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bartleby the scrivener by melville essay
bartleby the scrivener by melville essay
bartleby the scrivener by melville essay
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All literary works are written from a specific standpoint. This standpoint originates from the mind of the author. The author, when creating his literary work, has a specific diagram/plan and vision of what the story is supposed to convey. However, not all readers will interpret the literary work in the way that the author him/herself has presented it. Many times, in fact, the audience will perceive the literary work as having an entirely different meaning than what it was meant to have.
The short story, Bartelby the Scrivener by Herman Melville, has been reviewed by several different critics as having several different standpoints. These standpoints include Bartelby as a Psychological Double to the Narrator, an apostle of reason, having biblical ties, and as being Melville himself. A personal standpoint that proves to be different than those that have come before it is to perceive the story, Bartelby the Scrivener, as a story of family. Of all of these views and interpretations of the story Bartelby the Scrivener, none can be perceived as correct, except by the author. Furthermore, none can be seen as incorrect because literary works, unlike visual works of art, leave us the option to imagine. In fact, our interpretation of another critic’s thesis is merely a product of our views on their standpoints. I say that only to justify that we are able to formulate our own opinions and form our own thesis just by reading the words on the page.
Bartelby as a Psychological Double
The critic of this standpoint is Mordecai Marcus. He feels that Bartelby is a paralleled character or a “psychological double” of the narrator. In his criticism of Bartelby the Scrivener, he writes:
“I believe that the character of Bartelby is a psychological
double for the story’s nameless lawyer-narrator, and that
the story’s criticism of a sterile and impersonal society
can best be clarified by investigation of this role.” -
“Bartelby appears to be the lawyer chiefly to remind him
of the inadequacies, the sterile routine, of his world.”
(College English, pg. 68)
Marcus is trying to say that Bartelby and the narrator have a sort of inter-connection. Not as two separate entities, but as two separate personalities residing in one, viewing life from separate standpoints. ...
... middle of paper ...
...s audience, I cannot limit myself to just these theories. Countless other theories can be formed on the actual theme of the story. I truly believe that Melville had those intentions, not only for this story, but also for all the stories that he has written. Literary works are meant to be examined and interpreted by the individual reading it. Authors produce the material. All we are required to do is produce the imagination and personal understanding of what has been presented before us.
Bibliography
1.) College English, Vol. 23, No.5, February, 1962, pp.365‐68
2.) Indian Journal of American Studies, Vol.4, Nos. 1-2, June and December, 1974. Pp.66-71.
3.) Meyer, Michael The Bedford Introduction to Literature, Library of Congress Catalog
Number: 98-85194, copyright 1999 by Bedford/St. Martin.
3.) Reference Guide to Short Fiction, 1st ed., edited by Noelle Watson, St. James Press,
1994
4.) Short Stories for Students, Gale Research, 1997
Key: (as cited in the paper)
(IJ of AS) – Indian Journal of American Studies
(BI to L) – The Bedford Introduction to Literature
(RG to SF) – Reference Guide to Short Fiction
(SS for S) – Short Stories for Students
In the beginning of each story, characters are both shown as “ideal” characters in that their characteristics give the characters their first perceived amiableness. In “Bartleby the Scrivener” Melville uses distinguishing characteristics to solely represent Bartleby from the others in the story. He enters the story first, as a response to an advertisement for a position as a scrivener in a law office. Melville states, “A motionless, young man one morning stood upon my office threshold, the door being open for it was summer. I can see that figure now – pallidly neat, pitiably respectable, incurably forlorn!” (Meyer 149). Here he makes it known that just by seeing Bartleby’s presence when he first enters the law office; he is exactly what the unnamed lawyer was inquiring about. He was by far unlike other characters in the story. He had no vices or hang ups, the first presence and his stature, he came their wiling and ready to ...
"Unit 2: Reading & Writing About Short Fiction." ENGL200: Composition and Literature. New York: McGraw-Hill, 2011. 49-219. Web. 19 Apr. 2014.
In the spring of 1778 Washington appointed Arnold the commander of the city of Philadelphia. While in this post Arnold met Peggy Shippen, who was the daughter of a loyalist sympathizer. Peggy and Arnold married on April 8,1779. This marriage greatly improved his social status, however, he did not have the money to finance the lifestyle to go along with it. He lived beyond his means and the Continental Congress brought charges against him that resulted in a court martial in May of 1779. This action further frustrated and angered the already bitter
In conclusion, it was evident that this great work of literature provides many allusions that provide reference to more familiar work and help us understand a clearer understanding to the meaning of the work. Even though the allusions do not all pertain to the entire meaning of the work, but they do illuminate a broader perspective of the characters, setting, and tone. Yet, there were a lot of allusions that did illuminate the entire meaning of the novella, and even though the true meaning remains ambiguous they still reflected what most readers consider the meaning. The meaning of Herman Melville’s well known masterpiece is that one who had suffered was not really the one suffering, but the one who caused the suffer is really the one who is suffering.
