This piece is called Diego by Andres Martinez, Jr. It is a mixed media on canvas portrait of a past friend. Many of Andres Martine, Jr.’s work came from his life experiences. Andres Martinez, Jr. made this piece as a memorial to his good friend Diego (Artist’s talk, exhibition opening). Diego died in a fight with the cops five years ago (Artist’s talk, exhibition opening). Diego wasn’t just an artist he told the story of the streets. He used the city buildings as his canvas. The painting is actually of Diego. His face is covered in graffiti. Andres Martinez, Jr. told us that to create this work, he sprayed the canvas with spray paint multiple times and scrapped it off until he got his end result (Artist’s talk, exhibition opening). He says it is like trying to buff out the memories just like the city workers buff out the graffiti off the city walls (Artist’s talk, exhibition opening).
3. RESPONSE
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Diego was the only part of the exhibit that was two dimensional. As I approached Diego, I was consumed by it. I was honestly curious as why it was a part of the exhibit. When I got a good looking at the work, it just left me with more questions. The person in the work was expressionless, but through his eyes I knew they had a story to tell. I found myself analyzing the work to try and determine the story behind it. I chose this work because it evoked emotion and curiosity in me. After hearing the background of this portrait, I knew why it brought out some many emotions in me. I can absolutely relate to the artist’s reasoning for method in creating the portrait. Trying to scrap away the painful memories of losing someone close to you. I was drawn into the face of the person in the portrait. Even though I don’t know the whole story of Diego, I still feel like I sympathize with him. His facial expression have me the impression that he lived a hard
Raul Ramirez is a very confident, creative student that is in Mr.Ward’s high school english class in The Bronx,New York, who loves to paint. Raul used to paint his sister by bribing her with whatever he could scunge up,but know his girlfriend just sits for him. He knows that painting will not give him much money and tells the readers by saying “People just don’t get it.Even if I never make a dime --which,by the way,ain’t gonna happen--I’d still have to paint.” Raul is also a very shy teenager that wants to be an artist and will be the first person in his family to be a painter if he becomes one. The thing is even though his “brothers” don’t support him--by laughing at him and saying he's loco-- he still wants to paint and says it by saying
I believe that the purpose of this art piece is to portray Afro-Cuban imagery and show the kinship between humans and nature. The painting is medium size, it is 42 in. x 35 in. In spite of the fact that the painting is 68 years old, it is in a pretty good condition: it barely has any scratches or cracks, fissures. The colors look faded. However, it might have been the intentional part of the concept.
Felipe Guaman Poma de Ayala was an ethnic Andean, deeply inspired by the injustice of the colonial regime, he wrote a massive manuscript in 1615 about the history of the Inca Empire to the King of Spain. His masterpiece includes 1,200 pages, of which 398 were images full of details, that are clearly considered by the artist to be the most direct and effective way of communicating his ideas to the audience. Felipe de Ayala focused on the conflicts between the settlers and the natives to reveal, in his powerful drawings, his wider purpose of a desire for a colonial reformation that will bring stability and justice to the Andean people. Two major reasons that motivated Ayala to write the manuscript are broadly seen in his drawings: the first is the mistreatment towards him and the second is a more direct discrimination of the native Andeans.
...elationship between the people in the composition and their feelings in each other’s company. The viewer is forced to think critically about the people in the painting and their feelings and body language.
In this work, the colors and shapes come together to form the depiction of a woman in a chair gazing out at the landscape beyond a window. This subject matter relates to Picasso’s infamous relationship with women and may serve as a depiction of one of the many women he was linked with. The painting depicts the woman with a dual omniscient and introspective vision. Picasso develops this dichotomy through the depiction of a wayward eye gazing out the window and a larger ubiquitous eye glaring directly at the viewers. In constructing such a contrast, the painter is able to convey the personality...
Though most works of art have some underlying, deeper meaning attached to them, our first impression of their significance comes through our initial visual interpretation. When we first view a painting or a statue or other piece of art, we notice first the visual details – its size, its medium, its color, and its condition, for example – before we begin to ponder its greater significance. Indeed, these visual clues are just as important as any other interpretation or meaning of a work, for they allow us to understand just what that deeper meaning is. The expression on a statue’s face tells us the emotion and message that the artist is trying to convey. Its color, too, can provide clues: darker or lighter colors can play a role in how we judge a piece of art. The type of lines used in a piece can send different messages. A sculpture, for example, may have been carved with hard, rough lines or it may have been carved with smoother, more flowing lines that portray a kind of gentleness.
