Arne Jacobsen is an architect and designer from Copenhagen. He went to the Royal Academy of the Arts, and studied architecture. Jacobsen began his career by designing small houses and later on he was commissioning to work on big projects. Inspired by architects and designers of his time, Jacobsen set new standard in both architecture and design. With the Ant, Egg, chairs and the SAS Hotel Jacobsen had the opportunity to created modern designs combined with nature that became popular. He adopted to use organically flowing lines and he also gave his design naturalistic names.
In 1952 Arne Jacobsen designed one of his most famous chair the Ant. Jacobsen designed the Ant chair for the Novo Company and it was produced by the manufacturer Fritz Hansen. The Novo Company was looking for a perfect chair for their cafeteria “something not too expensive, stackable, lightweight, and sturdy that wouldn’t take up much floor…” (Mount and Bartolucci 14). With these requirements in mind Jacobsen began to design the chair inspired by plywood chairs, until he came up with the Ant chair. The Ant chair...
One the most distinguished artists of the twentieth century, Jacob Lawrence was born in Atlantic City and spnt part of his child hood in Pennsylvania. After his parents split up in 1924, he went with his mother and siblings to New York, settling in Harlem. "He trained as a painter at the Harlem Art Workshop, inside the New York Public Library's 113 5th Street branch. Younger than the artists and writers who took part in the Harlem Renaissance of the 1920s, Lawrence was also at an angle to them: he was not interested in the kind of idealized, fake-primitive images of blacks - the Noble Negroes in Art Deco guise - that tended to be produced as an antidote to the toxic racist stereotypes with which white popular culture had flooded America since Reconstruction. Nevertheless, he gained self-confidence from the Harlem cultural milieu - in particular, from the art critic Alain Locke, a Harvard-trained esthete (and America's first black Rhodes scholar) who believed strongly in the possibility of an art created by blacks, which could speak explicitly to African-Americans and still embody the values, and self-critical powers, of modernism. Or, in Locke's own words, "There is in truly great art no essential conflict between racial or national traits and universal human values." This would not sit well with today's American cultural separatists who trumpet about the incompatibility of American experiences - "It's a black thing, you wouldn't understand" - but it was vital to Lawrence's own growth as an artist. Locke perceived the importance of the Great Migration, not just as an economic event but as a cultural one, in which countless blacks took over the control of their own lives, which had been denied them in the South: When years later he told an interviewer that "I am the black community," he was neither boasting nor kidding. He had none of the alienation from Harlem that was felt by some other black artists of the 1930s, like the expatriate William Johnson.
Many of Frank Gehry’s early works reflect a refined manipulation of shapes and structures, whereby many of his buildings present distorted shapes or apparent structures. From the Guggenheim museum to the Walt Disney concert hall, Frank Gehry’s architecture is close to none. He cleverly plays with shapes and geometries. In this essay, I shall start with a brief analysis of Gehry’s house and the influences in the design of the house. I shall then analyze the extent to which Frank Lloyd Wright has inspired and influenced Gehry in the design of his house through a comparison with Frank Lloyd Wright’s Jacob’s house.
Born shortly after the end of the Civil War in 1867, Wright grew up mostly in Madison, WI. After college, he secured a position with the prestigious Chicago architectural firm Adler & Sullivan in 1887. A disagreement with Sullivan six years later, forced Wright to start his own firm. After he designed six other homes is when Wright started to come into his own permanent designs in architecture. He came to use repetitive design elements in his plans that included the open concept, fireplaces, glazed windows and doors and the use of organic materials that were incorporated into the homes. Some of these designs o...
Jacob Lawrence Jacob Lawrence's unique career has earned him a National Medal of Arts, election to the National Academy of Arts and Letters and the National Academy of Design, a National Council of the Arts commisionership, and dozens of honorary degrees and awards, including the NAACP's Spingarn Medal. His paintings have been featured in several major art exhibitions and many different museums. Lawrence's parents came from the south, but they moved to Harlem, where Lawrence grew up. Lawrence was born in 1917 and grew up in Harlem during the Great Depression. He had many extraordinary educational opportunities as well as his first employment as an artist.
chair which was used in every room of the house by the Federal Period. Many of the
...ire--a man creates a home for Americans that can stand the test of international comparison. When his work was published in a sumptuous monograph in Berlin, Germany, in 1910, it was the design of the Robie House that caught everyone's eye. European builders had been enmeshed in their dependence on historical forms. Wright and the Robie House of 1908 showed them the way to the fundamental patterns of modern architectural expression. So much so, in fact, that even the extremes of cubistic modern architecture, the "cigar-box covered with cold-cream" style may be traced back to the influence of Wright's Robie House." While this quote is specifically speaking of the home itself you cannot ignore that the interior pieces that were created for the home, especially this dining room set reflects the same sense of unique, eye catching, new style of modern functionality.
