Biblical Allusions and Imagery in Steinbeck's The Grapes of Wrath

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Biblical Allusions and Imagery in Steinbeck's The Grapes of Wrath

John Steinbeck always makes it a point to know about his subjects

first hand. His stories always have some factual basis behind them.

Otherwise, he does not believe that they will be of any value beyond

artistic impression. Therefore, most of his novels take place in

California, the site of his birth and young life. In preparation for

writing his novels, Steinbeck would often travel with people about whom he

was going to write. The Grapes of Wrath was no exception to his other

works. To prepare for it, he joined migrants in Oklahoma and rode with

them to California. When he got to California, he lived with them, joining

them in their quest for work. By publishing these experiences and trials

of the migrants he achieved an effect that won him the Nobel Prize for

literature in 1962. The writing of The Grapes of Wrath coincided with the

Great Depression. This time of hardship and struggle for the rest of

America gave Steinbeck inspiration for his work. Other peoples' stories of

everyday life became issues for Steinbeck. His writings spoke out against those who

kept the oppressed in poverty and therefore was branded as a Communist

because of his "voice." Although, it did become a bestseller and receive

countless awards, his book was banned in many schools and libraries.

However, critics never attacked The Grapes of Wrath on the artistic level

and they still consider it a beautifully mastered work of art. More than

any other American novel, it successfully embodies a contemporary social

problem of national scope in an artistically viable expression.1 In The

Grapes of Wrath, Steinbeck utilizes Biblical imagery and allusions to

illustrate the struggle of the Joad family as a direct parallel with that

of the Hebrew people.

Steinbeck bolsters the strength of structure and character

development in the book through Biblical allusions and imagery. Peter

Lisca has noted that the novel reflects the three-part division of the Old

Testament exodus account which includes captivity, journey, and the

promised land.2 The Joads' story is a direct parallel with that of the

Hebrews. Just as the Hebrews were captives of the Pharaoh, the Joads' are

captives of their farm. Both make long and arduous journeys until they

reach their promised land. Israel is the final destination for the Hebrews

and California plays the same role for the Joads. Hunter mentions several

of the parallels in the novel. When the Joads embark on their journey,

there are twelve members which corresponds to the twelve tribes of Israel

who are leaving the old order behind.

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