised by an older brother in a family of successful people (“Botticelli”). Botticello soon found success as a painter under the tutelage of Fra Filippo Lippi (wga). During his time with Lippi and in the years that followed working in his own studio, Botticello developed a style which “revived certain elements of the Gothic style – a delicate sentiment, sometimes bordering on sentimentality, a feminine grace, and an emphasis on the ornamental and evocative capabilities of line” (wga).
In his art, Botticelli was truly a Florentine of his time as he spent his whole life there minus one year in Rome where he worked on the Sistine Chapel (“Botticelli”). Furthermore, the subject matter of his art was influenced by the social and philosophical atmosphere established in Florence by the famous Medici family. Botticelli benefited by a close relationship with that family at the height of their influence on the social and political atmosphere of Florence (Janson and Jans...
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...ce. However, in the 1490s the Medici family fell from favor in Florence. A monk by the name of Girolamo Savonarola and his message of austerity became very popular. The monk spoke against the excesses of Florentine life and the vices that he saw attached to it. (“Botticelli”). It is unclear whether or not Botticelli agreed with the teachings of Savonarola; however, his later works focus on more Christian subjects with traditional themes (Janson and Janson 444).
Works Cited
“Botticelli: Biography.” Myrrhine. 6 April 2006.
http://www.myrrhine.net/botticelli/biography.html
“Botticelli, Sandro.” Web Gallery of Art. 6 April 2006.
http://www.wga.hu/bio/b/botticel/biography.html
Gombrich, E.H. The Story of Art. New York: Oxford University Press, 1966.
Janson, H.W. and Anthony F. Janson. History of Art (5th Edition). New Jersey:
Prentice Hall, 1997.
Max C. Marmor wrote an article titled: “From Purgatory to the Primavera: Some Observations on Botticelli and Dante” in which he discusses the connections between Dante’s Divine Comedy and Botticelli’s Primavera. I will be comparing this article to one written by Sergiusz Michalski titled: “Venus as Semiramis: A New Interpretation of the Central figure of Botticelli’s Primavera,” which was published in the same issue of Artibus et Historiae in 2003. Michalski discusses Botticelli’s Primavera in this article, but unlike Marmor, his thesis does not include the influence of Dante, but instead revolves around the content and possible donor of the painting, not its basis in Dante’s literary works. The difficulty in comparing these articles comes from Marmor’s focus on Dante and the fact that Michalski hardly mentions Dante’s name or his enormous contributions to Botticelli’s life and work. The articles contain very little overlapping content, which is
GRISELDA POLLOCK, review of “Artemisia Gentileschi: The Image of the Female Hero in Italian Baroque Art”, THE ART BULLETIN SEPTEMBER 1990 VOLUME, LXXII NUMBER
With the different styles of artists’ works planned to be showcased in this exhibition I hope viewers will be able to see what sorts of artworks were being done during the Renaissance that do not consist of works done by Michelangelo, da Vinci, Donatello, or Raphael. With a topic not usually covered when studying about Renaissance artist, I hope viewers will be able to not only learn about the interesting stories of famous Martyrdoms, but also learn about some of the lesser known Renaissance artists and their styles. Paintings of angles and landscapes from the Renaissance may look pretty but with these different and shocking pieces I hope to create an exhibition that will not soon fade away from visitor’s memories after they leave the National Gallery.
Von Rohr Scaff, S. 2002. The Virgin Annunciate in Italian Art of the Late Middle Ages and Renaissance. College Literature. 29(3):109-123.
- Partridge, Loren. Art of Renaissance Florence: 1400-1600. Berkeley, Calif.: Univ. of California, 2009. Print
The Birth of Venus is a beautiful Renaissance canvas masterpiece created by Sandro Botticello. The picture illustrates the birth of Venus in a very mystical way. Venus has emerged from sea on a shell which is being driven to shore by flying wind-gods. She is surrounded by beautiful roses which are painted in a truly remarkable color. As she is about to step to land, one of the Hours hands her a purple cloak. The back drop includes the sea and a forest. The overall effect of this painting are almost overwhelming, color and beauty meet the eye in every angle.
In 1597 he was appointed to decorate the Contarelli Chapel in the Church of San Luigi dei Francesi in Rome. This opportunity helped present Caravaggio as a painter who paint his subjects with natural flaws and human like qualities instead of celestial qualities. This commissi...
The periods between 14th and 17th century were marked by a return to classical ideas and culture, known as the Renaissance. The Renaissance or some may say “Rinascita” meaning rebirth, represented a break away from conformist society and culture of the previous medieval Europe to the revival of lost knowledge. This cultural movement, where changes occurred in almost every aspect of intellectualism, we know evoked in the in the heart of Florence, Italy. The unique characteristics of this city enabled an atmosphere of learning and artistic expression. An independent city like Florence was quickly capable to grow prosperous through trade and banking creating a class of wealthy businessmen who became patrons to individual artists providing them with fund and other necessities. It were these men too who become the most prominent face of the Renaissance movement. The Renaissance marked an important moment in human history and ending of the dark ages. Having changed the way in which people thought has given us many of the freedoms we have today. This essay will be further exploring the que...
