Bewitched is important by the way in which it establishes and explores a discourse of modern, suburban life. This discourse however, directly explores tensions of the era in which it was produced. Its discourse - fantasy and its fantastical set ups are key towards unmasking "the conventionality of the everyday" (Spigel, 2001:123).
One thing that the fantastic sitcom does successfully is it diminishes the importance of suburban life and thus re-shapes our understanding of domesticity. Samantha struggles to come to terms with being a housewife and often uses her magic to conduct household chores. The mis-en-scene of the Stephenson’s living room is flooded with nice paintings, books, odd matching sofas and ironically, a menorah. The mis-en-scene functions more so as a back drop, rather than a textual function. This works in conjunction with the narrative situations – which feature ‘real’ problems. There is a general absence of a reliance on mod-cons and technology is rarely used by Samantha – the way in which she operates technology and appliances is a parody designed to familiarize the viewer with the drains of modern day life,
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Metz argues that the show is “constituted by narrative complexity”(Metz, 2007:13). Though, the series is problematic in the way in which each episode starts with harmony, which is then disrupted and eventually, replaced. The series is episodic - equilibrium is restored in all episodes. Bewitched therefore does not play with narrative it plays with genre, the "regulators of televisual narrative" (Morreale, 2002:104). The manner in which it plays with genre is essential in relation to discourse. The narrative is never disrupted - it is the discourse itself that is the disruption and if we were to "merely look at the sitcoms architecture, no sitcom can be transgressive". (Creeber, 2008:82). The impact of Bewitched is articulated through its exploration of
The word ‘houseskeeping’ refers to both the lack of domestic feminine roles in the book, but also to what the girls’ grandmother, Sylvia Foster, stated about keeping her home within the family, both in a physical sense and, as Sylvie and Ruth depart from it, a spiritual one. Ruth’s grandmother is using the maintenance of the family home as a metaphor for the women of the Foster house to maintain the very essence of their family itself, “Sell the orchards, but keep the house. So long as you look after your health, and own the roof over your head, you’re as safe as anyone can be,” (Robinson 27). In saying that the orchards should be sold, but not the house, Sylvia is telling her granddaughters that everything outside of the family can be lost and replaced, but so long as they contain the family unit, they will remain safe. While this story does deconstruct the idea of an “all-American”, aesthetically pleasing family, it doesn’t shed the values that one would consider typical for American Literature, such as a heavy emphasis on religion and family. Instead, it allows a unique viewpoint of the different structures of an American family, and demonstrates how, while the structures may change, the overall goals of staying rooted in one’s beliefs and in one’s familial comfort zone often are the same no matter how the roles within a household are established and
Younger generations and the more vulnerable in society can be influenced in avoiding peer pressure, but for the individuals filled with wisdom, the shows can reflect based on American modern society. Everybody Loves Raymond and Full House are great shows who faces similar life obstacles a typical person living in the US has today. As a result, most modern family comedy sit-coms are reflecting our society’s generations and the more vulnerable. Based on the success of early family sit coms, American’s adapted to a fast pace lifestyle with the help of modern
The film Friday Night Lights, directed by Peter Berg explains a story about a small town in Odessa, Texas that is obsessed to their high school football team (Permian Panthers) to the point where it’s strange. Boobie Miles (Derek Luke) is an cocky, star tailback who tore his ACL in the first game of the season and everyone in the town just became hopeless cause their star isn’t playing for a long time. The townspeople have to now rely on the new coach Gary Gaines (Billy Bob Thornton), to motivate the other team members to be able to respect, step up their game, and improve quickly. During this process, racism has made it harder to have a success and be happy and the team has to overcome them as a family.
Countless times throughout Robinson’s work, the idea of the home is used as a way to contrast society’s views, and what it means to the characters of Robinson’s novels. In Robinson’s most famous novel Housekeeping, two young girls experience life in a home built by their grandfather, but altered by every person that comes to care for them. After their mother
In chapter one, “Old Father, Old Artificer”, of her graphic novel Fun Home: A Family Tragicomic, the young Bechdel generated her identity through the tensions and mysteries that engulfed her family the home. Masculinity, physical strength and a modern outlook were her personality traits as she grew, becoming the “Butch to [her father’s] Nelly” (269) and his opposite in several aspects. A conscious effort was made on her part to set her own pace from what her father expected of her. He was a strong, influential figure within her life. Expressing emotions towards her father was strictly not allowed in the home. Bechdel was left “rushing from the room in embarrassment” (273) on the one unforgettable occasion that she went to kiss him goodnight. She...
With experience comes information and awareness. Every person interprets experiences differently, which in turn makes it difficult to determine the morality of something. In Alan Moore’s novel, Watchmen, Moore uses the marriage between pictures and words to present the different personalities of various characters and what they think is best for society. Throughout the story, Alan Moore explains that ignorance is humility and humility is wisdom, which is the only way of achieving true knowledge.
