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The role of language in Shakespeare plays
Language in Shakespeare
The role of language in Shakespeare plays
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Ben Jonson’s Volpone is highly occupied with the evolving city setting during the early seventeenth century in London where international trade, migration and commercial commotion played the imperative role to shape and reshape people’s attitude to life. This evolving urban panorama entices moral decay of individuals and corruption in institutions. Fraudulence, deception, covetousness, greed, and selfishness become the means of individual existence in the exceedingly cutthroat money-making society. For the Jonson’s people in the play, vocal supremacy comprises the way of devising plots for deceiving the wealth-maniac. Language performance by the characters has presented a cohesive and lacy development of Volpone that is full of complicated assortment of conspiracies by the fraudsters (Freitas1). Jonson furnishes the mind of audience with a pastiche of microplots artistically embroidered to intensify and heighten the social atmosphere in the play and to embody the seditions of a morally decaying society as well. Individuals are shaped by the social world. There is an close connection between individuals and social structures: the nature of the individual’s relation to the broader social system, the ways in which behavior is influenced by social experiences, the genesis of the individual’s social makeup (Turiel 5). Individuals develop conceptual systems for understanding and transforming the social world. Therefore, the role the materialistic world usually plays upon the individuals; the episodes of changing social status among the community; and individuals’ attitude to perception of morality are considered to analyze in the write-up. During the early seventeenth century the social atmosphere of London was shifting into a new statu... ... middle of paper ... ...on. Cardiff: University of Wales Press, 2004. 142-170. Rpt. In Literature Criticism from 1400 to 1800. Ed. Thomas J. Schoenberg and Lawrence J. Trudeau. Vol. 158. Detroit: Gale, 2009. Literature Resource Center. Web. 2 Nov. 2012. Jonson, Ben. Volpone, or The Fox. Ed. Brian Parker. New York: Manchester UP, 1999. Stock, Angela, and Anne-Julia Zwierlein. “Our Scene is London…” Plotting Early Modern London: New Essays on Jacobean City Comedy. Ed. Dieter Mehl, Angela Stock, and Anne-Julia Zwierlein. Burlington: Ashgate Publishing, 2004. Sydney, Philip. ‘The Defense of Poesy’, English Essays: Sidney to Macaulay. The Harvard Classics. New York: P.F. Collier & Sons, 1909–14. Turiel, E. The Development of Social Knowledge: Morality and Convention, Cambridge: Cambridge University Press, 1983. Walker, Hugh. English Satire and Satirists. New York: Octagon Books, 1972.
Mortimer describes their laws, their medicine, their eating and dressing habits, and their entertainment. The purpose of The Time Traveler’s Guide to Elizabethan England is to give readers a vivid look into the past, into one of the most celebrated eras in history, with hopes that the modern era learns that “the past is not just something to be studied; it is also something to be lived” (Front Flap). Throughout the book, Mortimer makes several major interpretations of the society of
Bressler, Charles E. Literary Criticism: An Introduction to Theory and Practice. 5th ed. New York: Longman, 2011. Print.
Heberle, Mark. "Contemporary Literary Criticism." O'Brien, Tim. The Things They Carried. Vol. 74. New York, 2001. 312.
Twentieth-Century Literary Criticism, edited by Linda Pavlovski and Scott T. Darga, vol. 106, Gale, 2001. 20th Century Literature Criticism Online, http://link.galegroup.com/apps/doc/KSZNPN102098467/LCO?u=schaumburg_hs&sid=LCO. Accessed 14 Dec. 2017. Originally published in CLA Journal, vol. 31, June 1988, pp.
Bressler, Charles E. Literary Criticism. (3rd ed.) Upper Saddle River New Jersey: Pearson Education, Inc. 2003
...Chrie, D., (ed.), Nineteenth Century Literature Criticism. Detroit, MI: Gale Research Company, 1986. Vo. 13, pp. 53-111.
London: n.p., 1998. Print. fourth Bloomfield, Morton W. New Literary History. Winter ed. N.p.:
"Morton, Thomas - Introduction." Literary Criticism (1400-1800). Ed. Thomas J. Schoenberg. Vol. 72. Gale Cengage, 2002. eNotes.com. 2006. 21 Feb, 2011
Forum 19.4 (Winter 1985): 160-162. Rpt. inTwentieth-Century Literary Criticism. Ed. Thomas J. Schoenberg and Lawrence J. Trudeau. Vol. 192. Detroit: Gale, 2008. Literature Resource Center. Web. 30 Nov. 2013.
Imagine yourself, dear reader, transported to Shakespearian Verona, a bustling, peaceful city (aside from the occasional death or two), with its obligatory social classes going about agreeably (aside from the occasional brawl or two), and all people happy and successful (aside from the occasional poor wretch or two). The Verona in which Shakespeare’s tragedy Romeo and Juliet takes place in is made sinister by the deadly consequences than ensue from its strict, unbending society. Romeo and Juliet paints a tale about two young lovers, Romeo Montague and Juliet Capulet, whose attempts to be together are cruelly thwarted by society. Society’s fixation on honor and disgrace, poverty-creating laws, and austere social roles all have crucial functions in causing the deaths of Romeo and Juliet.
Bressler, Charles E. Literary Criticism: An Introduction to Theory and Practice. 5th ed. New York: Longman, 2011. Print.
Logan, Thad Jenkins. "Twelfth Night: The Limits of Festivity." Elizabethan and Jacobean Drama. N.p.: Rice University, 1982. 223-38. Vol. 22 of Studies in English Literature, 1500-1900. Rpt. in Studies in English Literature, 1500-1900. N.p.: n.p., n.d. N. pag. Print.
February 2014. http://faculty.history.wisc.edu/sommerville/361/361-02.htm. Sommerville, J.P. Economy and Society in Early Modern England. The "Social structure" of the. February 2014.
Twentieth Century Literary Criticism 115 (1929): 121-126. JSTOR. Web. 19 Feb. 2014. "Dictionary.com."
- - -. “Literature Criticism from 1400 to 1800.” http://go.galegroup.com. N.p., 1988. Web. 9 Dec. 2010. .