...n image of desolate grief that the lone brother feels for his lifeless sibling. Image is truly the most important element in the style of this story.
Art movement’s characteristics vary from nation to nation, but painting can be used as a critique of the socio-political reality in a given nation. It is a creative way to communicate with a population about economic, education and social issues. Therefore, The History of Cuernavaca and Morelos: Crossing the Barranca (ravine) Detail (1929-30) Fresco by Diego Rivera is a good example of how an artist uses his creativity to connect with people in relation to Mexican history. Art is an inspired way to share the complexity and challenge of a community. It can be used a way to respond to them likewise. Therefore, the concept of accessibility takes ingenuity. With his deepen knowledge of European and ancient Mexican art, it was not a documentation
The painting entitled `Zapata con el caballo de Cortés` was painted in 1931, eleven years after the end of The Mexican Revolution, by the Mexican muralist – Diego Rivera. It represents the social economic and political revolution in Mexico led by peasants under the conduct of Emiliano Zapata against the authoritarian regime of the former president - Portfolio Diaz. In this analysis I will focus on the characters, the setting, the colours and the way they communicate in the painting.
Diego Rivera was born December 8th, 1886, in Guanajuato, Mexico (1). He first began creating art and murals at the age of three after the death of his twin brother (2). His parents caught him but rather then punishing him for it they instead nurtured his growing creativity by installing canvas and chalkboards on the walls (2). At the age of 10, Rivera went to further his knowledge at the San Carlos Academy of Fine Arts in Mexico City (1).
The painting has realistic 3 dimensional space by the use of linear perspective and chiaroscuro. It also looks to be 2 dimensional as well, because it almost looks like some influence on the Japanese print, like flat patches of paint. The lines converge from the edges of the paint to the center letting off the effect of a background and a foreground. It looks as though the trash is in the foreground and the man is in the background. In the back of the painting, it is darker which also adds to the effect of the 3 dimensional space.
As I enter the Gioconda and Joseph King Gallery at the Norton Museum of Art the first thing that Caught my attention was a painting measuring approximately at 4 ft. by 10 ft. on the side wall in a well- light area. As I further examine the painting the first thing I notice is that it has super realism. It also has color, texture, implied space, stopped time, and that it is a representational piece. The foreign man sitting on the chair next to a bed has a disturbed look on his face and is deep into his own thoughts. It’s as if someone he loved dearly just experienced a tragic and untimely death. He is in early depression. I could feel the pain depicted in his eyes. A book titled The Unquiet Grave lying open on the floor by the unmade bed suggesting something is left unresolved. The scattered photos and papers by the bedside cause redintegration. The picture of Medusa’s head screaming on the headboard is a silent scream filled with anger and pain, yet it cannot be heard. I feel as if I am in the one sitting in the chair and I can feel the anger, and regret.
Mexican art consists of a vast area of visual arts that have been developed over the geographic area of Mexico. The influence of art did occur during the Mesoamerican era and colonial period. The art is seen as indigenous and was tied to religious and the ruling class. Mexican art also reflects the influence of ancient and modern art of colonial and revolutionary part. The Mesoamerican era did influence, painting style through regional traditions. They are also known for depicting indigenous villagers, designs from pre-colonial civilization, and communist imagery.
Although his illustrations are incredibly precise and thought provoking they still maintain a sense of ambiguity in the fact that the people are never given a sense of identity. A stereotypical outline of the figure is often used in a grayscale or black and white depiction and it leads the viewer to question whether the person is male, female, old, young, or of a different race. This is successful in portraying the fact that we all operate according to the same basic functions but this often leaves the work feeling emotionless and rather mechanical. We know now that this is simply not true, we are very much reliant on emotions to carry out certain biological processes within the brain and stray quiet far from the rigidity of me...
Pablo Picasso was one of the most recognized and popular artist of all time. In Pablo’s paintings and other works of art, he would paint what he was passionate about and you can see his emotions take control throughout his paintings and other works of art. Pablo Picasso works of art include not only paintings but also prints, bronze sculptures, drawings, and ceramics. Picasso was one of the inventors of cubism. ” Les Demoiselles d'Avignon” is one of Picasso famous paintings; this is also one of Pablo’s first pieces of cubism. Picasso went through different phases in his paintings; the blue period, rose period, black period, and cubism. Picasso was a born talented artist, with his dad setting the foundation; Picasso became the famous artist of the twentieth century.