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Recommended: Is art important
Alice Neel
English Composition II
Professor Michael Cain
Kamala Chan
September 12, 2014
Throughout history, many artists have made their mark, and left their legacy in the world with their artwork. Their pieces are their stories, their lives, and their life's purpose. However, many times, the modern world may not see these works of art as stories, but instead, as just, art! If one were to take the time to learn about the artist and their life, art would be so much easier to understand, and read. One artist in particular whose life can be reflected in her artwork is Alice Neel. Alice Neel was born in the early twentieth century, a time when women didn't have an opinion. She tells a reporter that she remembers her mother telling her, "I
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It shows her at eighty years old, she paints her mirror reflection, and she is completely naked. She shows herself as an elderly woman with many imperfections. She shows saggy breasts and wrinkled skin. She illustrates the opposite image of a perfect woman. (Cremmins, 2104) When she discussed this painting, she said "Frightful isn't it? I love it. At least it shows a certain revolt against everything decent". (Cremmins, 2104) This painting shows her literal reflection. It is of her painting how she views herself in the world. She is pure, she is naked, and she is truth. She paints herself with all her differences and flaws. She believed in being human, not being perfect. It shows in this particular piece of artwork, where she focuses on herself instead of others. She doesn't hide who she is for the world and its …show more content…
(n.d.). Retrieved September 11, 2014, from Alice Neel: http://www.aliceneel.com/biography/
Cremmins, L. (2104, February 14). Alice Neel: Portraits of Women in 1970's America. Retrieved September 11, 2014, from American Studies: http://www.americansc.org.uk/Online/Online_2012/neel.html
Gribbon, D. A. (2014, March 5). Reflection and Identity: Examining the Work of Artist Alice Neel. Retrieved September 2104, 2014, from Cleveland Museum of Art: http://www.clevelandart.org/blog/2014/03/05/reflection-and-identity-examining-work-artist-alice-neel
Nadel, A. (2007). Alice Neel. Retrieved September 11, 2014, from Pabook Libraries:
Rappaport, Doreen. American Women, Their Lives in Their Words: Thomas Y. Crowell, New York 1990
My initial thought about this painting is that it seems to be incorrect. The reflection in the mirror shows that the lady is looking in the direction of the man standing in front of her. If the lady is looking at the man their reflections should not be off to the side. The second observation is the lady is sad or disappointed and is looking past the man standing in front of her. My last observation is there are three sections from left to right; bottles and the audience, the lady, and the reflections of the lady and man. The most interesting concept about this artwork is how the reflections seem to be inaccurate. If the bottles and the reflections of the lady and the man standing in front of her are at an angle, then why are the vertical lines perpendicular to each other?
Though most works of art have some underlying, deeper meaning attached to them, our first impression of their significance comes through our initial visual interpretation. When we first view a painting or a statue or other piece of art, we notice first the visual details – its size, its medium, its color, and its condition, for example – before we begin to ponder its greater significance. Indeed, these visual clues are just as important as any other interpretation or meaning of a work, for they allow us to understand just what that deeper meaning is. The expression on a statue’s face tells us the emotion and message that the artist is trying to convey. Its color, too, can provide clues: darker or lighter colors can play a role in how we judge a piece of art. The type of lines used in a piece can send different messages. A sculpture, for example, may have been carved with hard, rough lines or it may have been carved with smoother, more flowing lines that portray a kind of gentleness.
Alice Neel’s painting Suzanne Moss was created in 1962 using oil paint on canvas. As the title suggests, the painting depicts a woman’s portrait. Now resigning in the Chazen Museum in Madison, WI, this portrait of a woman lunging is notable for the emotional intensity it provokes as well as her expressionistic use of brush strokes and color. The scene is set by a woman, presumably Suzanne Moss, dressed in dull back and blues lounging across a seat, staring off to the side, avoiding eye contact with the viewer. The unique style and technique of portraiture captures the woman’s piercing gaze and alludes to the interior emotions of the subject. In Suzanne Moss, Alice Neel uses desultory brush strokes combined with contrast of warm and cool shadows
When first approaching this work, one feels immediately attracted to its sense of wonder and awe. The bright colors used in the sun draws a viewer in, but the astonishment, fascination, and emotion depicted in the expression on the young woman keeps them intrigued in the painting. It reaches out to those who have worked hard in their life and who look forward to a better future. Even a small event such as a song of a lark gives them hope that there will be a better tomorrow, a thought that can be seen though the countenance by this girl. Although just a collection of oils on a canvas, she is someone who reaches out to people and inspires them to appreciate the small things that, even if only for a short moment, can make the road ahead seem brighter.
