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A few good men movie analysis
A few good men movie analysis
A few good men movie analysis
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The cinema industry attracts large numbers of people everyday. It is the magnet of any town. It sometimes attracts even those who do not wish to see a film. A Hollywood film producer, Michael Bay, rarely disappoints those who watch his films. His films typically show intense slow motion shots that form a general circle around characters, nonstop action packed scenes where the camera is constantly moving, and a slow motion shot which often features one object crashing into, or tumbling towards the camera is a good indication that it is a Michael Bay film. Michael Bay was born and raised in California. Michael Bay quickly emerged as one of Hollywood’s boldest and most bankable feature film directors. The films that Bay has directed and produced …show more content…
Michael Bay started his career directing music videos and advertisements for several film industries in the 80’s. It was in the 90’s when he had his first big debut directing the film, Bad Boys. The film Bad Boys has two completely different parties in this film, the bad boys and the bad guys. The Bad Boys are Miami Narcotics Detectives Mike Lowrey (Will Smith) and Marcus Burnett (Martin Lawrence). Their incentive is to protect a beautiful mistress (Tia Leoni) from the bad guys as they take down a Colombian drug lord at the same time. This is a great film which strikes the right balance of action and comedy, mixed in with how the director conducts his story structure, camera placements, and how he edits his films. As you would expect from a film with Smith and Lawrence, there are many funny scenes in Bad Boys. However, Bad Boys is essentially an action film, Smith and Lawrence take care of the comedy of it as well. As a director, Michael Bay, gets most of the credit for the success of the action scenes. Bad Boys would not have been as exciting without two …show more content…
It grabs your attention and draws you into the movie and leaves the audience wanting more. From acclaimed director Michael Bay comes “Pain and Gain,” a new action comedy starring Mark Wahlberg, Dwayne Johnson and Anthony Mackie. Based on the unbelievable true story of a group of personal trainers in 1990s Miami who, in pursuit of the American Dream, get caught up in a criminal enterprise that goes horribly wrong. Many times, throughout the film close up shots happen when it is a more dramatic scene and typically are shot in slow motion. According to The New York Times, the opening scene, a police chase from which the rest of the story flashes back, sets a tone of hectic excess (2013). Mark Wahlberg, running from the heavily armed forces of law and order, dashes across rooftops and in and out of traffic, sometimes in slow motion, through streets and alleys. The camera swirls around him, freezing as a glob of saliva pops out of his mouth, dropping down to allow us a peek up his nostrils and then tilting and sliding to register the impact of his face on the windshield of a car. This allows the audience to see how the movie ends and makes you want to know how it got to that point. As Wahlberg makes his way out of the building and across the street he is then hit by the police car and the camera goes into slow motion and zooms in to his face as it slams into the windshield of the car. There are
Novelist, Christina Hoff Sommers, in her narrative essay, “The War Against Boys”, the essay explains of how boys are a year and a half behind girls in education. Sommers purpose is to convey the idea that girls are not treated as boys are when it comes to the classroom. She creates a dramatic tone in order to convey to her readers that boys and girls have a different mindset. She also arguers about how some of the blame is towards Carol Gilligan as well as organizations such as the National Organization for Women for creating a situation in which Obstacles on the path to gender justice for girls and boys are resented, both as the unfairly privileged sex.
In the book, Bad Boy, By Walter dean Myers, Walter tells us in the first chapter, about his “roots”. On page 3, Walter tells us about his birth mom, Mary Dolly Green. He tells us that he has really no memory of her. The reason for that is because when he was little, His mom died during child labor and left his dad with 7 kids, 2 from the previous marriage. Walter also states on page 6 that as he got a little older that his dads previous wife, Florence Dean, had come back to get her two daughters, Geraldine and viola, and that they decided to get the youngest son too, which was Walter. He also states His adoptive mom’s history, relative, and his dads also.
