Women in ancient Greek times did not have equal or political rights. Athena and Antigone, who were both very heroic women went above and beyond the stereotypical woman. In society today, women are still not looked as an equivalent to men. Athena and Antigone share the Greek heroic traits of honor, perseverance, and of living in a higher class. In Sophocles’ Greek tragedy, Antigone, and Homer’s epic, The Odyssey, the female characters, Antigone and Athena are not solely traditional female characters, instead, they embody the heroic characteristics, honor, perseverance, and high social standing.
Most Greek females did not care about honor because only men were looked at as honorable, but Athena, and Antigone fought for their honor. Athena verbally
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Athena is the daughter of Zeus, who is the king of all gods. Says Athena, ‘But come now, let me make you so that no mortal can recognize you. For I will wither the handsome flesh that is on your flexible limbs, and ruin the brown hair on your head, and about you put on such a clout of cloth any man will loathe when he sees you wearing it; I will dim those eyes, that have been so handsome, so you will be unprepossessing to all the suitors and your wife and child, those whom you left behind in your palace.’ (13.396-403). In the quote Athena is using her royal sense of fashion to transform Odysseus’s image from a warrior to an old beggar. Athena is of royalty, by being the daughter of the king of the Greek deity royalty. Antigone is the daughter of Oedipus the King of Thebes. “ Who knows if this world's crimes are virtues there?,” (515-523) in the quote Antigone uses her royal wisdom to question whether or not the virtues of the world would be present in the crime committed. Antigone is the daughter of a king of the Theban royalty, therefore making her royalty. Typically in Greek society a hero was usually a man that was of royalty. Athena and Antigone are females, not males, and they display heroic traits that are reserved for men. Most females of royalty are stereotypically looked at as nowhere close to heroes, but Athena and Antigone proved that females can obtain …show more content…
Athena and Antigone valu honor to a great extent. Throughout the Greek tragedy, Antigone, Antigone, the female protagonist displayed a great lust for fighting for her own honor; She fights to be able to bury her brother. In Homer’s epic The Odyssey, Athena shows her hunger to maintain honor by fighting the gods to be able to continue to provide aid for Odysseus. Throughout each ancient Greek work, Athena and Antigone show strong perseverance despite great suffering. Antigone persevered and buried her brother, after being told not to, even though she knew that doing so would result in great punishment. Athena persevered and continued to provide aid to Odysseus, even though she was told not to by the gods. Both females were born into a higher class, and were stereotypically expected to not do anything with their lives, except be a rich female, But both females live up to the Greek hero archetype and prove that a royal female can become something great. Throughout history, with the exception of a couple civilizations, women are looked at as a lower class. There have been numerous women that have shown that women can be of equal, or more importance than
Judged by modern Western standards, the treatment of women by men in Homer's Odyssey can be characterized as sexist. Women in Homer's Odyssey are judged mainly by their looks. If important men and gods consider a woman beautiful, or if her son or husband is a hero or has an important position such as king, the woman is successful. The way women in The Odyssey are treated is based on appearance, the things men want from them, and whether the woman has any power over men. During Odysseus' journey to the underworld he sees many different types of women. We hear about their beauty, their important sons, or their affairs with gods. We hear nothing about these women's accomplishments in their lifetime. Odysseus tells how Antiope could "boast a god for a lover,"(193) as could Tyro and many other women. Epikaste was called "that prize"(195) her own son unwittingly married.
The Role of Women in Greek Mythology In learning about the feminist movement, we studied the three articles, discussed and reviewed the different authors perspectives on the topic, and learned how important the role of woman in Greek mythology is. In presenting the feminist theory to the class, we analyzed the three articles, Women in Ancient Greece; Women in Antiquity: New Assessments; and Women in Greek Myth, and discussed how although the three articles provided different views on Feminism in mythology, they all essentially are aiming to teach the same basic concept. In order to understand the feminist theory, we have to understand the notion that although myths are invented and that they involve fantasy, the concept of mythology does not necessarily imply that there is no truth of history in them. Some of the humans may have lived while some of the events may have taken place. Most importantly, the social customs and the way of life depicted in the myths are a valuable representation of Greek society.
