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Art Nouveau came from a major decorative arts movement that began in Western Europe in1892. It was created because of a myriad of reasons. In one way or another it was one of the results of the Industrial Age. It was created because people were tired of the usual reforms and methods. Another reason was because, some of the countries involved were trying to assert independence in their art. Also there was a need to recreate decorative art. Art Nouveau is a form of decorative art, it uses intricate linear design and flowing curves and is based on natural forms. In the applied arts it gives useful things (lamps, chairs, buildings, etc.) a useful though enhanced form. Though Art Nouveau didn't last long only to around the beginning of WWI it had big influence on other things like the cinema, even though it wasn't a direct influence; and people are still creating pieces like the Art Nouveau style today.
Art Nouveau developed in many countries around the world. Starting in England 1892, decorative ornament and furniture underwent many changes between 1815-1889. Belgium was renowned for their furniture and architecture. France embellished new forms with sculpted ornamentation. Spain was also known for their Art Nouveau architecture. Austria, Denmark, the Netherlands, the U.S. for it's glass and Germany for its chandeliers, and stained glass. In the 1900 world exhibition in Paris many more countries like Sweden and Hungary had there Art Nouveau works there. In all of these places Art Nouveau grew and flourished and became the movement it was.
Society in most places was beginning to change in the late 1800s. The cinema was invented in 1895 a few years after Art Nouveau began. There was technological progress the industrial era was co...
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...ment they were being built in. He is a great representative of Art Nouveauwith his seemingly overly organic work, though people were critical of his work during his time now he is a big part of Barcelona.
Victor Horta (1861-1947) was a Belgium Art Nouveau artist. He also was an architect. He created the Tassel House which was one of Europe's first definite examples of an Art Nouveau building. One of Belgium's most famous architects. William Morris (1834-1896was an English Art Nouveau artist. He was one of the creators of the arts and crafts movement that influenced many other Art Nouveau artist. An architect turned decorator his products were highly sought after and very costly. He created wall papers, fabrics, and prints made with quality and very hard to make made mostly of nature. He set a path for Art Nouveau which was just beginning at the time of his death.
History plays a very important role in the development of art and architecture. Over time people, events, and religion, have contributed to the evolution of art. Christianity has become a very common and well established religion, however, in the past it was hidden and a few people would worship this religion secretly. Gradually, Christianity became a growing religion and it attracted many converts from different social statuses. Christian art was highly influenced by the Greco-Romans, but it was immensely impacted by the establishment of the Edict of Milan in the year 313 AD. The Edict of Milan was so significant that scholars divide Christian art into two time periods, time before and after the Edict of Milan of 313.
He used the ideas from Art Nouveau, Art Deco, constructivism, and fellow artists like Wassily Kandinsky. Art Nouveau was a movement from the late 19th early 20th century, that inspired the use of geometric, and organic forms, ultimately making natural forms more angular. Art Deco was a material style movement from the 1920s, that was a blend of modernity with classical pasts. Those were expressed through geometric shapes and streamlined forms; it was a sophisticated kind of elegant. Constructivism movement was one of art and architecture that was geared towards unity or social change since it developed after World War I. The style of the movement was abstract and accepted modernity, normally geometric, but was preferred to be of objective form not subjective. Artists like Wassily Kandinsky were abstract expressionists, embracing the expressionism movement, that was geared towards showing emotion and universal themes. They blended the concepts of surrealism and abstract art to generate a style that fit postwar moods (anxiety, trauma). Bubbles used key elements of all these movements that were before his time in his work, which defined his style. He used the elements of color, geometry, symbols, and art history, as well as others in his visual designs. The styles used in Bubbles work always went against what society accepted as design
In the 1880’s the movement known as Impressionism was coming to an end. The eight and last Impressionist exhibition was held in Paris during 1886 (Time). Although Impressionism was coming to an end new forms of art arose to take its place. Some famous artists producing during this time include, Van Gogh, Georges Seurat, and Odilon Redon (Georges). Odilon Redon started his own movement known as Symbolism, which strives to give form to ideas and emotions (Odilon). Another painter responsible for creating a new style is Georges Seurat. Seurat was a French painter who popularized and developed his own style called pointillism.