The feminist art movement was a movement that set into motion to fight for equality, women’s liberation and women’s rights overall. The view of artistic production through the female perspective brought high visibility to the female artist, and was the beginning of many influential female artists whom made both political and strong social statements through the centuries. The feminist art movement became a platform in which female artists could rebel and express their opinions, views and ideas. By the 1960’s women had reached their tolerance level with being good enough to be placed on works of art for gawking purposes, but not good enough to be seen as an artist. This was a time when female artist began producing art that reflected the lives of females from their perspectives and not from a man’s
Schneider, Dorothy. American Women in the Progressive Era 1900-1920. New York: Facts on File, 1993.
Sicherman, B., & Green, C. H. (1980). Notable American women: The modern period : a biographical dictionary. Cambridge, Mass: Belknap Press of Harvard University Press.
From many of Dorothy Allison’s writings “This Is Our Word” made me understand what the true meaning of art really is. Allison uses great strategies in her writing like the usage of her tone, and also the descriptive language she uses to describe art and create imagery. Many people like me can look at a picture and stare at it for a long time and still wouldn’t be able to see what it means or what it’s trying to say. Allison made me understand that art isn’t just a picture with bright colors; she made me realize that everything tends to have a story behind it.
Art is a very important part of humanity’s history, and it can be found anywhere from the walls of caves to the halls of museums. The artists that created these works of art were influenced by a multitude of factors including personal issues, politics, and other art movements. Frida Kahlo and Vincent van Gogh, two wildly popular artists, have left behind artwork, that to this day, influences and fascinates people around the world. Their painting styles and personal lives are vastly different, but both artists managed to capture the emotions that they were feeling and used them to create artwork.
Aristotle once claimed that, “The aim of art is to represent not the outward appearance of things, but their inward significance.” Artists, such as Louise-Elizabeth Vigée Le Brun and Mary Cassatt, captured not only the way things physically appeared on the outside, but also the emotions that were transpiring on the inside. A part no always visible to the viewer. While both artists, Le Brun and Cassatt, worked within the perimeters of their artistic cultures --the 18th century in which female artists were excluded and the 19th century, in which women were artistically limited-- they were able to capture the loving relationship between mother and child, but in works such as Marie Antoinette and Her Children and Mother Nursing her Child 1898,
Elizabeth McMahan, Susan X. Day, and Robert Funk. 4th Ed. -. Upper Saddle River: Prentice, 1996. 293-307. Hewitt, Nancy. A. "Beyond the Search for Sisterhood: American Women's History in the 1980's.
She is said to have be showing a moment of elation and deep repentance, with tears in her eyes with her gaze raised heavenwards, while washing his feet and drying them with her hair. Her nudity signifies, based on the medieval legend that her clothes fell apart at some point in in the years she spent repenting in the desert in pursuit of the Ascension of Jesus. This painting was probably created to show us a way of seeing what the painting is meant to achieve. The hair was most likely displayed on her body the way it was to create a disguise, along with her nudity. The way she gazes up was probably away to arrange her body to catch the attention of them male who looking at this painting an eye catcher if he thinks she is posed to be in a sexual
The first painting analyzed was North Country Idyll by Arthur Bowen Davis. The focal point was the white naked woman. The white was used to bring her out and focus on the four actual colored males surrounding her. The woman appears to be blowing a kiss. There is use of stumato along with atmospheric perspective. There is excellent use of color for the setting. It is almost a life like painting. This painting has smooth brush strokes. The sailing ship is the focal point because of the bright blue with extravagant large sails. The painting is a dry textured flat paint. The painting is evenly balanced. When I look at this painting, it reminds me of settlers coming to a new world that is be founded by its beauty. It seems as if they swam from the ship.
These works may be labeled objectifying also because a male painter painted them. Today, these works could be seen as empowering to women. The first painting gives off an emotional ride of one duplicated woman or two women. The second painting shows an emotional journey of prayer and relaxation of a woman sitting in the lotus position. The third painting could represent a strong and empowered women respecting herself and her body. Times have changed and so have views of women in society which have influenced a change in how people view nude women in