In a fiction story, when the concept of a “turn of events” is incorporated into the plot, it typically acts as the rising action of plot. The trusted compatriot when turned into the adversary of the protagonist creates not only an element of deception, but also the purest yet most inadequate form of humanity. The elements of the trusted friend and the betraying ally are integrated into George Orwell’s 1984 character of O’Brien and Ernest Hemingway’s The Sun Also Rises character of Robert Cohn as they contradict their initial characteristics as friends to develop into a traitor to their protagonist. Authors make use of this element to create a hopeful relationship between the reader and the “trusted friend” or “betraying ally” and then abruptly break the bond in order to provide the lesson that things are not always what they seem.
The element of the betraying ally is successfully used in 1984 by O’Brien, the mysterious and seemingly untouchable member of the Inner Party as he gains the trust of the character of Citizen Winston Smith. Orwell provides a descriptive look into the personal life of Winston, however, the only connections the reader can make with the Party and its members are through the eyes of Winston. As a result, the intentions of actions of those around him and the inner workings of the Party remain unexplained until they are interpreted and analyzed by the reader with Winston. This inkling of ambiguity is integrated in the character of O’Brien, an influential Inner Party member who traps Winston into believing that he is a member of the Brotherhood, a radical opposition group. O’Brien firstly seems to inaugurate Winston into the Brotherhood, then later, he is present at Winston’s jail cell brainwash him to cor...
... middle of paper ...
...t he believes to receive in return clearly shows his blind naivety. Hemingway chooses to use Cohn’s pure innocence in his role as the trusted friend to represent the besmirched flow of society today.
In a utopian world, honesty is evident in every situation; however, fiction writers, when incorporating these types of characters into their story, build up the truth that the word of a human being is malleable. It has no palpable structure. The elements of the “betraying ally” and the “trusted friend” incorporate a sense of the impossibility to escape the corruption of innocence. Authors use these elements in order for readers to connect with these characters in hope of an actual figure of ultimate morals only to pull the rug under the readers’ feet to explain that, even in the world of fiction, there will always be a shadow of sleaze to creep over pleasantry.
In the short story “The Hunter” the author Richard Stark introduces Parker, the main character of this book. The main character is a rough man, he’s a criminal, a murderer, and even an escaped convict. He’s described as crude and rugged and though women are frightened by him, they want him. Parker is not the classic criminal, but rather he’s intelligent, hard, and cunning. In this story the author carefully appeals to his audience by making a loathsome criminal into a hero, or rather, an anti-hero. The author, Richard Stark uses ethical appeal to make his audience like Parker through the use of phronesis, arête, altruism and lastly the ethos of his audience.
Conflict between the main characters in fictional stories can be so thick, you need a razor-sharp knife to cut it; that is definitely the case in the two literary texts I recently analyzed titled “Confetti Girl” by Diana Lopez and “Tortilla Sun” by Jennifer Cervantes. In the first text, tensions mount when a social butterfly of a teenage girl and her oblivious father lock horns over the subject of homework. In the second passage, drama runs high when a lonely child and her career-driven mother battle over the concept of spending the summer apart. Unfortunately, by the end of both excerpts, the relationships of these characters seem damaged beyond repair due to their differing points of view - the children end up locked behind their barrier-like
It is said that 1984 is one of the greatest books ever written, a literary work that remains as transcendent as ever since its publishing date sixty-four years ago. It is a grimly realistic story crafted together by George Orwell, who takes upon particularly effective literary elements, such as the limited third-person point of view, to follow the life of Winston Smith, the average everyday, resentful civilian who attempts to fight against the seemingly omnipotent and ubiquitous powers of the Ingsoc Party. The Ingsoc Party, a totalitarian government that governs the fictional country of Oceania, holds a casket of brilliantly intelligent individuals, some of who are members of the terrifying Thought Police and the notorious Inner Party, who employ informal language against the uneducated masses of Oceania civilians. Symbolism is also a key literary element in the novel, for anything ranging from ubiquitous telescreens to the infamous Big Brother ultimately contribute to Winston’s realization of how unbreakable the power of the Ingsoc Party truly is. All throughout 1984, George Orwell exercises the elements of diction, point of view, and symbolism to bring out the novel’s theme of how futile resistance is against established totalitarian governments.