Bartleby demonstrates behaviours indicative of depression, the symptoms he has in accordance with the DSM-IV are a loss of interest in activities accompanied by a change in appetite, sleep, and feelings of guilt (Diagnostic and Statistical Manual of Mental Disorders, 4th edition, 320). Very shortly after Bartleby begins his work as a Scrivener he is described by the narrator as having done “nothing but stand at his window in his dead-wall revery”. (Melville, 126) In contrast, Bartleby had previously been described as a very hard worker and this process of doing increasingly less shows how his a diminishing sense of interest both in his work but also of the perception others have of him. It is also noted that included in this lack of interest is a social withdrawal (DSM—IV, 321) which corresponds well to Bartleby in that his workspace becomes known as his “hermitage”. During small talk which included Bartleby he says that he “would prefer to be left alone”. (Melville, 120) Bartleby only emerges from his hermitage when called upon and quickly returns when faced with confrontation.
In conclusion, this essay analyzes the similarities and differences of the two stories written by Herman Melville, Billy Budd and Bartleby. The settings, characters, and endings in the two stories reveal very interesting comparisons and contrasts. The comparison and contrast also includes the interpretation of the symbolism that Melville used in his two stories. The characters, Billy and Bartleby, could even be considered autobiographical representatives of Herman Melville.
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Before exploring Ishmael, Ahab, and Moby Dick and their Biblical counterparts, it is important to understand Melville's background. He grew up as a baptized Calvinist in the Dutch Reformed Church. His parents trained him to obey God at all times, even if God’s commands seem unjust and cruel. However, he quickly turned against his faith after his father died. During his travels, he witnessed diseases, catastrophes, and hatred throughou...
The ocean not only engulfs two‑thirds of the earth but two‑thirds of Moby Dick; a literary space penned by Herman Melville which sweeps the reader in its ever‑elusive eddies of symbolic complexity. The symbolism in the novel ceaselessly ebbs and flows like the sea, submerging the reader into Melville’s imaginative sea voyage. This paper will examine the watery depths as a recognizable setting from the corporeal universe, further observing how Melville juxtaposes this element in such a peculiar way, that the reader has no choice but to abandon, “reason, tradition, belief, and rely solely on thought to interpret these images,” which accordingly creates an “opportunity for open imagination” (Glover, 2003:42) (Bachelard,1983: 22). From beginning
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Halwani also states that most cases of casual sex will meet all of these conditions, but how is this possible. I believe that it is almost always impossible to meet all five of Halwani’s conditions. It is easy to not be a pedophile (#1) or to not always be trying to have another one night stand (#2), but the rest are a little trickier than that. Condition #3 is the hardest to navigate with the other four conditions, specifically with objectifying one’s
Sometimes when we read a story it doesn’t end in the way that we like or expect it to. Because of this we are left with the oh so common “cliffhanger” wonder what happened to a character or how the story goes on. This can be very frustrating but is probably the best way for an author to leave things. Sometimes, even though we don’t know what is happening, it is the best thing for the story. The not knowing what happened conclusion leaves the reader to think about what they believe happened and also if there is a sequel it ensures the reader will buy the next part of the tale. A great example, of how leaving the story with no conclusion, is shown in Herman Melville’s “Bartleby” making it even more clear that a story without a conclusion is
“Bartleby. The Scrivener: A Story of Wall-Street,” written by great American writer Herman Melville, entailed the story of a man who eventually lost the interest do things as simple as living. This short story by Melville carries a theme of isolation, physically and mentally, and what Herman Melville experienced in his life was mental isolation. The idea of Bartleby in this story is the reflection of Melville, a man who was lonely on the inside just as Bartleby was.
Abstract: There are many Analyst who would agree that the novel Moby-Dick by Herman Melville, the whale is just half of what the novel is really talking about. They would also agree that Melville employs some sort of spiritual read by simply by providing scriptures and rephrasing verses from the Bible into the text. But what is it really about? What made Melville come up with this idea style of writing Moby-Dick? Other analyst who also asked themselves this questions, probably looked deeper into the novel doing tons of research figured out a possible solution. The solution that Melville was influenced by Shakespeare novel ‘Hamlet’ this has been established because of the allusions Melville makes to Hamlet are countless. Moby-Dick may be a contemporary version of Hamlet. This paper will illustrate how the characters of Moby-Dick counterparts with the characters in Hamlet, expanding the reason why the character in one works with the other.