His interest in nature started in his early life because as he stated himself “I had been born into it and trained in it” (Wright,1977:52). His love for the environment and desire to be an architect made him start working with other practitioners as their pupil before opening his own practice. While inspiring himself from the
One of the most influential and well-known architectural engineers in America during the twentieth century has got to be Frank Lloyd Wright. He’s created and designed many creative and functional buildings for most of his career which spanned to about seventy years. His futuristic and modern designs were unique and creative, yet they were still functional for one to live in them. His eccentric thinking has brought about and greatly influenced the image of twentieth century architecture. His works have paved the way to the designs and structures of the civil engineers and architects that we have today in the twenty-first century.
He said that the struggle with the nature, in order to explore more, had inspired his piece of architecture (Lipman and Wright 2003). This term was coined by Frank Lloyd Wright, but it was not much articulated in the style of writing over the years. Hence, the organic architecture aimed at not only knowing the design processes of the buildings but also studied the thought that went behind (Storrer and Wright 2002). In the perception of Wright, the houses in the present times, are mere examples of houses cut with scissors from a cardboard, which is the opposed to the philosophy of Curtis. Wright believes that there is no modernistic outlook in the designers of the present times and they lay more emphasis on the use of machinery and the mechanical processes for building the most powerful piece of architecture. Therefore, as opposed to this mechanistic view, Wright adopted the organic view of architecture. when the designer of the building has sympathetic approach towards the site, materials and surroundings, organic architecture is the most appropriate form of architecture as it means the philosophy in the field of architecture which encourages the combination of human habitation and natural
Wright avoided anything that might be called a personal style (Encarta 1), but he defined his architecture as “organic,” which he saw as a principle of order, structure, and form relating in the process of nature (Burns 8). This meant that every building should relate harmoniously to it’s natural surroundings, and the building should not be a static boxlike enclosure but a dynamic structure with open flowing interior spaces. He once said, “No house should ever be on a hill or anything. It should be of the hill, belonging to it. Hill and house should live together each the happier for the other (Official Site 1).” He achieved this design using geometric shapes that would form a pattern. His first models were mostly squares and he later used diamonds, hexagons, circles, and other geometric units for which he would lay the floor plan (Encarta 1). Wright also used long projections, often balconies or rooftops that were supported at only one end to create this effect. These geometric designs and jutting projections made Wright’s designs the opposite of the boxes with openings that he was trying to avoid.
Morality has been questioned by people, honored by people, and revered since the dawn of time. Yet to this day, not one of us can say what is morally right? It is all up to the person’s opinions. In the book Frankenstein, by Mary Shelley, Doctor Frankenstein is faced with a question of morality: whether to create another monster. It was morally right for Doctor Frankenstein to not create the second monster.
Mies created established characteristics that became essential for modern architecture. “Less is more”. These three words really jump started the modernist movement in architecture and embodies the philosophy of minimalism. Stripping away the ornament and décor to get to the essence of a building. Mies van der Rohe changed architecture through these radical ideas. Many of these concepts we still see today in modern and minimalist styles. The simple and open plan has been replicated
His works were totally reflected and enhanced the environment of nature on the site, the whole idea of a house could be were forever changing when it is his design. Wright’s architectural achievements in simplicity and unity were possible to be build supported by the method of the construction and materials like; Reinforced concrete, steel, metal sheet, glass plate and plastics. This genius architect offered a building with a relationship of Architecture and landscape, with community as well. Many projects nowadays have influenced from Wright’s modern styles, this well-known architect has many influences that became his principles. First is his exemplary teacher...
architecture to just the designing of buildings. He feels that architecture involves more than just
In the past, there have been many famous artists, but few of them contributed their artistic skills to the design of the home. Michelangelo was a famous interior designer who created the most magnificent places for the richest of people. He made quantum use of his beautiful sculptures and paintings to create a rich ambiance. This is how interior design first began as a career. Years later, furniture, draperies, and wall coverings were included. Elsie de Wolfe was the first to practice interior design in the 1950s. Adam and Louis Comfort Tiffany, two American brothers, began a company to create beautiful furnishings and art, especially stained glass.