Often, when a story is told, it follows the events of the protagonist. It is told in a way that justifies the reasons and emotions behind the protagonist actions and reactions. While listening to the story being cited, one tends to forget about the other side of the story, about the antagonist motivations, about all the reasons that justify the antagonist actions.
Throughout the section, the main character, Winston is constantly facing conflicts. Most of these conflicts are internal. In the society Winston lives in, he is being monitored 24/7, which prevents him from doing most things freely. The first sign of conflict is shown when he takes out the diary he bought, and starts writing things he remembers. Of course he is disobeying the law, but he is taking a risk. The “Two-minute hate” is literally a time where everyone hates on the traitors for two minutes. There, Winston faces some internal conflicts; they are internal because the other characters do not know what Winston is thinking. The girl with the dark hair is introduced. She is a bad impression to Winston, and he always feels uncomfortable around her. Later in the book, she intimidates him even more because it feels like she is watching him. Another character that Winston has an internal conflict is O’Brien. It is one of the most interesting encounters because it might have involved O’Brien himself. During the Two-minute Hate, their eyes meet together and Winston suddenly thinks that ...
Winston Smith is a thirty-nine year old man who participates in a group of the “outer-party,” which is the lower part of the two classes. Smith works in one of the four main government buildings. This building is called the Ministry of Truth; his job is to rewrite history books so those that read them will not learn what the past used to be like. The occupation Winston is the major factor that allows him to realize that Big Brother is limiting people’s freedom. He keeps these thoughts to himself as secrets because the totalitarian party will not allow those of rebellious thoughts around. The tensions between the two grow throughout the book because the Big Brother becomes very suspicious of Winston. The Big Brother becomes so suspicious of Winston that he sends a person by the name O’Brien, to watch over him. Mr. O’Brien is a member of the “inner party,” which in this book is the upper-class. Winston doesn't know of the trap that Big Brother had set tells O’Brien of his own idea and plans. He tells Winston of a rebellious leader that has been rounding up those that want to go against the totalitarian government. But like the Big Brother had done, he set a trap and O’Brien betrayed Winston. During the story the conflict between Big Brother and Winston climaxes when Winston is caught. He is taken to some sort of bright underground prison type
it has operatives all over keeping an eye out for cops or law enforcement, this
Winston is confronted with struggle throughout the entirety of George Orwell`s dystopian novel Nineteen Eighty-Four. Living within a totalitarian regime subsequently causes Winston to seek approaches for dealing with such abundant oppression; he finds liberation through self-awareness, understanding and ultimately rebellion. First, Winston realizes that “if you want to keep a secret you must also hide it from yourself”, alluding to the notion of thoughtcrime (162). This recognition exemplifies the complete cognizance that Winston has regarding the oppressive society displayed throughout the novel. Next, Syme states “It’s a beautiful thing, the destruction of words”, alluding to the idea of Newspeak (28). This statement directly correlates to Winston speaking with other party members to gain knowledge about how others feels about policies deployed by the government. This information-seeking also connects with Winston`s rebellion, as he actively searched for others to join his uprising, which is shown when Winston tells O’Brien “We want to join [The Brotherhood]” (171). Winston’s attempt to join a rebellious organization exhibits his evident desire to release his suppressed emotions. Winston devises a very methodical approach to deal with the problematic society he resides in.
In ‘unreliable narration’ the narrator’s account is at odds with the implied reader's surmises about the story’s real intentions. The story und...
The book, 1984 by George Orwell, is about the external conflict between Winston Smith and Big Brother; and the internal conflict between the two ideas, democracy and totalitarianism. Orwell wrote the novel to show society what it could become if things kept getting worse: he sensed of the expansion of communism when he wrote the novel. The conflict between democracy and totalitarianism at the year of 1945 created two characters, Winston Smith and Big Brother, in orwell's mind. Big Brother is the embodiment of all the ideals of the totalitarian party. In contrast to Big Brother, Winston Smith keeps the idea of democracy emphasizes freedom, he has to hide his own thought because the Big Brother's party will punish him by death if the party finds it out. George orwell criticizes of Big Brother's society by describing it as a dark and a gloomy place. It warns that people might believe that everyone must become slaves to the government in order to have an orderly society, but at the expense of the freedom of the people.
