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J. R. R. Tolkien's The Lord of the Rings
Preliminary Thesis
I want to argue that in the fiction of John Ronald Reuel Tolkien, the author deliberately creates a believable word that emphasize imagination that his ideas began to show and perform actions, an imaginative creation that moves people deeply inside because of the moral visionary that Tolkien expresses in his life. In fact, Tolkien seems to be interested in power. Power is a very intriguing and irrelevant subject to be interested in because it is something that people think of everyday. However, as Tolkien creates a believable world, he presents it as vividly, objectively, and emotionally the eternal conflict between life and death. We can see this in his book about the ring, The Lord of the Rings. In his book, Tolkien writes about a myth and a struggle for life, which leaves the reader puzzled and trying to figure out what the characters will do next. However, The Lord of the Rings can be described as heroism because the characters are willing to do whatever it takes to destroy the ring in the presence of life and death.
Historical Source
Basney, Lionel. Myth, History, and Time in The Lord of the Rings. Zimbardo, Rose A. and Neil
D. Isaacs. Understanding The Lord of the Rings. Boston: Houghton Mifflin Company,
2004. Pages 183-194
This is a historical source. Lionel Basney is an author that discusses mythology, history, and time in Tolkien's life. Basney describes mythology as lore that can be seen through Frodo's quest in the secondary world. Basney argues that mythology can be experienced throughout the story and can be described through history by experience. As the narrative unfolds, Basney can see that the secondary world also ...
... middle of paper ...
...n dislike the modern world and decide to come up with his own world as a secondary world? I have not been able to answer this question, yet I am still looking for the reason why Tolkien created his own world. It seems like Tolkien tried to follow God's creation in how he made the world except Tolkien did it in several ways by using the darkness. Yes, a lot of my research on Tolkien has surprised me because everything I need to explain in my thesis is what every scholar is trying to explain mostly. I think may want to find a few more sources so I can compare to the ones that I have now because some other sources might give more information. I am not sure, but I think I have left a small gap in explaining my thesis, but I will work with to see if I really did. However, I like what people had to say about The Lord of the Rings because they made it very interesting.
It will be the contention of this paper that much of Tolkien's unique vision was directly shaped by recurring images in the Catholic culture which shaped JRRT, and which are not shared by non-Catholics generally. The expression of these images in Lord of the Rings will then concern us.
· Urang, Gunnar. "J. R. R. Tolkien: Fantasy and the Phenomenology of Hope" Religion and Fantasy in the Writing of C. S. Lewis, Charles Williams, and J. R. R. Tolkien. United Church Press, 1971
In a world of myth and magic where wizards, hobbits, and dragons dwell, and evil lord rules but long ago he lost his Ring of Rower. In the beginning of the book, The Fellowship of the Ring by J. R. R. Tolkien, starts when Bible, the second hobbit to posses the ring, gives the ring to his heir Frodo. The bulk of the story is about the origins of the journey of many years to destroy Frodo’s inheritance. The reason he desires so fervently to obliterate it is because it is evil, crafted for nefarious ruler, and created to control nineteen other magic rings. This paper will first discuss Middle-Earth, then some of the main characters, and finally the threefold parts of the endurance the Frodo displays. (Tolkien)
The paper will begin with a look at the life of Tolkien. This will serve the purpose of providing some context for the novel. Looking into the life of Tolkien will also serve to give the reader some insight into the mind that gave birth to such a rich land and why the novel may have some importance for sufferers of mental illness. Next will likely be a short summation of the
Tolkien, J.R.R. The Hobbit, Or, There and Back Again. Boston: Houghton Mifflin Company, 1996. Print.
In the novel, The Hobbit, we find many themes and underlying messages from which useful knowledge and principles can be acquired. As the modern canadian fantasy writer once said, “Fantasy has the capacity to be as important and as thought-provoking as any other form of literature we have.” Tolkien’s work provides readers with challenging and time honoured themes such as: use your unique positive traits for the greater good of the group, power should never be abused and it is important to find your true self in life.