Art Deco was a style that flourished throughout 1910 to around 1935. Known for its advancements in the art of advertising, the style had begun to prosper around the start of World War I (1914 – 1919), and had further developed to become a combination of various styles, as well as a rebellion against the concepts of Art Nouveau. Originally known to be referred to as the Art Moderne style, the name was changed only after the period had already passed its peak. The origin of the name involved the idea of decorative arts, hence the shortened name Art Deco, but previously the style had taken root within the time period of Modernism. Modernists sought to abstract the form and move away from the naturalistic curves found within the Art Nouveau period,
The most important aesthetic and philosophical style was developed in the eighteenth century, yet this style did not reach its apex until the nineteenth. With Christian elements and strong moral the movement appealed to the newly wealthy middle classes. The notable increase in prosperity that accompanied the Industrial Revolution was largely based on the accumulative benefits of inexpensive imports for the colonies. This new found affluence and status for the middle-class, has naturally revealed in the types of homes they lived in and the style in which they decorated and ornamented them. Unsure how to begin this new style of living, they chose architecture and furnishings that had previously been only for the aristocracy and the upper class. The critics of high Victorian style, known as the Aesthetic Movement, objected not only to the style and quality of machine-made furnishings but also to the manner in which they were used in the home. The typical middle-class drawing room was crammed full of furniture, fabrics were used in abundance and every available surface was overflowing with knickknacks. Such displays were a means of showing off their new-found cultural interests, prosperity and status. They were also in accord with the fashionable notion that bareness in a room was in poor taste. Victorian Gothic style was zenithed in the mid-nineteenth century by those who yearned to return to the complexity of the skilled craftsmanship and design that prevailed in the Middle Ages.
Art Deco as an art mover has had a lot of influence in the history of arts and was under the influence of the past art movements and different cultures, the present lifestyle and the societies of the life changing World War I and II. In design Art Deco was glamorous and in style it was luxurious. Major influences were the styles of art and the French crafts of high standards, different cultures and avant-grade art. It wasn’t just a normal style that reflected adventure, entertainment and leisure but a highly enjoyed taste by all classes of people with different minds after Second World War. It handed down its concepts of design and traditional and modern visual styles to younger generations while at the same time its styles influencing many present-day designers (Hillier & Escritt, 2004).
The Art Deco movement had its beginnings in Paris, at the 1925 Exposition Internationale des Arts Decoratifs which was a showcase for new inspiration and was initially meant to advertise the authority of the French in the creation and manufacturing of luxury goods. With a small, yet faithful following from the early 20th century, Art Deco evolved from nationalism, Art Nouveau, Cubism, Futurism, Neo-Classism, and modernism, and flourished after World War 1, achieving global popularity between the two world wars, primarily in the jazz age of the roaring 20's and 30's. As a result of a civilization ravaged by war and the deprivation and poverty that follows war, intertwined with the hopefulness of the machine age and the new women's liberation
The Art Nouveau style and movement, at its height between 1890 and 1910, enabled a sense of freedom for both its artists and the public as a whole. It offered strikingly original ideologies and transformed both the artistic and the mundane world alike with common characteristics like curvilinear shapes and a sense of the return to the natural and to nature as well as being at the crux of a fundamental change in how artworks were mass produced. The Art Nouveau style seemed to walk between the two worlds: it was simultaneously fantastical and grounded in reality and there was no artist in the period that was better equipped to “know and see the dance of the seven veils,” (Zatlin) than Aubrey Beardsley. It is impossible to fully discuss the value
The impressionist movement is often considered to mark the beginning of the modern period of art. It was developed in France during the late 19th century. The impressionist movement arose out of dissatisfaction with the classical, dull subjects and clean cut precise techniques of painting. They preferred to paint outdoors concentrating more on landscapes and street scenes, and began to paint ordinary everyday people and liked to show the effects in natural light.