Antigone is a powerful character, strong-willed, determined and at times self-righteous. She is contrasted by her sister Ismene, who is weak and powerless. Though Antigone is a powerful character, she has no real political power and is dominated by one man, Creon. Creon is both the ruler of the state as well as the patriarch of her family. Antigone was raised by Creon’s house after her own father went in to exile. Antigone is betrothed to Creon’s son, Haemon, further cementing Creon’s power over her. There is one aspect of life that Antigone does have legitimate power in and that is her family, especially her blood line. In ancient-Greek culture the women’s place was in the home, she was responsible for household things and often wasn’t even allowed to leave the house. It is because of this responsibility that Antigone needed to bury her brother Polynices even though it went against the decree of Creon. Antigone also had the gods on her side. It was an unwritten rule of ancient Greek society that the dead must be buried, otherwise bad things may happen. This rule, because it was unwritten and therefore innate, was protected by the gods, specifically Hades, the god of the underworld and family.
Yet, despite the fact that no two women in this epic are alike, each—through her vices or virtues—helps to delineate the role of the ideal woman. Below, we will show the importance of Circe, Calypso, Nausicaa, Clytaemestra, and Penelope in terms of the movement of the narrative and in defining social roles for the Ancient Greeks. Before we delve into the traits of individual characters, it is important to understand certain assumptions about women that prevailed in the Homeric Age. By modern standards, the Ancient Greeks would be considered a rabidly misogynistic culture. Indeed, the notoriously sour Boetian playwright Hesiod-- who wrote about fifty years before Homer-- proclaimed "Zeus who thunders on high made women to be evil to mortal men, with a nature to do evil (Theogony 600).
Homer's great epic, "The Odyssey" was written several thousands of years ago, a time in human history when men played the dominant role in society. The entire structure of civilization was organized and controlled by men; It was an accepted fact that women held an inferior position in society. Society was constructed as if women were around only to serve the men. The involvement of women in any circumstance was almost completely dominated by what the men allowed. The women were valued in society, only they were not given important roles or any decision making power. It is as if they held no power in the ancient Greek society. This is why Homer's Odyssey is very unique, Homer put women into roles that were previously unheard of for women to possess. Unlike in The Iliad, where women served merely as an object to men; female characters of Odyssey are distinctive because they possess personality, and have intricate relationships with the male characters of the Odyssey. By characterizing the women in "The Odyssey", a reader may come to some conclusions about the role of women in this epic. Along with the belief that women played a secondary role to men in society, the female characters displayed certain traits that could not be exhibited by the men. Athena demonstrated the most intelligence and valor out of all the characters in "The Odyssey." The male characters play the most significant roles in this epic, but without the support of the females in "The Odyssey", Odysseus would not have made it through his journey.
One of the conflicts in Antigone, is the struggle between men and women. Ismene tells Antigone that since birth, women “were not born to contend with men,” (75) displaying women’s obedience and passivity. In the same passage, Ismene says: “we’re underlings, ruled by stronger hands,” (76) a representation of men’s aggressive and “stronger hands” that dominate women and treats them as second-class citizens. The only woman in Thebes who desires to break free from these chains is Antigone, who stands up against Ismene’s passivity urging her to “submit to this,” (77) and defy Creon by burying Polynices. By breaking Creon’s edict, Antigone challenges the traditional gender roles women and men play. In what ways does the theme of gender in Antigone, demonstrate the passion and choices behind Antigone and Ismene’s decisions?
Antigone was a selfless person with pride as a strong characteristic of her personality. She possibly had feelings of loneliness and anger from the way society has looked upon her family from their past. It took a strong willed person who has no fear of the repercussions to stand up to a king as she did. To make everything all the worst she stood up to a king who was her Uncle and she being a female back in those time, standing up and speaking out for herself was not heard of.
In ancient Greece, men who died in war fulfilled the civic ideal to the utmost. The women, destined to live out a degrading life, died in bed. Certainly, not all men died in battle, but every epitaph shows in one way or another, the city would always remember the men who died in war. Additionally, not all Athenian women died in bed; nonetheless, it was left to her family to preserve the memory of her not the city. No matter how perfect a woman was she would never receive the same status or level of social expectations from the city that a man received. No accomplishments were allowed beyond living a life of motherhood and submissiveness to a man, namely her husband. In fact, in early Greece, women were typically viewed as subservient to men, submissive in their actions, and of a status only slightly above slaves; however, Antigone was not your typical Greek woman.
