...ll. The inner city has many complications the fact that most are African American is a mere coincidence. If we as a nation are capable of fixing all institutions and structural issues we could bring the slums out of poverty. The cycle of unemployment and poverty is a terrible cycle that cannot only be judged by race and cultural values. When reading this book keep in mind the difficulties, any family or person could go through these tribulations. There are many arguments and sides to each problem; this is another one of those. The battle for inner city poverty, and the factors that go along with it, has not been finished. Wilson brings out a different aspect which could help people expand horizons and come up with better solutions.
In the article “Gentrification’s Insidious Violence: The Truth about American Cities” by Daniel Jose Older, Older places emphasis on the neighboring issue of gentrification in minority, low income communities or as better known as being called the “hood” communities. The author is biased on how race is a factor in gentrifying communities by local governments. Older explains his experience as a paramedic aiding a white patient in the “hood” where he was pistol whipped in a home invasion by a black male. This is an example of black on white crime which is found to be a normal occurrence in the residence of his community. But that is not the case in Older’s situation because that was the first time he has
Boyz in the Hood is a statement of how urban youth have been passed a legacy of tragic indifference, and the writer has shown that it is an almost inescapable fate for those born into racism and poverty to repeat the patterns they wish to escape. The movie’s characters are clear representations of how the system fails young black youth in the United States, and the difference one mentor can make for these kids. During segregation young black children became targets for white brutality. This movie reflects what the European mentality and what it has done to the African American culture.
Amid the feverish horror of rampant sickness and death, The Plague is a parable of human remoteness and the struggle to share existence. In studying the relationships which Camus sets forth, the relationship between man and lover, mother and son, healer and diseased, it can be seen that the only relationship Camus describes is that between the exiled, and the kingdom for which he searches with tortured longing.
Violence being extremely prevalent is not only a way of life but also the key to success in the hood. In an interview Tupac Shakur looked back on his life growing up in which,
All of Camus' writings may be viewed as a quest for meaningful values in a world of spiritual aridity and emptiness. He begins with man's despair, estrangement, fear, suffering and hopelessness in a world where is neither God nor the promise that He will come- the fundamental absurdity of existence- but ultimately affirms the power of man to achieve spiritual regeneration and the measure of salvation possible in an absurd universe. This radical repudiation of despair and nihilism is closely bound up with his concept of an artist. Camus conceives of art as a way of embracing a consciousness of the absurdity of man's existential plight. But art becomes a means of negating that absurdity because the artist reconstructs the reality, endowing it with unity, endurance and perfection. By taking elements from reality that confirms the absurd existence, an artist attempts to correct the world by words and redistribution. Thus the artist never provides a radical transformation of reality but a fundamental reinterpretation of what already exists. He provides a new angle of vision of perceiving reality. That is why, for Camus, an artist is a recreator of myth. He teaches humanity that contemporary man must abandon the old myths that have become otiose, though once defined his existence. The artist liberates man to live in his world by redefining both man and the condition in which he exists. In this regard, it is important to point out that, for Camus, the traditional opposition between art and philosophy is arbitrary. It is because they together become most effective to create the redefinition: the philosophy awakens the consciousness and the art, propelled by such a radical discovery, ...
On the surface, one might not find much overtly attractive about Camus’s cold philosophy expressed by Meursault in the cell he spiritually shares with all people awaiting inevitable deaths as the universe watches on with indifference, but there is a freedom that comes with letting go of hope that tries to cover up fear. If society tries to prosecute each person with the moral guilt of those that have been buried, it is liberating to reject those presumptions of guilt. There is a happiness that can be found in that freedom and an appealing strength in being able to face the howls of execration from the spectators of every individual’s march toward death in a benign, indifferent universe.
Elijah Anderson’s Code of the Street book depicts two opposite communities within Philadelphia, the poor inner city black community and the residential middle class community. The majority of the book revolves around describing how the inner city functions on a ‘code of the street’ mentality, respect and toughness. Crime, violence and poverty run high in the inner city and following the code is a way to survive. Having a decent family or a street family greatly influences the path an adolescent will take involving delinquency. Anderson divides the book up into different themes and explores each one my not only giving factual information, but he also incorporates real life stories of various people who survived the inner city life style. Some of the themes include territory, survival by any means necessary, toughness, separate set of norms, campaign of respect and the mating game. Some criminological theories are also noticeable that take place in the inner city community.