In addition, there was a need to politically regroup. With a lack of a stability, the art world went through many changes, including many of its artist fleeing to America. A few remained such as Pablo Picasso and Pierre Bonnard. Modernism grew as artists felt that the traditional forms of art and architecture were becoming dated in the time where there was a new economic, social, and political formations rising due to the upcoming industrialized world. Consequently, 1950s, Switzerland and Germany developed a design movement called International Typographic Style. This design movement spread throughout the world and is still being used today. Just after World War II, minimalist elements were evident as seen in the use of system of grids and sans serif type. Evolving from Futurism, Constructivism and the Bauhaus, this system was based on the idea that the typography should be totally clear allowing no distraction from the content. In this modern style historical traditions are disregarded. This international style allowed for it to be used and adaptable to many sectors like architecture, furniture and graphic
The Impressionism period for the longest time was considered to be the first distinctly modern movement in painting. The Impression period first started in Paris in the 1860s and its influence spread throughout all of Europe and eventually made it’s way to the United States. The originators of this time period were artists who rejected the official; government subsidized exhibitions, or what the French would call, “salons”, and they were consequently shunned away by powerful academic art institutions such as the, “Acedémie des Beaux Arts" (Academy of Fine Arts). Removing themselves from the fine finish and details to which most artists of their day aspired, the Impressionists during this time, their goal was to capture the momentary, sensory
The start of the Renaissance ended the period in which we refer to as the Middle Ages. The Renaissance began in the 14th century, an age of great creativity and change in many areas. Classical ideas were modified, and political, social, economic, and cultural values were reborn as a result of the achievements of certain individuals. Occurring subsequently, the Reformation was an upheaval of beliefs in religious, political, intellectual, and cultural views that caused fragmentation in Catholic Europe. The era of the Renaissance and Reformation were a significant point in history which effectively ended the medieval period, creating a revolutionary departure from the Middle Ages. The Renaissance Period was a rebirth of ideas and concepts after the Middle Ages, the cultural movement focusing on art, history, and literature, all of which had a considerable impact upon Christianity.
They all stressed the importance of handmade, decorative, ornamental and functional designs. William Morris started the movement as a reaction against the machine and stressed the importance of working with your hands. He didn’t see the beauty in mechanically produced things and neither did Art nouveau artists and Modernista architects. They all collectively stressed the importance of new never before seen structures and styles that would inspire people and bring beauty to a world that was becoming bland and repetitive.
During the 19th century, Paris went through a series of change as the medieval city developed into a modern metropolis. Innovations throughout this period as well as a change of attitude towards social classes and Academic art became the catalysts that birthed the artistic movement, Impressionism. Paintings such as Le Pont de l’Europe by Gustave Caillebotte, Interior View of the Gare, St-Lazare: The Auteuil Line by Claude Monet and Boulevard Montmartre, matin d’hiver by Camille Pissarro encapsulated the artistic and social contexts of Impressionism.
During the 19th century, a great number of revolutionary changes altered forever the face of art and those that produced it. Compared to earlier artistic periods, the art produced in the 19th century was a mixture of restlessness, obsession with progress and novelty, and a ceaseless questioning, testing and challenging of all authority. Old certainties about art gave way to new ones and all traditional values, systems and institutions were subjected to relentless critical analysis. At the same time, discovery and invention proceeded at an astonishing rate and made the once-impossible both possible and actual. But most importantly, old ideas rapidly became obsolete which created an entirely new artistic world highlighted by such extraordinary talents as Vincent Van Gogh, Eugene Delacroix, Paul Gauguin, Paul Cezanne, Toulouse-Lautrec, and Claude Monet. American painting and sculpture came around the age of 19th century. Art originated in Paris and other different European cities. However, it became more popular in United States around 19th century.