She places in people the desire to have sexual relations and causes fear in men of the power of seduction by women. Her marriage to her husband was ignored as she had affairs with immortal and mortal men. Her infidelity in her marriage places her on the side with Greek men, rather than Greek women because only Greek men were able to cheat on their wives; not the other way around. In conclusion, the three important rules discussed in this paper that Greek women were required to obey, can be seen in the myths of the goddesses Hera, Athena, and Aphrodite. Whether or not the Greek goddesses obeyed or did not obey these rules, their importance to the Greek culture is ever strong.
Athena is the daughter of Zeus, the king of the Greek gods. She is one of the 12 Olympians that live on top of Mount Olympus. Athena is the goddess of wisdom, strategy, skill, and justice, and the owl is her sacred bird. In Mandelbaum verse translation of the epic poem the Odyssey of Homer, Athena helped Odysseus by providing guidance, physical, and internal help. Without this help, Odysseus would have to forge the path home by himself and face the challenges that are to come alone. He would be left to face the wrath of both Zeus and Poseidon without another major god’s help. Athena aided Odysseus in the trials he was to face, which gave him the guidance and help he needed to return to his home, Ithaca.
Henry Thoreau believed that a law was wrong. This law was to pay taxes for voting. Antigone also believed a law was wrong. Except, her law was personal and directed toward her family.
In books, or epics, she was named the Iliad’s goddess of fight, the warrior-defender, and the protector of civilized life and artisan activities. A majority of Greek mythology refers to and is about Athena, who is one of the most known and influential goddesses. Athena was the goddess of wisdom when women were seen as “deformed men,” which would make the aura of her being and domain a progressive thought. She is, as seen from a modern light, the ancient Greek embodiment of feminism. She was always there for Odysseus, helped Perseus, and was the provider of basic knowledge for all
Nora and Antigone were both very headstrong women. During the time periods of both plays, women were expected to be subservient and share the same opinions as their husbands. The two lead women in the plays show their obstinacy and ability to take care of themselves in many instances. One example in Antigone’s story is when she says (to her “stereotypical woman” sister) of her plan to bury Polynices, “He is my brother and—deny it as you will—your brother too. No one will ever convict me as a traitor, (Sophocles 18). She then goes on to...
In the play Antigone, by Sophocles, it is greatly apparent just within the first few exchanges between Ismene and Antigone that there are various social issues surrounding the women in ancient Greece. The play raises many gender and socially related issues especially when looking at the contextual background of the playwright and the representation of the women within the play. When the characters of the first scene begin their analog, it is important to note what they are actually saying about each other and what their knowledge of their own social status is. The audience is first introduced to Antigone who we later learn is the antagonist of the play as she rebels against the protagonist, Creon. Her sister, Ismene, is the second character the audience is introduced to, hears of Antigone's plan to bury their brother's body in the first scene. Ismene’s actions and words give the reader the hint that her sister’s behavior is not usual, "so fiery" and "so desperate" are the words used to describe Antigone's frame of mind. At this very early point in the play the reader discovers that Antigone is determined to carry out her mission to bury her beloved brother. However, she is in no position that gives her the rights as a woman, sister, or even future queen to make her own decisions and rebel. Instead, her decision to bury her brother demonstrates her loyalty to her family, the gods, and to all women. Her motivation for those decisions will end up driving her far more than that of what the laws set by Creon have implemented. She shows no fear over disobeying the king and later says about the punishment of death "I will lie with the one I love and loved by him"(Sophocles, 2). Throughout the play the reader can see the viewpoint of an obedient woman, a rebellious woman, and the social norms required for both of them.
Although ancient Greece was a male-dominate society, Sophocles' work Antigone, portrays women as being strong and capable of making wise decisions. In this famous tragedy, Sophocles uses the characters Ismene and Antigone to show the different characteristics and roles that woman are typical of interpreting. Traditionally women are characterized as weak and subordinate and Ismene is portrayed in this way. Through the character of Antigone, women finally get to present realistic viewpoints about their character.