Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
How does literature help us understand history
Quiz renaissance art
Art and architecture in the Renaissance
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: How does literature help us understand history
Introduction Any discussion of the role of texts and art works in changing the status of art and artists, wherever the location, has no option but to place art in an historical, sociopolitical and cultural context. Art cannot be taken as an entity in and of itself, or be placed outside of the above frameworks. The scope of this discussion cannot feasibly include a thorough history of European art from the decline of the Roman Empire to the rise of the artist in Renaissance Italy and beyond the Alps. It will, however, attempt to condense certain points which will allow some historical context to lead it into an understanding of the roles of texts and works of art in changing the status of art and the artist. Many questions arise, not least the notion of some form of cultural caesura, the long period of the Mediaeval which effectively culminated in the decimating spread of pandemic plagues throughout Europe in the 14th Century, when looking at texts and works of art from across the ages in Western Europe up to the institution of the Renaissance in Italy and beyond to Transalpine Europe between the 14th and 17th centuries. This discussion will limit itself to certain artists and historiographers of Italy and Germany due principally to the limits of the word count for this discussion. It must also be noted at the outset that texts, while essential in promoting the artist (both in terms of auto and biography) were both inaccessible and unreadable by the overwhelming majority of humanity during this Humanist period in terms of the history of art even after the invention of the printing press (outside of what is now China) by the German polymath Johannes Gutenberg in the 1440`s. Indeed it must also be conjectured as to the distribution o...
... middle of paper ...
...angelo and Raphael, under the auspices of papal patronage, were being absorbed as both cultural heritage & Florentine history. Vasari`s desire not only to construct that history but also to place Florence at its centre motivated both the content of his book. While modern art historians concede that it is structured to place Michelangelo & his art at the very zenith of all artistic creation, above even the revered ancients, few have seen past the more insidious aspects of his project. This is true, no doubt, because the structural aspects of Vasari`s book… continue to dominate the way art history is written today.”6 Over 450 years after Vasari, this expresses the notion that text is powerful in the extreme in the elevation of the artist to genius. The effects of Vasari`s text echoes deafeningly in the annals of the history of art, and will doubtless continue to do so.
“Every age projects its own image into its art”. This means that the emotions and politics that Europe experience is then demonstrated through the art style of the time. It is important to study art from the past because art portrays the emotions and events of an era. Art allows people to analyze how the people felt throughout history. Art also shows the development of society, we see the styles of art change with the time periods. In art, we see changes in religious influences, religion became
compositions were complex and demanded several revisions. In the 1880s Pierre-Auguste Renoir sought to move his art beyond Impressionism and to forge a link between modern art and the classical tradition of French painting from the Renaissance period. The result was this large-scale composition of nude bathers, which occupied much of his attention for three years. This work is unique in the history of modern painting for their representation of feminine grace, and they show Renoir’s ability to capture the
Individuality in Korean Art Considering the ancient art of Korea, unfortunately, not much is known. The country of Korea has been constantly shaped and reshaped by existing civilizations, namely, China. Korea's vulnerability geographically, has made Korea constantly throughout history open to many influences- namely China. Despite this overwhelming influx of alien influence from China, Korea's art forms indeed had maintained it's individuality. The Chinese and Korean peoples are very different;
London, 1892. Fernie, Eric. Art History and Its Methods: A critical Anthology, Phaidon. 1995. Berenson, Bernard. “Rudiments of Connoisseurship.” In The Study and Criticism of Italian Art,. London: G. Bell and Sons, LTD., 1931. Throughout the Morelli reading, we are shown that education is the combination of classroom material as well as practical interaction. The basis of the Morelli article was to show the difference between being a connoisseur of art, or someone who takes art in and appreciates it aesthetically
The History of Art Art was the first written language and to study the history of art is to study the history of civilizations and humankind. The Paleolithic cave paintings in France, when viewed in the modern western perspective can only be speculated at as to the intent and/or purpose of the original artisans. Perhaps the paintings of animals were the focal point of a religious ceremony or ritual, surveyed before the hunt, to bring success or perhaps part of a celebration or documentation