Interestingly, he also refers to Donatello as a ‘craftsman’. The correlation between the artist or sculptor and craftsman is an important aspect in Italian Renaissance art. The craftsman was something more than just an artist. This person was talented and considered by others in Italian Renaissance society as exceptional or as Vasari’s title suggests, ‘the most excellent’. They were also tradespeople rather than just artists. This is because they created works for other people, which often meant they expressed other people’s ideas. Through an analysis of Vasari’s biography on Donatello, this essay will explore the importance of culture in Renaissance Italian society, an examination of Vasari’s biography of Donatello as a historical document and the ways in which Vasari portrays Donatello, which ultimately was significant for future Renaissance craftsmen. This paper will analyze the life of Donatello through Vasari’s The Lives of the Most Excellent Painters, Sculptors and Architects to show the importance of Donatello not only as an artist but also as a
The Medici’s were a prominent family in the Renaissance, who ruled Florence from 1434 to 1737. They are regarded as being one of the most powerful and richest families in the whole of Europe. The Medics used this great status and wealth to develop an improved Florence, one that was significantly influenced by the Renaissance. The Medici family can most certainly be regarded as the significant heroes of the Renaissance. This is due to their significant promotion and patronage in the arts, in turn bringing focus back to the antiquities, a major importance during the Renaissance period. Furthermore, the Medicis can be considered the great heroes of the Renaissance, due to their significant influence of Renaissance Humanist thinking. On top of this, although the Medici family were allegedly corrupt and supposedly paid many bribes in order to become so powerful, they still focused on benefiting the heart of the Renaissance- the city-state of Florence- and should thus not be considered the great villains of the Renaissance, but instead the heroes.
In the article “Conditions of Trade,” Michael Baxandall explains the interaction serving of both fifteenth- century Italian painting and text on how the interpretation of social history from the style of pictures in a historical period, pre-eminently examine the early Renaissance painting. Baxandall looks not only on the explanation of how the style of painting is reflected in a society, but also engages in the visual skills and habits that develop out of daily life. The author examines the central focus on markets, material visual practices, and the concept of the Renaissance period overlooking art as an institution. He observes a Renaissance painting, which relate the experience of activities such as preaching, dancing, and assessing. The author considers discussions of a wide variety of artistic painters, for instance, Filippo Lippi, Fra Angelico, Stefano di Giovanni, Sandro Botticelli, Luca Signorelli, and numerous others. He defines and exemplifies concepts used in contemporary critic of the painting, and in the assembled basic equipment needed to discover the fifteenth- century art. Therefore this introductory to the fifteenth- century Italian painting and arise behind the social history, argues that the two are interconnected and that the conditions of the time helped shape the distinctive elements in the artists painting style. Through the institutional authorization Baxandall looks at integration in social, cultural and visual evaluation in a way that shows not only the visual art in social construction, but how it plays a major role in social orders in many ways, from interaction to larger social structural orders.
...laced on the style and materials presented in the painting. While evaluating and comparing various paintings the author feels that at the beginning of the Renaissance era the skill level of the artist was often not acknowledged whereas materials were, but at the end of the era, skill level played a larger factor in who was chosen to complete the artwork. Therefore, fresco painting, which emerged near the end of the period, changed this so called “deposit”, along with the relationship of the artist and the patron, allowing for the talent and skill of the artist to shine.
During the Italian renaissance there were many inventions, creations, and art, but some of the things still affect our lifestyle today. Some of these things are well known by people, where some are just artwork that has lots of exposure in the modern world. There are people who devote their lives to study these works of art. There must be some information on how this outburst of art and other works began, as before the Renaissance Italy was in a depression. This is a complete turnaround from a depression. In this report I am going to review and go over how the Renaissance started and who kept it alive, by studying the life of rich patrons. There is also going to be sections on specific inventions and artwork that shows renaissance lifestyle, using a book of Art History and information about popular inventions.
Artemisia Gentileschi is considered to be one of the great painters of the Baroque era, and is especially venerated for her mastery of the Caravaggesque style. Her power as an artist comes not only from her technical and creative capabilities, but also from her acute understanding of and involvement in theoretical discourse on painting and the genius of the artist. Known for her vigorous depictions of powerful Biblical heroines that do not conform to typical images of femininity and through the intensity of the Caravaggesque style, Gentileschi’s work can be considered quintessentially Baroque.
During his stay in the palace, Michelangelo learned from and was inspired by the scholars and writers of Lorenzo’s acquaintances. His later work would forever be influenced by what he learned about philosophy and politics throughout those years. While staying in the Medici home, he refined his technique under the guidance of Bertoldo di Giovanni, keeper of Lorenzo’s collection of ancient Roman sculptures and a sculp...