Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
A note on the verse of John Milton
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: A note on the verse of John Milton
John Milton, in his epic poem “Paradise Lost,” expresses that “the mind is its own place, and in itself can make a heaven of hell, a hell of heaven” (Milton). This idea not only counteracts the basic ideals of Christianity but simultaneously disrupts the widely accepted idea of a separated heaven and hell and the expectations needed to be met to achieve entry. Religion and the bible, two of the most widely disputed topics in history, serve as a muse for authors to explain humanity’s fatal flaws. Throughout East of Eden and The Winter of Our Discontent, Steinbeck uses biblical stories and their basic principles to display the hypocrisy of modern Christianity.
Criticism of organized religion’s hypocrisy and rigidness is often seen throughout Steinbeck’s writing despite his Episcopalian upbringing and knowledge of the bible. Steinbeck’s mother pounded the bible into his mind which explains his particular fascination with God and the ideals displayed in the sacred text. His falling out with organized religion did not hinder his ability to portray the stories and beliefs in his texts. In the author’s childhood he even feuded with organized religion publicly by speaking out during a sermon at his church which had enraged him. To much of his mother’s dismay, Steinbeck exclaimed “you all look satisfied here, while outside the world begs for a crust of bread or a chance to earn it. Feed the body and the soul will take care of itself!” Steinbeck managed to go against the speaker and was immediately asked if he could deliver an even better sermon (Wrath of Steinbeck). Steinbeck’s misbehavior in the church continued when he was altar serving and dropped a brass cross on an old man and was never asked back to the mass. Steinbeck rejects...
... middle of paper ...
... that love for wealth is the root of all evil and exemplifies the hypocrisy of modern day Christians. Through a God that is shown to be a hippocratic
Works Cited
Anatolios, Khaled, and Stephen F. Brown. “Influence on Society and Culture.” World Religions Online. Infobase learning. Web. 9 May 2014.
Bennet, Robert. The Wrath of John Steinbeck. Los Angeles: Albertson P, 1939.
Flinn, Frank K. “Evil in Catholicism.” World Religions Online. Infobase Learning. Web. 8 May. 2014
The Holy Bible Containing the Old and New Testaments. Trenton: I. Collins, 1791. Print.
Milton, John. Paradise Lost. New York: Odyssey, 1935. Print.
Steinbeck, John. East of Eden. New York: Penguin, 2002. Print.
Steinbeck, John. The Winter of Our Discontent. New York: Viking, 1961. Print.
Holiness, sin, and life are repeatedly questioned throughout John Steinbeck's The Grapes of Wrath, particularly by the former preacher, Jim Casey. As a preacher, Casey only preaches what the bible states and he resigns from his occupation after he feels the urge to pursue life's true meaning and values of the individual - basically to make sense of the world he resides in. Casey closely resembles the character and motives of Jesus Christ, as he is enthused to uncover the answers to his wonders and doubts and begins to hold new beliefs of sacrificing the self to sustain the rights of society.
The tale of The Grapes of Wrath has many levels of profound themes and meanings to allow us as the reader to discover the true nature of human existence. The author's main theme and doctrine of this story is that of survival through unity. While seeming hopeful at times, this book is more severe, blunt, and cold in its portrayl of the human spirit. Steinbeck's unique style of writing forms timeless and classic themes that can be experienced on different fronts by unique peoples and cultures of all generations.
Noble, Donald R. ed. The Steinbeck Question: New Essays in Criticism. Troy, New York, 1993.
Heavilin, Barbara A. “Steinbeck’s Exploration of Good and Evil: Structure and Thematic Unity in East of Eden.” Rpt. in Novels for Students. Ed. Jennifer Smith. Vol. 19. Detroit: Gale, 2004. 40 Vols. 145-150. Print.
Lahiri, Jhumpa. “Hell-Heaven.” The Bedford Introduction to Literature. Ed. Michael Meyer. 9th ed. Boston: Bedford/St. Martin’s, 2011. 638-651. Print.
Every great writer creates powerful images and presents story lines that draw their readers deep into the pages of their books, however; any writer would be hard pressed to do so without incorporating their own feelings, trials and tribulations into the plots and John Steinbeck is no exception. Through his appreciation for adventure and willingness to indulge in it, Steinbeck found a myriad of fascinating people in addition to experiences that he was eager to share. Past various negative criticisms and frequent rejections of his work, he manages to provide relatable characters capable of deep connections to those who enter into the realms of his tales. John Steinbeck's early life experiences influenced his portrayals of women, his love of the land, and his intimate connection to the plight of lower social classes, themes which translate into his work.