In our world it is hard to find somebody who can truly be called a “hero”. This is probably because society portrays heroes as being like Superman and Batman. These comical heroes blur the perception that some people have of heroes. They think a hero is someone who can do anything and everything and have an otherworldly power. In reality, a hero can be anybody. To be considered a hero by Greek Mythology a hero needs to be favored by the Greek gods and usually fight in and win a war like Odysseus did against the Trojans. In both the epic tale Beowulf and in The Hobbit by J.R.R Tolkien, the protagonist’s and in the case of the Hobbit, the members of Thorin’s company have the ability and desire to save friends and others propels them to the status of hero.
While it is certainly an exciting and well written work of fantasy, which cannot help but grip the imagination, all this would be for naught except for the poignancy of the themes which serve as its backbone. Foremost of these is Tolkien’s determination to show the natural world as the measure of all things. His world revolves around nature, and his character’s affinity to it determines their place in Middle-Earth.
Print. The. Tolkien, J. R. R. The Fellowship of the Ring. First Ballantine Books Ed.
Tolkien, J. R. R. The Hobbit, Or, There and Back Again. New York: Ballantine, 1982. Print
Tolkien, J.R.R. Lord of the Rings: The Two Towers. New York, New York: Houghton Mifflin Company, 1954. Print.
Tolkien, J. R. R., and Christopher Tolkien. The Legend of Sigurd and Gudrún. Boston: Houghton Mifflin Harcourt, 2009. Print.
Everyone except Frodo and Sam arrives at the kingdom of Gondor, and though the people of Gondor are amazed and frightened at first by the huge army of walking trees that accompany them, everyone smiles and accepts them when Gandalf and Aragorn reveal themselves. The brothers Denethor and Boromir, however, see that Aragorn brings knowledge from the North which will give their kingship over to Faramir, the true King, and so they secretly conspire against him. And so later on, when the forces of Mordor arrive to attack Gondor, they successfully plot to have Aragorn positioned so he must face the Witch-King in single combat. The battle is too much for Aragorn, and just as he is about to die he is saved by Eowyn, a woman of Rohan who loves him, and Merry, who slays the Witch-king in single combat by using ancient hobbit-magic and so reveals himself to be the lost Thain of the Shire. Even as the forces of Mordor retreat, they are swept into the Sea by great ships brought by Faramir, the true Prince of Dol Amroth, from the hidden city of Osgiliath further up the Great River.
he Lord of the Rings: Fellowship of the Ring is a fantasy novel set in an entirely different time period and in an extraordinarily different world. This story is part of a trilogy that transitions seamlessly into the ending of the prequel book, “The Hobbit.” At the end of “The Hobbit,” Bilbo Baggins, a hobbit, a hobbit is a half-sized human, comes home from an adventure and during his journey, he manages to obtain a magical ring. This ring is magical because when you happen to wear it, you turn invisible. It also had the power to prolong the life of the wearer. The start of the Fellowship begins with Bilbo's 111th birthday and Bilbo is getting ready to leave the Shire. The Shire is the region of Middle-Earth where the hobbits reside. Middle-Earth is the continent in which this story takes place. So Bilbo is looking to leave the Shire and wants to leave his possessions with his cousin, Frodo Baggins, who is much younger then he is. Amongst these possessions is the magical ring. Bilbo has second thoughts about giving Frodo the ring but is talked into doing so by his good friend Gandalf the Grey. Gandalf the Grey is one of a few powerful wizards that inhabit Middle-Earth.
The most famous work in the epic fantasy genre is The Lord of the Rings, written by J. R. R. Tolkien over the course of ten years and published in 1954. Over the last few decades, there has been a lot of controversy over whether or not a story in this genre could be considered a valuable literary work. It was suggested that fantasy was clichéd and too unrealistic to be in touch with the daily life. However, when one reads between the lines, one can find a different interpretation within the same story; an interpretation that might not be as clichéd and farfetched as one might think. While it is often claimed that literary works in the genre fantasy cannot have any literary value, the The Lord of the Rings-trilogy contains the beautiful, the true and the good (Flood) and therefore is original, is historical or ethical relevant and has human truth value, which are necessary qualities for a literary work to be valuable.