George Orwell creates a dark, depressing and pessimistic world where the government has full control over the masses in the novel 1984. The protagonist, Winston, is low-level Party member who has grown to resent the society that he lives in. Orwell portrays him as a individual that begins to lose his sanity due to the constrictions of society. There are only two possible outcomes, either he becomes more effectively assimilated or he brings about the change he desires. Winston starts a journey towards his own self-destruction. His first defiant act is the diary where he writes “DOWN WITH BIG BROTHER.” But he goes further by having an affair with Julia, another party member, renting a room over Mr. Carrington’s antique shop where Winston conducts this affair with Julia, and by following O’Brien who claims to have connections with the Brotherhood, the anti-Party movement led my Emmanuel Goldstein. Winston and Julia are both eventually arrested by the Thought Police when Mr. Carrington turns out to be a undercover officer. They both eventually betray each other when O’Brien conducts torture upon them at the Ministry of Love. Orwell conveys the limitations of the individual when it comes to doing something monumental like overthrowing the established hierarchy which is seen through the futility of Winston Smith’s actions that end with his failure instead of the end of Big Brother. Winston’s goal of liberating himself turns out to be hopeless when the people he trusted end up betraying him and how he was arbitrarily manipulated. It can be perceived that Winston was in fact concerned more about his own sanity and physical well-being because he gives into Big Brother after he is tortured and becomes content to live in the society he hated so much. Winston witnesses the weakness within the prole community because of their inability to understand the Party’s workings but he himself embodies weakness by sabotaging himself by associating with all the wrong people and by simply falling into the arms of Big Brother. Orwell created a world where there is no use but to assimilate from Winston’s perspective making his struggle utterly hopeless.
1984 was written in 1948 and published in 1949 by Eric Arthur Blair under the pen name ‘George Orwell’. It is set in the year 1984 in Airstrip One, which is a province in the country of Oceania. The world is in a constant state of war between Oceania, and the other two countries, Eurasia and Eastasia. Oceania is controlled by English Socialism, or INGSOC in Oceania’s language, Newspeak. The powerful Inner Party controls the country using omnipresent surveillance, and manipulation. Every part of life is regimented and controlled, but the only crime is ‘thoughtcrime’: independent thinking and individualism. Big Brother is the figurehead of the Inner Party, and throughout the book, it is heavily implied that he may not really exist. The people
Authors often make use of rhetorical strategies for additional effects, appeals to the reader, relating to an audience, or even for simply drawing attention to a specific section/part of a work. Nonetheless, these Rhetorical Strategies can prove crucial in the unraveling of such a work. The preceding is the case for a work entitled Something Wicked This Way Comes, by Ray Bradbury. Within the context of the story, a circus enters a small town and changes its overall atmosphere with never before seen mystical evils. Only two boys, Will Halloway and Jim Nightshade, stand in their way. These uncanny occurrences bring out the morality and malevolence of several characters in the story. In Bradbury’s work, there are many discrepancies in the moralities of each character relative to the development of the plot and their overall portrayal in the novel. Bradbury adds many instances in which certain characters have to make a choice between what they wish to do and what they should do. Such decisions accurately portray the conflict as an internal discontinuity between the ultimatums of good and evil. Thus, making the readers question his or her interpretation of each and challenge the societal parameters that encompass them.
The constant theme of betrayal in 1984 is being used by George Orwell to show how hopeless Winston’s struggle against the Totalitarian system is, giving the reader an idea of how bad this type of government is. The reader is introduced to this dark time and given hope in the form of the rebellious protagonist, Winston. However, the reader soon realises how hopelessly alone Winston is in his silent battle when they see that the government is against him, he has no support or allies, and that even his own mind can be turned against him. The message is clear and makes readers who live in a democracy happier with what they have.
Nineteen Eighty-Four was written in the past yet seems to show very interesting parallels to some of today’s societies. Orwell explains many issues prominent throughout the book in which his main characters attempt to overcome. He shows how surveillance can easily corrupt those in control and how those in control become corrupt by the amount of power. Those with power control the society and overpower all those below. The novel shows what could potentially happen to our current society if power ends up leading to corruption.