Basilica San Zeno Maggiore: Vernona, Italy
?On the west side of Verona Italy stands one of the city?s two beautiful basilicas, the Basilica San Zeno Maggiore.? The older of the two basilicas, San Zeno dates back to the year 1030.? Notable for her Romanesque style, San Zeno is equally fascinating to the modern viewer as she is historically significant.? There are two regional forms of Italian basilicas of the Medieval period: Tuscan and southern.? San Zeon is considered to be the most Romanesque basilica in Northern Italy. ?
Origin and Contributors
?The basilica was first constructed in honor of the city of Verona?s patron saint, San Zeno.? Paleo-Christian in origin, the church is commonly stated to have been constructed from 1120 to 1138.? However, some of the oldest parts of the building are assumed to have been worked on as early as the 4th century.? Several reconstructions were done from the 4th to the 14th centuries (at least three that are known of) because of damage by natural disasters.? The building underwent reconstruction after the earthquake of 1137 and was finished in 1386 with the addition of the nave ceiling.? It is unclear who the original architect was, but it is known that Andrea Mantegna was the constructor responsible for the altarpiece, on account of writing on it that would signify his work.? However, many historians suggest that Mantegna played a larger role in the development of the building than just the altarpiece.? The Bronze door panels on the West entrance are said to reflect the work of three separate craftsmen from the 11th and 12th centuries.
?Several structures of the church are worth mentioning and make San Zeno unique for her time period.? The main plan of the church was modeled aft...
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...zes with beauty the Italian fervor for highly developed, highly detailed art and craftsmanship.?
?Today, the church of San Zeno attracts tourists from all areas.? However, it seems that this particular basilica is greatly overlooked by the broad interest in Roman architecture and culture.? Though Rome certainly contains the richest heritage of the Catholic faith, San Zeno Maggiore should be considered an important site for both Romanesque architecture and religious history.?
[1] Smith, G. E. Kiddler.? Looking at Architecture, p. 48.
[2] Porter, Darwin & Prince, Danforth (2000).? Frommer?s 2000 Italy.? MacMillan: USA.
[3] Italy: Eyewitness Travel Guides.? DK Publishing.
[4] Leyerle, John (1997).? The Rose-Wheel Design and Dante?s Paradiso.? UTQ, 156
[5]Kain, Evelyn (1981).? The Marble Reliefs on the Faûze of S. Zeno, Verona.? The Art Bulletin,63.
...ligious life of the town of San Miguel and construction of its main temple which from 1872 he was raised to parish. But like everyone, this temple of the Holy Trinity underwent several transformations, for example: in the first decades of the 19th century was built the current altar; and from 1881 to 1897 he received major improvements, like the composure of the entire building, the purchase of pictures, furniture and several sacred ornaments as well as the construction of the chapels of the Tabernacle and Nuestra Señora de la Soledad and the arches of the entrance to the former chapel of the Entombment of Christ and the old sacristy; the most recent improvement was made in the last years of the 20th century, and which involved the National Institute of anthropology and history, the Government of the State and the father Carlos Cabrero, responsible for the parish.
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The Art Bulletin, Vol. 57, No. 2 (Jun., 1975), pp. 176-185. (College Art Association), accessed November 17, 2010. http://www.jstor.org/stable/3049368.
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Plate 101. N.d. A History Of Lindale. Rome: Art Department of Rome, 1997. XXXVIII. Print.
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St Peter’s basilica which is built based on rational form of architecture is a Late Renaissance church located within Vatican City, designed by Donato Bramante. Its significant history is that according to the Catholic tradition this was the place that Saint Peter was buried. Not so far away...
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Conlin, Diane Atnally. The artists of the Ara Pacis: the process of Hellenization in Roman relief sculpture. Chapel Hill: University of North Carolina Press, 1997. (P. 4)
Larmann, R., & Shields, M. (2011). Art of Renaissance and Baroque Europe (1400–1750). Gateways to Art (pp. 376-97). New York: W.W. Norton.