Such when Camus writes, “All Sisyphus’ silent joy is contained therein. His fate belongs to him.”, but also contends that “Likewise, the absurd man, when he contemplates his torment, silences all the idols.” Within these quotes, I find a distinction between the acceptance of fate and the acquisition of circumstance which in both cases of Sisyphus and the absurd man, contends a claim of conflict between what we want from the universe, whether this is meaning, order, or reasons, and what we find in the universe which tends to be the uncertainty that is distinguished by
The torn down neighborhood, graffiti on the walls, gun shops and abandoned houses are what people living on the wrong side of 8 miles in Detroit saw in their everyday lives. Social disorganization theory according to Freda, Mueller, and Laufer (2013) is “A theory of criminality in which the breakdown of effective social bonds, primary associations, and social controls in neighborhoods and communities is held to result in the development of high crime areas” (p. 124). In the movie 8 Mile (Curtis Hanson, 2002) B-Rabbit lives in 8 mile where he is surrounded by delinquents that commit crimes, bums around the neighborhood and the alcoholic drunk of a mother he lives within a trailer park in the duration of the movie. He is a blue collar worker who does a lot of physical labor in a steel cutting factory where he tries to make a means to help support his mom and sister. But what he really hopes is to be a rapper, make a demo and sign to a label. So he goes where all other rappers go to get noticed, the “Shelter.” Rappers go and have battled to become a highly valued individual in the residential district. With such a large population that attend and participate in those battles there are less chances of any of them being sought out for a record deal. Others that lived outside of the 8 mile district thought less of the people that did live in that location. Even though they stayed together as people from the 313 there was always a better neighborhood or somebody who had it better. So who better to pick on than the white boy who survives with his alcoholic mother in a trailer, taking care of his sister, playing in a distasteful factory, and failing against the “Leaders of the Free World?” He was the perfect target just like many others th...
Housing segregation is as the taken for granted to any feature of urban life in the United States (Squires, Friedman, & Siadat, 2001). It is the application of denying minority groups, especially African Americans, equal access to housing through misinterpretation, which denies people of color finance services and opportunities to afford decent housing. Caucasians usually live in areas that are mostly white communities. However, African Americans are most likely lives in areas that are racially combines with African Americans and Hispanics. A miscommunication of property owners not giving African American groups gives an accurate description of available housing for a decent area. This book focuses on various concepts that relates to housing segregation and minority groups living apart for the majority group.
Throughout the article “The Code of the Streets,” Elijah Anderson explains the differences between “decent” and “street” people that can be applied to the approaches of social control, labeling, and social conflict theories when talking about the violence among inner cities due to cultural adaptations.
Boyz N the Hood was a film created to convey an anti-gang message as well as to provide societal members an in-depth look at life in “the hood” so he or she can expand their culturally awareness of identifying societal issues (Stevenson, 1991). Upon the debut of “Boyz N the Hood” violence erupted at theaters across the nation, resulting in multiple shows pulling the film from scheduled showings to alleviate future violent behaviors (Stevenson, 1991). The film profoundly illustrates the realty of the events revealed within the storyline that frequently occur on a daily basis within every impoverish community; however, is overlooked by the individuals who are not directly involved and or affected (Leon-Guerrero, 2016) Children of lower socioeconomic status often are raised in ghetto neighborhoods where they often witness, crime, violence, gang activity, abuse, and drugs (Leon-Guerrero, 2016). Ghetto communities envelop tumultuous cycles of violence and substance abuse creating a pervasive occurrence within the residents of the community. This is prevalent in lower developed communities that unfortunately many children and the youth populace indirectly inherit and sadly conform to, as there are no other means to an end for them (Leon-Guerrero,
In the movie “Boyz in the Hood” director John Singleton, paints a clear image of the problems that happen very often in the African American communities. The movie deals with issues such as: the importance of a father in a young man’s life, the ongoing violence of black on black crime, and how black people are put in situations where they are put to fail and not succeed in life.
However, he provides an alternative more substantial solution in such a way that does not let the universe triumph. What one must do to overcome this absurdity to is to be scornful of the fact that the universe has created such an individual with the ability to contemplate on his or her own existence. Suicide is an option that takes the easy route out of this absurdity, implicating the difficulty of life is too much to handle. Camus acknowledges his conscious and revolts, or becomes scornful of that fact, and refuses the option of suicide. By choosing to embrace the absurdity of the meaningless of one’s own existence, then freedom to create your own meaning and purpose is