Atonement by Ian McEwan

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Manipulation is a strong tool allowing individuals with a minor role to subtlety, yet critically affect the course of a storyline. In the novel Atonement by Ian McEwan, the story is divided into three parts. In the first third of the book, a thirteen year-old girl named Briony Tallis writes a play for her older brother Leon: the Trials of Arabella. She wishes to use a fairy tale in order to persuade her brother to attain a stable relationship. The play, interpreted by her cousins, must be cancelled under unexpected circumstances due to her younger cousins’ refusal to collaborate as well as the fountain scene she witnesses. From witnessing her sister humiliate herself in front of what seems to be an imperative Robbie, Briony’s conception of the world and of Robbie takes a turn. The letter written by Robbie that lands in Briony’s hands, along with the intimate scene between her sister and Robbie she misunderstands as an assault, only reinforces her view of Robbie as an imperative sex-manic, leading her to accuse the innocent man for raping her fifteen year-old cousin, Lola Quincey. Though this latter may seem to occupy a small role in the novel, her indirect actions reflected through Briony greatly impact the plot of the novel. Lola Quincey obtains what she desires through manipulation and pity. Indeed, as she gains Briony’s trust, Lola also changes Robbie’s future as she remains silent and gives Briony the freedom to falsely accuse the man. (gain in power)
Lola purposely display her emotional side to Briony for the young girl to feel compassion and pity for her cousin. Yet, she retrieves better: Briony reveals the content of the secret letter dedicated to Cecelia, her older sister. As Lola describes how her “brothers” afflicted th...

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...ll, but Lola will certainly outlive me” (338). At Marshall’s death, she will acquire the legal right to reveal the truth. However, as Lola will probably remain alive longer than her, it is very unlikely that Lola will permit her such freedom. From the first part of the novel, Lola’s competitive nature is demonstrated. When she finally acquires the role of Arabella, which she knows was meant to be played by Briony, “she spoke her lines correctly but casually, and sometimes smiled inappropriately at some private thought, determined to demonstrate that her nearly adult mind was elsewhere” (16). Lola’s carefree attitude illustrates her desire to acquire every victory, though the object of victory barely matters to her. In this case, if Briony were to attack her deceased husband, with the power she has gained from Marshall’s company, she will surely not forgive Briony.

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