Although wildly different in subject matter and style, Kawabata’s Beauty and Sadness and Murakami’s Hard-Boiled Wonderland and the End of the World both show how Japan has been internationalized as well as how it has remained traditional. Kawabata’s novel is traditional and acceptable, much like the haiku poetry he imitates, but has a thread of rebelliousness and modernity running through the web that binds the characters together. Hard-Boiled Wonderland and the End of the World is devastatingly modern, and yet has a similar but opposite undertone of old Japan, or at least a nostalgia for old Japan. In both novels a more international culture has taken root in Japan, and it seems that the characters both embrace and run from the implications of a globalized, hybridized culture.
...ile the war is still happening. The lack of freedom and human rights can cause people to have a sad life. Their identity, personality, and dignity will be vanish after their freedom and human right are taking away. This is a action which shows America’s inhuman ideas. It is understandable that war prison should be put into jail and take away their rights; but Japanese-American citizen have nothing to do with the war. American chooses to treat Jap-American citizen as a war prisoner, then it is not fair to them because they have rights to stay whatever side they choose and they can choose what ever region they want. Therefore, Otasuka’s novel telling the readers a lesson of how important it is for people to have their rights and freedom with them. People should cherish these two things; if not, they will going to regret it.
On December 10, 1950, in Stockholm, Sweden, one of the greatest literary minds of the twentieth century, William Faulkner, presented his acceptance speech for the Nobel Prize. If one reads in between the lines of this acceptance speech, they can detect a certain message – more of a cry or plead – aimed directly to adolescent authors and writers, and that message is to be the voice of your own generation; write about things with true importance. This also means that authors should include heart, soul, spirit, and raw, truthful emotion into their writing. “Love and honor and pity and pride and compassion and sacrifice” (Faulkner) should all be frequently embraced – it is the duty of authors to do so. If these young and adolescent authors ignore this message and duty, the already endangered state of literature will continue to diminish until its unfortunate extinction.
In every story, there is a protagonist and an antagonist, good and evil, love and hatred, one the antithesis of the other. To preserve children’s innocence, literature usually emphasizes on the notion that love is insurmountable and that it is the most beautiful and powerful force the world knows of, yet Gen’s and Carmen’s love, ever glorious, never prevails. They each have dreams of a future together, “he takes Carmen’s hand and leads her out the gate at the end of the front walkway… together they… simply walk out into the capital city of the host country. Nobody knows to stop them. They are not famous and nobody cares. They go to an airport and find a flight back to Japan and they live there, together, happily and forever” in which their love is the only matter that holds significance (261). The china
The Yamabushi are a type of Japanese goblin, most commonly in the form of ascetic monks who live high in the mountains in seclusion. They are very powerful warriors with magical powers. Different forms of Yamabushi can be seen in various different cultures. Modern day Yamabushi are mountain monks who are followers of the Shugendo religion. The name Yamabushi literally means “one who lies/hides in the mountains”. The Yamabushi began as isolated clusters of mountain hermits and monks, who followed the path of Shugendo. Through the following of Shugendo, the Yamabushi searched for “spiritual, mystical, and supernatural powers.” (Yamabushi). They gained these powers through asceticism.
Love is powerful and could change a person’s personality. In “The Book of Unknown Americans”, the author Christina Hernriquez tells us the definition of love. It is a book combined with different stories but each story is connected to others. It talks about the immigrants that moved to America with lots of hope, but didn’t end up with a happy ending. The story is about love, hope and guilt and different kinds of emotional feeling. In the book, Mayor has an internal change because of Maribel, and the power of love. He wants to be a strong man who can protect Maribel. He used to be someone who couldn’t defend himself and he changed because of Maribel.
They years from 1912 to 1930 were the Heroic Age of the Modern Novel, the age of Conrad, Joyce, Woolf, Forster, Lawrence. This period brought important changes and was marked by important events that influenced man, his society and the whole humanity. One can trace many influences in the changes in attitude and technique in the fiction of this period. The influence of psychology and anthropology made the authors explore the depths of human nature and existence.
Love can be found in the darkest places. Well not everyone can handle the oppression of the Taliban control, or simply being unable to find something worth loving. In The Swallows Of Kabul written by Yasmina Khadra, a character named Atiq finds himself going through the same things. Living a depressing life married to his sick wife Musarrat, he lays eyes on a recent widow named Zunaira and fall madly in love. In a turn of bad events he ends up losing Zunaira and Musarrat. Unable to handle such trauma he loses control and dies. In The Swallows Of Kabul, author Yasmina Khadra presents the idea that Love give people a reason to live. This theme has a large impact on on Atiq and can be shown in his life before, during and after he loses Zuniera. Eventually leading to Atiq to a mental breakdown and his death.
Our lives are fast paced and filled with choices. We rarely reflect on our decisions and their consequences. Some feel satisfied with dismissing this reflection and choosing to hide whatever psychological wound and letting it build from afar. However, Haruki Murakami, in Colorless Tsukuru Tazaki and His Years of Pilgrimage, argues that deep understanding oneself and self-confidence requires one to confront truths about themselves and the world around them, or else self-doubt will consume them. Murakami accomplishes this by playing around with the genres of coming-of-age and literary realism, presenting contrasting ideas of Tsukuru’s self-worth, using Tsukuru’s journey to exemplify his argument and give insight to people’s capabilities through
The works of Asian authors have greatly influenced the world of literature. Their writing styles vary from post modernist works to modernist western influenced literature. Authors in this region cover a variety of topics that include discussing the role of women, Asian history, and detective stories. Two Asian writers who showcase these topics are authors Sei Shonagon and Haruki Murakami. Haruki Murakami is well known for his most popular short story “The Year of the Spaghetti”. Sei Shonagon has received literary recognition for one her most famous pieces “The Pillow Book”. The purpose of this paper is to better understand the authors Haruki Murakami and Sei Shonagon and their writings by examing the author’s history of region, cultural influences, background information, and literary influences.