During the height of the feminist movement in 1971, feminist art historian Linda Nochlin published an essay titled “Why Have There Been No Great Women Artists?” in the magazine ArtNews. In this brief polemical essay, Nochlin elaborates upon the reasons why there have been no great female equivalents for Michelangelo or Rembrandt and explores the possibilities behind the lack of great female artists throughout the course of history of art. Unlike most feminist intellectuals in her times, she does not
The Map of Art History essay is about how art history uses disciplines in societies to represents itself through order and classification. From many observations and theories it considers three subject: first is the listing of fields in art history, second is the library system is for categorizing art books, and third is the plotting of space and time in art history from survey texts. Also in the discussion the writer talks about the geography of art history such as where does the idea appear from
Artemisia Gentileschi (1593-1653) is one of the few best known female artists in Western history, and rightfully so. She was an extraordinary woman and painter from the 17th C that was known for her Caravaggio-esque style and brilliantly strong female forms. She thrived in the Baroque period with various patrons all around Europe, and yet, she was mostly forgotten after her death. She appears to have been a grandmaster of the period, yet fell short historically. This begs the question of why
woman had so much valued art works to show. Only the male artists were allow to be published as artists, while the women suffered of discrimination. What the women wanted was that the world treat them as equals to men. The woman wanted something different than the men. This world has focused on only the male artists and their work. The women were shrouded in silence. Linda Nochlin who is an art critic asks, "Why have there been no great women artist?” (Nochlin 2) Since women's art were degraded and rejected
Comes First: The Art or the Artist? A Historical Perspective The approach of the year 2000 seems a good time to think about the way the role of art and the artist has changed through history, and how modern art is interpreted by a modern audience. Writing about modern art gives me the creeps. In other types of art, clear facts can be asserted with security, public reactions are clearly documented, skills can be appreciated, and art is clearly recognized as such. Modern art defys all of these
In this paper I will be comparing the expressionist art movement with the cubist art movement. I will discuss some of the artists that made these movements a stepping-stone for the other movement that followed. I will look at Picasso and Kandinsky to name a couple. Expressionism, which began in 1905, was the term used for early 20th century art that conveyed emotional and spiritual preoccupations of the artist, using a variety of styles and subject matter (Arnason 124). These expressionist artists
The construct of the ‘Roman copy’ in art history has deeply rooted and extensive origins. Whilst this prejudiced was attached to Roman sculpture from an extremely early time in modern archaeology and art history, the construct viewed in a current context reveals issues with both its development and contribution to historical understanding and education. The construct is formed upon several main factors that have recently been called into question by revisionist historians. Firstly, the development
Art Appraising Essay Appropriation has been practiced for centuries to create a similar image but with a different meaning. When artworks are appropriated with respect, it is called homage, meaning reverence paid or rendered to an artwork. The famous art work Las Meninas painted by Diego Velázquez in 1656, has been appropriated by several artists. Artists which have paid homage to Diego Velázquez’s artwork are Joel-Peter Witkin and Equipo Crónica. This essay will discuss how Witkin and Crónica appropriated
Progression of the Kouroi What is a kouros? In Greek, kouros means a young man. In art, a kouros is a statue of a young nude male who stands with his hands at his sides and one leg, usually his left, advanced. Throughout the Archaic period, which dates from 610 B.C. to 480 B.C., the basic pose of kouroi (plural for kouros) remained the same, though the anatomy of the figures gradually became more naturalistic or true to life. The ideology that the Greek sculptors wanted to achieve greater
Art is a form of self-expression which allows us to explicate our inner-selves, imagination, and emotions through visual means. Art is crucial to every society because it provides the social, educational, and economic benefits that give the power to communicate, correlate with the rest of the world, understand history and establish cultural identities (5). Despite these critical aspects, art in today’s world is profoundly undermined. Art has proven to be vital to society, and should therefore be