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The Wild West is romanticized by many, despite the horrors people encountered and the lack of law it was home to people who wanted to settle away from city life. The West was home to many gang and bandits such as Butch Cassidy, Jesse James, and specifically, Billy the Kid. Billy the Kid is famous for being one of the most notorious outlaws of New Mexico and fought in the infamous gang war The Lincoln County War. In Robert M. Utley’s book, Billy the Kid: A Short and Violent Life, Utley describes the young gunslinger’s life upbringings, how his actions affected people and his untimely death, and an overall response to Utley’s work. In Utley’s book, he describes that the origins of Billy the Kid are an enigma. His book begins with saying that …show more content…
Henry McCarty is more famously known for being one of the youngest outlaws of the west, Billy the Kid. Catherine McCarty moved the two young boys around from New York City to Indianapolis where she married a veteran of the Civil War named Bill Antrim. Utley signifies the marriage of Bill and Catherine by saying it lifted the McCarty family out of a poor home and eventually the family moved from Indianapolis to Wichita, Kansas where Kid’s mother ran a laundry business. All of the sudden, the family decided to pack up and move without any solid evidence and wandered from Kansas to Colorado, and eventually ended up in New Mexico. At the time of the McCarty’s arrival in New Mexico, the territory was untouched by railroads and ruled by violence. The majority of Kid’s life before the passing of his mother was mainly growing up in a rustic New Mexico mining town called Silver City. Utley states that after the death of his mother in 1874, his stepfather started to pay little attention to the youth and Kid fell into a life of crime. With Kid’s lack of a …show more content…
Personally, I think this has been one of the best books I have read and seen regarding the young life of Billy the Kid and provides excellent sources and pictures to prove as evidence to Utley’s writings. Robert Wooster of Corpus Christi State University wrote in regards to Utley’s book, “The analysis of legends, the footnotes, and the notes on sources justify the author’s interpretations and express his refreshing intellectual honesty.” Despite all the great evidence that Utley shares, he did have the tendency to be a little over dramatic when it came to some of the situations that Billy the Kid overcame. For example, he often would have the flare for the dramatics whenever Kid was in a shootout and if something happened to Kid, he played it like a drama similar to ones on a television show or a movie. Besides that issue, his work on Billy the Kid was a very interesting read and it left me hungry to know more about the young
A preacher’s son becomes one of the most wanted outlaws that ever lived. Jesse James was one of the toughest outlaws in the old west. Jesse committed lots of crimes, most say it was to get revenge on the union soldiers for the cruel treatment he and his family received. He went from guerilla warfare to running with bloody bills and killing whatever got in their way. Jesse James grew up on a small farm, joined the army, and became one of the biggest outlaws of all time.
...erson & by not doing everything that his parents said he was able to find out the truth which I think, in the end would have made his relationship with his parents much stronger. Billy was very restricted & confined by the expectations placed on him by his family & as well as society & because of this was not able to express himself or find his own personal happiness but through dance he was able to discover who he really is & what he loves & by pursuing it he became a much stronger person, it even enabled him to stand up to his father in showing him how much he loves dance & in doing so also stood up to society & gender stereotypes, this made Billy a much stronger person, throughout the movie it also shows how Billy is able to make a better personal relationship with his father & his brother Tony who he grows closer to as he becomes his own person through dance.
Cormac McCarthy was wise in choosing the Southwest as the setting for a novel of unprecedented bloodshed. No other land would have done McCarthy’s ideas justice, given that only the Southwest harbored such wanton violence. A ...
Somewhere out in the Old West wind kicks up dust off a lone road through a lawless town, a road once dominated by men with gun belts attached at the hip, boots upon their feet and spurs that clanged as they traversed the dusty road. The gunslinger hero, a man with a violent past and present, a man who eventually would succumb to the progress of the frontier, he is the embodiment of the values of freedom and the land the he defends with his gun. Inseparable is the iconography of the West in the imagination of Americans, the figure of the gunslinger is part of this iconography, his law was through the gun and his boots with spurs signaled his arrival, commanding order by way of violent intentions. The Western also had other iconic figures that populated the Old West, the lawman, in contrast to the gunslinger, had a different weapon to yield, the law. In the frontier, his belief in law and order as well as knowledge and education, brought civility to the untamed frontier. The Western was and still is the “essential American film genre, the cornerstone of American identity.” (Holtz p. 111) There is a strong link between America’s past and the Western film genre, documenting and reflecting the nations changes through conflict in the construction of an expanding nation. Taking the genres classical conventions, such as the gunslinger, and interpret them into the ideology of America. Thus The Western’s classical gunslinger, the personification of America’s violent past to protect the freedoms of a nation, the Modernist takes the familiar convention and buries him to signify that societies attitude has change towards the use of diplomacy, by way of outmoding the gunslinger in favor of the lawman, taming the frontier with civility.
The main event that leads Billy to all his confusion is the time he spent in Dresden and witnessed the fire-bombings that constantly pop in his head along with pictures of all the innocent people Billy saw that fled to Dresden the "safe spot" from the war before the bombing. When Billy sees the faces of the innocent children it represents his fear of the situation. Billy can't acknowledge the fact that they were innocent and they were killed by Americans, Americans soldiers just like himself. The biggest issue Billy cannot come to grasp with is why the bombings took place. That question has no answer; it's just something that happened that Billy couldn't get over. During all Billy's travels back to Dresden he couldn't change what had really happened there although that was the closure he was looking for. Dresden purely represents Bill's past and fears of the truth about what happened.
