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The influence of classical music
The origin of all modern american music
The influence of classical music
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Being a jazz standard and commonly played by a military and other marching bands, this piece was first composed by Benny Golson and was first recorded for Blue Mitchell’s Riverside album Big 6 on July 2nd and 3rd, 1958. This piece was influenced by New Orleans marching bands, and “starts in long meter form and transforms back into regular time. From Leonard Feather's point of view, “the theme with its slight bugle-call orientation, has a period quality that ties the work
...John’s most famous pieces of music is the American march “Stars and Stripes forever”. In an act of 1987 by the U.S Congress, this song is now officially the National March of the United States of America. This song was composed on Christmas Day in 1896. He composed it just after he learned of the recent death of his band manager, David Blakely. The song was first performed at Willow Grove Park on May 14th 1897. The song is performed in the key of A-flat and follows the standard military march form.
Sparke, Michael. Liner notes. Live From the Las Vegas Tropicana. Music by Stan Kenton. Capitol Jazz, 1996.
he beginning melody starts with a solo horn, while the strings play sixteenth notes behind it, giving the harmony. Then the harp quickly plays before the strings takes over the melody. The melody is then shared with then shared with the lute for a short period before returning to strings only, followed by the trombones joining in as well on the melody. At about one minute and ity seconds, there is a brief moment of silence before the violins come back with the melody playing quietly. They then play the melody with the trumpets for a brief period, before the trumpets drop back out. With approximately twenty-ive seconds let in the song the brass secion takes over the melody for the remainder of the piece. Harmony in this piece is played
The brass instruments in the background are played in ostinato form. This piece was written by Puerto Rican Juan Tizol, who played the trombone solo. Cootie Williams would later improvise on the piece, coming up with his own version of "Caravan."
The play features brilliant talent, with more than 25 songs from the peak of the jazz era; which varies from “Zaz Zuh Zaz” to “Between the Devil and the Deep Blue Sea.” Through the play we’re going back to the heyday of the ...
The album ‘Kind of Blue’ by Miles Davis was released on the 17th of August 1959. Miles Dewey Davis III (May 26, 1926 – September 28, 1991) was an American jazz trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. The style of the genre is called modal jazz a part of the cool jazz genre. I will be discussing the Rhythm, Melody, Harmony, Form and Structure and texture of the album ‘Kind of Blue. The Album ‘Kind of blue’ has five songs, called ‘So What’, ‘Freddie Freeloader’, ‘Blue in Green’, ‘All Blues’ and ‘Flamenco Sketches’. Since its release on August 17, 1959, Kind of Blue has been regarded by many critics as Davis's
A man with the “big noise” saw playing from the soul and heart. The place is New Orleans and the starting point of the wonderful world of jazz. New Orleans is where people are creative and not judged by the way they play their music. Buddy Bolden was one such of a person.
According to Josef Skvorecký’s “Eine Kleine Jazzmusik” preamble, his story is set in Czechoslovakia in the 1940’s when Aryans tried to suppress Jazz music. Throughout the story, a band by the name of “The masked Rhythm Bandits” fought against the Aryans through Jazz. This was an example of symbolic fighting through music during that time period in Czech history. This first passage from his story starts at the bottom of page 232 and continues onto page 233. It states, “The more he doted on his Jazz trumpet, the closer he was drawn to Suzy. And Suzy, our sweet Suzy, was in turn drawn closer to the band and discovered within herself a pleasant, agreeable husky contralto voice and a genius for rhythm and syncopation… My heart beats to...
In Thomas Eakins’ painting The Biglin Brothers Racing, the lines are being used in the piece by showing them moving in different directions. Even though most of the outlines in the artwork are organic because of the people and landscapes involved, there are different movements of the lines being geometrically shown. One example of this is the two brothers using not only their bodies, but their ores to move their boat around. The ore that is shown more clearly than the other one, has a diagonal direction pointing downward towards the water in order to have the audience believe that the boat is moving. Another example that involves the movement of lines is the movement within the clouds since both geometric and organic lines help the clouds have
Gwendolyn Brooks' "First fight. Then Fiddle." initially seems to argue for the necessity of brutal war in order to create a space for the pursuit of beautiful art. The poem is more complex, however, because it also implies both that war cannot protect art and that art should not justify war. Yet if Brooks seems, paradoxically, to argue against art within a work of art, she does so in order create an artwork that by its very recognition of art's costs would justify itself.
In this assignment two Jazz works from two different decades will be compared. The 1959 recording, “Take Five” by Paul Desmond(Wikipedia, 2015) will be compared with “Hallelujah Time” by Oscar Peterson, recorded between1963 and 1966(Wikipedia, 2013). Firstly, the influence from the composer’s background and experiences on his composition will be discussed; secondly, the development of technology and its effect on the composition will be examined; finally, the use of instrumentation and compositional devices of each work will be discussed and compared.
JAZZ written bye John Fordham-Erin District High School Library-Date of publication: 1993 by the Reader’s Digest Association-Publishing company: RD press-Page numbers: 64-65
...chestral introduction with an imperfect cadence. A strong rhythmic ¾ allegro passage, with sequences and descending scales is played by the orchestra, with timpani and cymbals. The music modulates, and a short, quiet woodwind passage is then alternated with an orchestral passage with dotted rhythms, creating a `terraced dynamics' effect. Part B begins with a major clarinet melody accompanied by pizzicato strings. A minor flute sequence follows, and is followed by a repetition of the oboe melody. A string sequence is then played, imitated by the oboe. There is a crescendo, then the rhythmic orchestral melody returns, alternated with a short flute passage. There are suspensions, descending scales and a crescendo, followed by a strong rhythmic passage with the timpani playing on the beat. Imperfect cadences are played, before the piece finishes with a perfect cadence.
“Faith is taking the first step even when you don't see the whole staircase.” Martin Luther King Jr. The movie Facing the Giants is written and directed by Alex Kendrick, with some help from Stephen Kendrick. Main actors/ actresses that star in this movie include, Alex Kendrick (Grant Taylor), Shannen Fields (Brooke Taylor), Bailey Cave (David Childers), and Jason Mcleod (Brock Kelley). This movie is based not only on the game of football, but also on how to build your faith in things that can not be seen. This movie is strong on Christian faith, and provides the viewer a sense of strength. Facing the Giants is classified to be a Christian/ Drama. This movie is definitely a success. Faith, family, and strength are three major points that this movie pushes on viewers.
The whole composition was composed by Ralph Vaughan Williams (1872-1958). The three movements were the March, Intermezzo, and the March. The first movement was titled “Seventeen Come Sunday”. The piece was very light and martial. In addition, the piece moved quickly yet utilized both percussion, brass, and woodwinds in a way that played well with each other. In other words, each timbre was able to be observed. In addition, the dynamics ranged throughout the piece which gave the piece an overall good contrast. The first movement also included different styles within it where there were fast moving notes and then more longer harmonic notes.