The motion picture A Few Good Men challenges the question of why Marines obey their superiors’ orders without hesitation. The film illustrates a story about two Marines, Lance Corporal Harold W. Dawson and Private First Class Louden Downey charged for the murder of Private First Class William T. Santiago. Lieutenant Daniel Kaffee, who is known to be lackadaisical and originally considers offering a plea bargain in order to curtail Dawson’s and Downey’s sentence, finds himself fighting for the freedom of the Marines; their argument: they simply followed the orders given for a “Code Red”. The question of why people follow any order given has attracted much speculation from the world of psychology. Stanley Milgram, a Yale psychologist, conducted an experiment in which randomly selected students were asked to deliver “shocks” to an unknown subject when he or she answered a question wrong. In his article, “The Perils of Obedience”, Milgram concludes anyone will follow an order with the proviso that it is given by an authoritative figure. Two more psychologists that have been attracted to the question of obedience are Herbert C. Kelman, a professor at Harvard University, and V. Lee Hamilton, a professor at the University of Maryland. In their piece, Kelman and Hamilton discuss the possibilities of why the soldiers of Charlie Company slaughtered innocent old men, women, and children. The Marines from the film obeyed the ordered “Code Red” because of how they were trained, the circumstances that were presented in Guantanamo Bay, and they were simply performing their job.
The Public Enemy (1931), directed by William A. Wellman, was received by the American public as one of the greatest gangster films of all time. The story revolves around the Powers family and how Tom Powers and Matt Doyle’s lives are torn apart because of the mob during the 1920s. Bootlegging, gang related violence, sexual relations, and sex appeal are just some of the things average Americans witnessed or played a role in during the 1920s. Tom Powers and his partner in crime Matt Doyle live carefree and fulfilled lives as children until they get caught up in the gangster lifestyle.
This creates a distorting view keeping Brody’s face in the same position but stretching and distorting the view behind him. This shot disorients the audience for a second indicating Brody’s own disoriented emotions when seeing the attack. This shot takes the air out of the situation and throws Brody right into action. Chief Brody’s fear of another shark attack has become reality. The scene then breaks out into complete chaos. A wide-angle lens is used and it shows how helpless Brody is to the situation as he and the rest of the crowd are forced to watch the boy be ripped apart. The scene ends with Alex’s raft washing up on the shore to lower the tension for the next scene.
Sandler's Happy Madison production outlet ticks over nicely on the back of his own hits; less so when he exec-produces -- as if sadistically -- for his friend Rob Schneider (The Hot Chick, 2002, etc). After a mildly awkward patch at the start of the decade (including Little Nicky, 2000, and Mr Deeds, 2002), Sandler re-established himself in the nine-figure-grossing league with Anger Management (2003) and 50 First Dates (2004); and the director of those two pictures, Peter Segal, is also at the helm for Sandler's remake of Robert Aldrich's The Longest Yard. Alas, this is Sandler's most formulaic outing to date, the most by-rote script he has yet committed to.