In the film, The Breakfast Club (1985), John Bender, the slovenly rebel at Shermer High School in Chicago, is serving a Saturday detention with four very different students. Right from the beginning, Bender exhibits the qualities of a destructive and thoughtless criminal, i.e., he taunts everyone else in order to hide his personal inadequacies. Whenever Bender is questioned by his peers about a personal issue, or whenever he cannot provide a clear answer to a question, he—albeit defensively— responds in a facetious and irritated manner. Bender demonstrated this when Andrew Clark, the “sporto”, told him that he did not count, and that “if [he] disappeared forever it wouldn’t make any difference.” Distraught from Andrew’s blunt comment, Bender sarcastically retorted, “Well, I’ll just run right out and join the wrestling team...” As time goes on, Bender slowly sheds his rough attitude and starts opening up his true self to the other students.
In ?Everyday Use?, Alice Walker chooses to develop the idea of poverty by focusing exclusively on the environment in which her protagonists live. Setting attributes, such as the ones used to describe the house in which the protagonists reside, enables us to better understand the theme. In fact, the dwelling does not even have any real windows. Instead, it has holes cut in the sides, like the portholes of a ship, but not round and not square, with rawhide holding the shutters up on the outside. Then, Walker proceeds with inside description of the house as she points out that the protagonists use benches for their table instead of chairs because they cannot financially afford any. Further, the author supports the theme by providing us with some physical description of specific objects. The use of quilts that ?Grandma Dee? sewed from the scraps of her dress and the churn that Uncle Henry whittled from the wood is not derived from the protagonists? intention to preserve ?family values? but rather from a necessity to ?survive?.
Like most peoples families there is a dynamic of people involved, although all from the same environment and teachings, it is ultimately an accumulation of personal experiences that shape us and defines how we perceive our existence. “Everyday Use” is a story of conflict of right and wrong and also family values. Walkers’ narrator, “Mama”, struggles with her disrespectful daughter ‘Dee”. Though “Mama” was quoted to have worked hard like a man to send her to school gratitude is never mentioned. “Clearly, Dee privileges language over silence, as she demonstrates in her determination to be educated and in the importance she places on her name” (Tuten). Since “Dee” had been out of the house and to school in the city she had lost touch with where she came from and had little respect for the family heritage. Maggie having been burned in a house fire had learned to love the shelter that only a family can provide. Being burned makes you like no one else, everywhere you go you feel eyes looking. Since she had not been out of the house and had the time to learn the value of family she regarded the quilts as a part of her heritage.
In Alison Bechdel’s graphic novel entitled Fun Home, the author expresses her life in a comical manner where she explains the relationship between her and her family, pointedly her father who acts as a father figure to the family as she undergoes her exhaustive search for sexuality. Furthermore, the story describes the relationship between a daughter and a father with inversed gender roles as sexuality is questioned. Throughout the novel, the author suggests that one’s identity is impacted by their environment because one’s true self is created through the ability of a person to distinguish reality from fictional despotism.
This essay will examine my thoughts and those of David Sterrit on the critically acclaimed television show The Honeymooners. First, I will talk about the Honeymooners and it’s setting in postwar America. Secondly, the social and cultural issues the series portrayed. Next, would be the psychological perspective and the aesthetics of the show. Finally, the essay would conclude with my thoughts on how the Honeymooners were impacted by these aspects, but also how the show managed to leave a legacy in television today.
The title of the book, ‘A Painted House’ is based on the actual farmhouse in which the Chandler family resides. It was an old house. It was a fine house that had never been painted. For this particular family, paint - like eating meat with every meal - was a luxury. It was not a requirement to have a painted house. It was not a sign of laziness as the reader might initially expect. It was a sign of being frugal with money. In this bold example of persevering and never giving up, Mr. Grisham demonstrates to the reader that ’one can’t have everything’.
... as a society, we are still allowing, even encouraging, the reproduction of the patriarchy through our choice of entertainment. We are allowing ourselves to be socialized into old-fashioned, out-of-date roles. While sitcoms make us laugh and provide us an escape from our troubles, they may be creating problems all their own – problems that, as a society, we cannot easily escape from. Certainly, that is no laughing matter.
Throughout the world, there are many artifacts ranging from Literature, Music, Social Media, Fashion, Toys, Technology, and many other ones. Every single one of these artifacts has a special meaning to them such as, the Statue of Liberty which represents freedom. The National Museum and the United States Holocaust Memorial Museum both contain many different types of artifacts that represent our history, as well as sharing a special meaning that can affect a person individually or even shape our society. "The Boy in the Striped Pajamas" was a book written by John Boyne, which should be considered an artifact in the Holocaust Memorial Museum or the National Museum, because it represents the history of the Holocaust, as well as by symbolizing
Alice in Wonderland (AIWS) also known as Todd Syndrome is a disease that affects the brain, it causes the senses to be interfered with and everything seems different. Alice in Wonderland syndrome is caused by migraines and too much electricity in the body(Discovery Fit and Health Writers, WHAT IS ALICE IN WONDERLAND SYNDROME?, howstuffworks.com). John Todd named the disease after the book Alice in Wonderland written in 1865 by Lewis Carroll. Some experts say that Lewis Carroll had Alice in Wonderland Syndrome. The book is said to represent the symptoms that Carroll was experiencing while having the hallucinations. In the book Carroll makes Alice drink and eat some food and she grows larger than normal and shrinks smaller than the drink she was drinking(Betty, Alice in Wonderland Syndrome, bbc.com).