The stronger will do anything in their power to make a profit, leaving the weak with nothing. Kuyper says, “…the more powerful exploited the weaker by means of a weapon against which there was no defense” (Kuyper, Abraham, and James W. Skillen 26). Additionally, he states that “…the idolization of money killed the nobility in the human heart” (Kuyper, Abraham, and James W. Skillen 31). Kuyper talks about how Jesus felt bad for the rich and sided with the poor (Kuyper, Abraham, and James W. Skillen 32). Matthew 6:19-21 says, “Do not lay up for yourselves treasures on earth, where moths and rust destroy and where thieves break in and steal, but lay up for yourselves treasures in heaven. For where your treasure is, there your heart will be also.” Earthly materials mean nothing because the real treasure awaits in
Because of their Puritanical beliefs, it is no surprise that the major theme that runs throughout Mary Rowlandson and Jonathan Edwards’s writings is religion. This aspect of religion is apparent in not only the constant mentions about God himself, but also in the heavy use of biblical scriptures. In their respective writings, Rowlandson and Edwards utilize scripture, but for different purposes; one uses it to convey that good and bad events happen solely because of God’s will, and the other uses it, in one instance, to illustrate how it brought him closer to God, and, in another instance, to justify his harsh claims about God’s powerful wrath.
In The Grapes of Wrath the author, John Steinbeck, presents religion in several ways including the fanaticism of the Sin Watchers, Jim Casy’s parallel character to Jesus Christ, and through the use of symbolism throughout the novel. Through these methods, Steinbeck weaves a web in which religion is presented as a double-edged blade; one can go to the path of being truly a devout, kind person, or one can choose the path of zealously, condemning all who would oppose or go against their views.
Like all strong allegories, East of Eden draws one into a world of fictious characters that seem to take on a life of familiarity. The bible, which Steinbeck has chosen to build his novel on, is a book that interests itself not in causes, but in actions and their consequences. By creating biblical allegories, Steinbeck gives a new meaning to an old chapter.
Noble, Donald R. ed. The Steinbeck Question: New Essays in Criticism. Troy, New York, 1993.
An allegory reveals a hidden meaning through the interpretation of a novel, picture, or a poem. Allegories are frequently used in literature to enhance the meaning of the novel, and allow it to be read on more than just a literal level. The author of the novel The Kite Runner, Khaled Hosseini, uses allegory to allow for the interpretation of the novel on a higher level. The rape scene, Amir’s quest for personal redemption, and the relationship between Amir and Hassan all stand for something greater than entertainment and can be considered an allegory for events in the country of Afghanistan.
Criticism. The. New York: Norton, 1975. Fox, Robert C. "The Allegory of Sin and Death in Paradise Lost." Modern Language Quarterly 24 (1963): 354-64. ---.
Paradise Lost is one of the finest examples of the epic tradition in all of literature. In composing this extraordinary work, John Milton was, for the most part, following in the manner of epic poets of past centuries: Barbara Lewalski notes that Paradise Lost is an "epic whose closest structural affinities are to Virgil's Aeneid . . . "; she continues, however, to state that we now recognize as well the influence of epic traditions and the presence of epic features other than Virgilian. Among the poem's Homeric elements are its Iliadic subject, the death and woe resulting from an act of disobedience; the portrayal of Satan as an Archillean hero motivated by a sense of injured merit and also as an Odyssean hero of wiles and craft; the description of Satan's perilous Odyssey to find a new homeland; and the battle scenes in heaven. . . . The poem also incorporates a Hesiodic gigantomachy; numerous Ovidian metamorphoses; an Ariostan Paradise of Fools; [and] Spenserian allegorical figures (Sin and Death) . . . . (3)
Throughout Paradise Lost, Milton uses various tools of the epic to convey a traditional and very popular Biblical story. He adds his own touches to make it more of an epic and to set forth new insights into God's ways and the temptations we all face. Through his uses of love, war, heroism, and allusion, Milton crafted an epic; through his references to the Bible and his selection of Christ as the hero, he set forth a beautifully religious Renaissance work. He masterfully combined these two techniques to create a beautiful story capable of withstanding the test of time and touching its readers for centuries.