The image of the cowboy as Jennifer Moskowitz notes in her article “The Cultural Myth of the Cowboy, or, How the West was Won” is “uniquely
“Vengeance Road, a truly inspiring and thrilling book by Erin Bowman, took place in a tiny town in Arizona during post gold rush history. (1848-1855)” (#2 from exemplar) In this story we encounter some unalike characters. Our protagonist was Kate Thompson/Thompkins who was just a young teenage girl that was on her way to meet a friend of her father’s named Abe. Kate had to find her own way there and was pretty much a lone soldier. When Kate arrived at her destination she was surprised when she found two boys working out in the field and not a man working on his own. These boys seemed pretty interested because they came up to her very shortly after arriving even though they didn’t know each other. Kate insisted on killing Waylan Rose right away
The development of the Western genre originally had its beginnings in biographies of frontiersmen and novels written about the western frontier in the late 1800’s based on myth and Manifest Destiny. When the film industry decided to turn its lenses onto the cowboy in 1903 with The Great Train Robbery there was a plethora of literature on the subject both in non-fiction and fiction. The Western also found roots in the ‘Wild West’ stage productions and rodeos of the time. Within the early areas of American literature and stage productions the legend and fear of the west being a savage untamed wilderness was set in the minds of the American people. The productions and rodeos added action and frivolity to the Western film genre.
Robert took on some odd jobs besides working on a farm or ranch, he took a job working at a butcher shop. When Robert got more into being an outlaw he did not want to bring shame upon his family and took upon the name “Butch Cassidy”. Robert got his first alias name of ‘Butcher’ from being a butcher in Rock Springs, Wyoming, and took the last name Cassidy from his old mentor. However soon after he dropped the ‘er’ at the end of butcher and was left with “Butch Cassidy” as his outlaw name. Shortly after Butch was serving a two-year jail sentence for rustling some cattle. Butch then sat in his cell for two years becoming a “master planner of the robbery of trains, banks, and mine payrolls came naturally for Cassidy” (Circleville, Utah). Butch was very well liked and never had a lack of companions who helped assist him with his plans. “After prison, Cassidy reunited with members of the Wild Bunch—a loose-knit band of men who started out at rustlers and horse thieves—and turned to robbing banks and trains. He and his fellow bandits developed a pattern for committing these crimes that involved doing reconnaissance on the place they planned to rob, as well as stashing supplies and extra horses along their intended getaway route. While Cassidy became notorious for pulling off holdups throughout the West in the 1890s, he wasn’t known for excessive gun
Few Hollywood film makers have captured America’s Wild West history as depicted in the movies, Rio Bravo and El Dorado. Most Western movies had fairly simple but very similar plots, including personal conflicts, land rights, crimes and of course, failed romances that typically led to drinking more alcoholic beverages than could respectfully be consumed by any one person, as they attempted to drown their sorrows away. The 1958 Rio Bravo and 1967 El Dorado Western movies directed by Howard Hawks, and starring John Wayne have a similar theme and plot. They tell the story of a sheriff and three of his deputies, as they stand alone against adversity in the name of the law. Western movies like these two have forever left a memorable and lasting impressions in the memory of every viewer, with its gunfighters, action filled saloons and sardonic showdowns all in the name of masculinity, revenge and unlawful aggressive behavior. Featuring some of the most famous backdrops in the world ranging from the rustic Red Rock Mountains of Monument Valley in Utah, to the jagged snow capped Mountain tops of the Teton Range in Wyoming, gun-slinging cowboys out in search of mischief and most often at their own misfortune traveled far and wide, seeking one dangerous encounter after another, and unfortunately, ending in their own demise.
While the western frontier was still new and untamed, the western hero often took on the role of a vigilante. The vigilante’s role in the frontier was that of extralegal verve which was used to restrain criminal threats to the civil peace and opulence of a local community. Vigilantism was typical to the settler-state societies of the western frontier where the structures and powers of government were at first very feeble and weak. The typical cowboy hero had a willingness to use this extralegal verve. The Virginian demonstrated this throughout with his interactions with Trampas, most notably in the interactions leading up to the shoot out and during the shoot-out itself. “Others struggled with Trampas, and his bullet smashed the ceiling before they could drag the pistol from him… Yet the Virginian stood quiet by the...
I have read historical account regarding Billy and much of what I understood about who he was a far cry from how Spicer portrays his character. Most often I hand seen The Kid portrayed as an egomaniacal vagabond with rather reckless intentions. I have never taken these visions to much heart. People have created the kid to be the hero or the hoodlum that suits their own purposes. It is not completely obvious as to what Spicers intentions and purposes are. It seems that Spicer has gotten something out of the Life and death of an urban myth. He writes in a way that one might perceive Billy the Kid as his brother. A certain pride that is detected in Spicers writing is the pride he has in what Billy was, or it could be the pride that he gets from knowing of Billy and feeling a part of the myth. Everyone can benefit from having a hero, someone to identify with and for whatever reason care about. Jack Spicer gives us his creation of Billy, the Billy that he can relate to. We all have a Billy that we can relate to. Even beyond the tales of his courageous tangles with the law. The kid was said to have once shot a sheriff with a ri...
Outlaw Billy the Kid was shot and killed by lawman Pat Garrett in New Mexico territory.
...able to help others to understand time, how he and the Tralfamordians see it. So that people can stop dwelling over wars and catastrophes and all of the world’s woes. He even tells people about his own death and how he will die; by being assassinated by Paul Lazzaro during a speech in Chicago. And again Billy does nothing to try and stop it, there is no need. Because he knows that this is how it goes, and after being dead for a while, he will just jump to another moment in his life.
“Billy the kid” does not have much on his early life no mother, father or much of any family.