In the film “ A Few Good Men” the rule of law and fundamental justice were not followed by Lance Cpl. Harold and Pfc. Louden Downey. The rule of law was disobeyed as soon as Cpl. Lance and Pfc. Louden acted above the law. They committed a criminal offence and disregarded Pvt. Santiago's rights. Although, the orders were given by superior officer, Col. Nathan Joseph, the fact of the matter still remains the same, a crime was committed . Pvt. Santiago’s rights were not taken into consideration, which inevitably lead to his death. Although Cpl. Lance and Pfc. Louden clearly disregarded the rules of law and acted above the law, procedural justice was still exercised. Both Cpl. Lance and Pfc. Louden were given rights to a fair trial and the
Societies standards are what everyone wants to fit into it is the norms that are used as a guide to living life. The grandmother and the misfit in O’Connor’s “A Good Man is Hard to Find” follow the way of social values, thoughts, and way society sees one another closely in 1953. Both the grandmother and the misfit are different in many ways, but have one common value of society’s views are important to them. The way society views and judges people causes both the misfit and the grandmother to act differently but subtly makes them more alike than either of them could tell. The shared value of society’s point of view on a human being can explain both characters views, behaviors, and actions because of how heavily it weighed on the grandma and
Menace II Society, a film about a young Black man who has lived the “hustler” lifestyle and is struggling to leave it, is a perfect example of deviance as the main character, Caine Lawson, and the characters around him violate many of society’s norms. Throughout the film, the characters swear incessantly, carry around guns and drugs as most people would carry around cell phones, commit street crimes, especially burglary and mugging, on a regular basis, and beat and kill people unscrupulously. The following quote captures just how deviant Caine and the other characters in this film were, “[Caine] went into the store just to get a beer. Came out an accessory to murder and armed robbery. It's funny like that in the hood sometimes. You never knew what was gonna happen, or when” (Albert Hughes). Why would Caine consider these crimes “funny”, or rather, so insignificant? What caused Caine to become so deviant? The answers to such questions were woven into the plot of the film and will be discussed in the following paragraphs.
Though, the viewers remain an outsider at this point. Immediately, the camera pans to the centre of a cameraman on a camera boom. We watch as he excitedly zooms in on the woman lying down below, represented as a sexualized object for his pleasure, with strong emphasis on the male gaze. Though Bad and the Beautiful is a film within a film, it is character-driven rather than plot-driven in that it focuses more on the actor's personas. Therefore, there is less use of wide-screen shots as the audience is invited to intrude on the private lives of Jonathan, Fred, Georgia, and James.
In Hollywood today, most films can be categorized according to the genre system. There are action films, horror flicks, Westerns, comedies and the likes. On a broader scope, films are often separated into two categories: Hollywood films, and independent or foreign ‘art house’ films. Yet, this outlook, albeit superficial, was how many viewed films. Celebrity-packed blockbusters filled with action and drama, with the use of seamless top-of-the-line digital editing and special effects were considered ‘Hollywood films’. Films where unconventional themes like existentialism or paranoia, often with excessive violence or sex or a combination of both, with obvious attempts to displace its audiences from the film were often attributed with the generic label of ‘foreign’ or ‘art house’ cinema.
In this fashion, Park wanted to present the futility of revenge, as all of the aforementioned succeed in their purpose but gain nothing from it. Quite the contrary, actually. Violence is present almost everywhere in the film, but Park refrained from portraying in the graphic way of his next film, thus resulting in the most accessible entry of the trilogy, although there are still some gruesome scenes. The rest of his characteristics, though, are present, including the black and grotesque sense of humor, the irony, the artful use of silence, and the fact that the things that are implied are as many as the ones depicted on
William Golding’s Lord of the Flies is an author’s painting of the evil that resides in all of the human race. The tropical island setting presents an environment free from civil order introducing a battle ground for the war of good and evil. Showing different side of human nature one can ponder the question “What would I do?” Golding explains the good, bad and balance of human nature, revealing that in times of despair man can easily regress to a primitive state, leaving the strong willed to promote civil order, but often be extremely out numbered.
And isn’t that the reason that he becomes the protagonist. This scene insinuated the situation in real life. There are a number of men who live ineffectively every day and only a few people are willing to break their comfort zone and try something unknown. Think back to our circle of friends, you may find that we all need a few existence of these people, we need their tenacious vitality. In my opinion, bad is also a reflection of some kind of vitality, it does not always mean that they are crazy or out of control, or give up the original social rules or even deviate from human nature.
Good versus evil is an eternal struggle, conflict, war, or a unification. Good exists while evil does as well, this is because without evil, there can be no such thing as good, and without good, there can also be no evil. The question exists that if there is an all-good & powerful God who is omniscient; omnipotent; omni-benevolent; then how can evil exist within such absolute terms?